The novel follows the journey of Ira Overman, veteran of multiple botched careers and a singularly botched marriage, as he makes one last attempt to rise above the guilt, weakness, and self-hatred that have been hard-wired into his soul since birth. Through an unlikely side effect from a seemingly routine surgery, Overman suddenly finds himself trying to reconcile newfound powers with the man he used to be, determined not to repeat the poor choices of his past. Overman succeeds at righting some of his former wrongs, fails miserably at others, but, most importantly, gains a small yet significant window into a life that matters.

    Wall Street speculators, the Manhattan downtown club scene, Russian gangsters, immigrant neighborhoods - all the elements in the urban turf of this finely crafted contemporary crime novel wed danger with excitement and possibility. They're the rewards that Monty Brogan, who stands at the center of the moral glare in this tale, has already lost, just as he's lost his Corvette, and the "sway" that opened the doors of exclusive night spots and guaranteed him courtside seats at Madison Square Garden. Tomorrow Monty's traveling by bus, to the federal prison in Otisville, for seven years. He's afraid, and all he'd ever really wanted when he grew up was to be a fireman. With the pulse of the city in its prose, this debut novel follows Monty through the twenty-four hours of his last day out. At the same time, it illuminates the worlds, and souls, of his two best friends: Frank Slattery, an edgy bond trader who gambles daily with financial ruin, and Jakob Elinsky, an English teacher who clings to illusions as he compromises his ideals. Friends since their high school days, the three of them nostalgically share a past, but warily they confront a future that can no longer accommodate their adolescent dreams. They meet. They drink, and talk, go clubbing, dance, drink, and remember. What neither Slattery nor Jakob know, however, is that Monty has a plan. It's a shocker.Originally published: New York: Carroll & Graf Pub., 2000.

    -Washington Post Book World A character so outrageous he could only have come from the ingenious imagination of Elmore Leonard, lewd, lecherous, law-bending Florida jurist Judge Robert Maximum Bob Gibbs has been judged guilty by a grudge-bearing malefactor and sentenced to death-by alligator, if necessary. Maximum Bob is a delightfully dark classic thriller from the greatest crime writer of our time, perhaps ever (New York Times Book Review), and any reader who loved getting gleefully lost in criminal mayhem of Get Shorty, Rum Punch, Out of Sight, The Hot Kid, or any number of the inimitable Leonards numerous crime fiction masterworks will get maximum enjoyment out of this one. Product Details: Hardcover Publisher: Imprint unknown (September 26, 1991) ISBN-10: 0670843121 ISBN-13: 978-0670843121 Product Dimensions: 6.8 x 4.1 x 1.1 inches Shipping Weight: 3.2 ounces

    To commemorate its seventy-fifth anniversary in 2014, The Making of Gone With The Wind presents more than 600 items from the archives of David O. Selznick, the film’s producer, and his business partner John Hay “Jock” Whitney, which are housed at the Harry Ransom Center at the University of Texas at Austin. These rarely seen materials, which are also being featured in a major 2014 exhibition at the Ransom Center, offer fans and film historians alike a must-have behind-the-camera view of the production of this classic.Before a single frame of film was shot, Gone With The Wind was embroiled in controversy. There were serious concerns about how the film would depict race and violence in the Old South during the Civil War and Reconstruction. While Clark Gable was almost everyone’s choice to play Rhett Butler, there was no clear favorite for Scarlett O’Hara. And then there was the huge challenge of turning Margaret Mitchell’s Pulitzer Prize–winning epic into a manageable screenplay and producing it at a reasonable cost. The Making of Gone With The Wind tells these and other surprising stories with fascinating items from the Selznick archive, including on-set photographs, storyboards, correspondence and fan mail, production records, audition footage, gowns worn by Vivien Leigh as Scarlett, and Selznick’s own notoriously detailed memos.This inside view of the decisions and creative choices that shaped the production reaffirm that Gone With The Wind is perhaps the quintessential film of Hollywood’s Golden Age and illustrate why it remains influential and controversial decades after it was released.

    An unruly bunch of bright, funny sixth-form (or senior) boys in a British boys' school are, as such boys will be, in pursuit of sex, sport, and a place at a good university, generally in that order. In all their efforts, they are helped and hindered, enlightened and bemused, by a maverick English teacher who seeks to broaden their horizons in sometimes undefined ways, and a young history teacher who questions the methods, as well as the aim, of their schooling. In The History Boys, Alan Bennett evokes the special period and place that the sixth form represents in an English boy's life. In doing so, he raises not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today.

    In the title poem, Bly addresses the "donkey"—possibly poetry itself—that has carried him through a writing life of more than six decades.from "Talking into the Ear of a Donkey"      "What has happened to the spring,"      I cry, "and our legs that were so joyful      In the bobblings of April?" "Oh, never mind      About all that," the donkey      Says. "Just take hold of my mane, so you      Can lift your lips closer to my hairy ears."

    Here, the author argues that the film is both a quantum leap and a logical step in the director's career, and it's a film that speaks powerfully of contemporary concerns.

    As a young man, that secret took hold of his life, and he left the life and the life's work he had made for himself in Boston, to take up residence among the poor in New York City. Ensconced there, he worked among the poor -- and took to writing tales of their success. His novels captured the imagination of a nation bursting with a new wave of immigrants who'd come to our shores -- come to the very port of New York City that was Alger's new home. He used the wealth that came to him to help the poor folks who he loved, and took his secret to the grave. It escaped from there, of course. You can find it if you look a bit. But for the purpose of this fine novel of the rise to riches, it will remain unstated . . .Alger wrote approximately one hundred thirty-five "dime novels." His forte was rags-to-riches stories, describing how boys might be able to achieve the American Dream of wealth and success through hard work, courage, determination, and concern for others. His characters don't achieve great wealth, but rather stability, security, and a place in society which they earn through their efforts. He is considered significant figure in the history of American cultural and social ideals. Bestsellers in their own time, Alger's books rivaled those of Mark Twain in popularity.Adrift in New York involves the disappearance of a son from the household of his wealthy father, John Linden. The boy has been kidnapped by the villainous Curtis Waring, John Linden's nephew, who hopes to inherit the family fortune. Grown up, the youngster lives a precarious life on the streets of New York. When Linden's ward Florence rejects the unwanted attentions of Waring, she is disinherited, forced to live in a tenement and work in a sweatshop . . . until it is discovered that the young man who befriends her is, in reality, Linden's long-lost son.

    He's in charge of making Halloweenland the coolest creepy place around. But when Jack suddenly grows bored with tricks and treats, he goes searching for new ways to celebrate...and he finds them in Christmas Town! Christmas, Jack decides, is just what Halloweenland -- and the world -- needs! He sets out to take over the role of Santa. But can anything good come of a tall and lanky skeleton dressed up as everyone's favorite jolly old elf? Tim Burton's The Nightmare Before Christmas is one of the Walt Disney Company's most successful franchises, with a huge cult following and a loyal and growing fan base. This beautiful reissue of the book first released in 1993 is a surefire Halloween, Christmas, and year-round hit! The Nightmare Before Christmas is the first book that Tim Burton has written and illustrated.

    By shattering preconceptions about the kinds of stories the medium should tell, The Sopranoslaunched our current age of prestige television, paving the way for such giants as Mad Men, The Wire, Breaking Bad, and Game of Thrones. As TV critics for Tony Soprano’s hometown paper, New Jersey’s The Star-Ledger, Alan Sepinwall and Matt Zoller Seitz were among the first to write about the series before it became a cultural phenomenon.  To celebrate the 20th anniversary of the show’s debut, Sepinwall and Seitz have reunited to produce The Sopranos Sessions, a collection of recaps, conversations, and critical essays covering every episode. Featuring a series of new long-form interviews with series creator David Chase, as well as selections from the authors’ archival writing on the series, The Sopranos Sessions explores the show’s artistry, themes, and legacy, examining its portrayal of Italian Americans, its graphic depictions of violence, and its deep connections to other cinematic and television classics.

    A teenager (Saoirse Ronan) navigates a loving but turbulent relationship with her strong-willed mother (Laurie Metcalf) over the course of an eventful and poignant senior year of high school.

    It is a tour through a now unrecognizable city of abysmal poverty and habitual violence cobbled, as Luc Sante has written, "from legend, memory, police records, the self-aggrandizements of aging crooks, popular journalism, and solid historical research." Asbury presents the definitive work on this subject, an illumination of the gangs of old New York that ultimately gave rise to the modern Mafia and its depiction in films like The Godfather.

    Her chest felt tight, and her heart was cracking. If only she could be sure her secret was safe. If only she could go home to Ireland…New York, 1933. Ellen looks at her sleeping husband and precious daughter for the last time. They have longed to return home to Ireland for many years, but now the time has come, and the boat is ready to leave. But Ellen knows the dark secret she hides means she can never go back. Heart breaking into a million little pieces, she kisses her little girl goodbye and lays a precious turquoise necklace down beside her head, before fleeing into the night.Ireland, years later. Mairead’s world is falling apart. Recently separated, she has returned home to nurse her dying mother, Brigid. As Brigid passes, she calls out for her mother, Ellen, a woman Mairead knows nothing about.All alone in the world, Mairead is stricken with guilt that she couldn’t honour her mother’s last wish. She travels to New York, the last place her grandmother was seen, clutching all that she has of her – a stunning turquoise necklace and a small black-and-white photograph. Mairead’s search leads her across America to Arizona where she discovers that Ellen was on the run, a wanted woman, accused of a terrible crime.Mairead can’t believe that the young woman with laughing eyes and an innocent smile could have such a dark past. But as she uncovers the secrets and lies that forced her grandmother to abandon her only daughter, will Mairead’s own future be ruined by the shadows of her family’s secrets?Be transported to the wild west coast of Ireland by this beautiful read about the sacrifices a mother will make to protect her child. Fans of The Light Between Oceans and Lisa Wingate will adore this heart-breaking book.

    Many books have been written about him, detailing his achievements as an artist as well his foibles as a human being. None of them, however, has gotten so close to the real man as does Chris Welles Feder's beautifully realized portrait of her father. In My Father's Shadow is a classic story of a life lived in the public eye, told with affection and the wide-eyed wonder of a daughter who never stopped believing that someday she would truly know and understand her elusive and larger-than-life father. The result is a moving and insightful look at life in the shadow of a legendary figure and an immensely entertaining story of growing up in the unreal reality of Hollywood, enhanced by Welles Feder's collection of many never-before-seen family photographs.

    His wife Edna takes a job to tide them over, then she too is sacked. Compounded by the air-pollution killing his plants, and with the walls of the apartment paper-thin, allowing him a constant earfull of his neighbors private lives things can't seem to get any worse...then he's robbed and his psychiatrist dies with $23,000 of his money. Mel does the only thing left for him to do-he has a nervous breakdown and it's the best thing that ever happened to him..."A gift for taking a grave subject and, without losing sight of its basic seriousness, treating it with hearty but sympathetic humor...A talent for writing a wonderful funny line...full of humor and intelligence. Fine fun."-New York Post "Creates an atmosphere of casual cataclysm, an everyday urban purgatory of copelessness from which laughter seems to be released like vapor from the city's manholes."-Time