Neither wife nor widow, she lives in a numb state of limbo until, in the heat of an English summer, she meets Bill, a black American GI. Despite their vastly different backgrounds, neither can deny the love that overcomes them in the frantic weeks that follow, when every day could be their last.After Eva discovers she’s pregnant, Bill is shipped off to join the D-day fight, leaving her alone in a bigoted world. As her mixed-race daughter, Louisa, grows up, how far will Eva go to keep her safe and bury the past? And how far will Louisa go to uncover the truth?

    In time she becomes his lover—then she inexplicably disappears. When Michael next sees her, he is a young law student, and she is on trial for a hideous crime. As he watches her refuse to defend her innocence, Michael gradually realizes that Hanna may be guarding a secret she considers more shameful than murder.

    One stayed at home to raise her children and manage the family apple orchard; the other followed a dream and traveled the world to become a famous photojournalist. But when their beloved father falls ill, Meredith and Nina find themselves together again, standing alongside their cold, disapproving mother, Anya, who even now, offers no comfort to her daughters. As children, the only connection between them was the Russian fairy tale Anya sometimes told the girls at night. On his deathbed, their father extracts a promise from the women in his life: the fairy tale will be told one last time—and all the way to the end. Thus begins an unexpected journey into the truth of Anya’s life in war-torn Leningrad, more than five decades ago. Alternating between the past and present, Meredith and Nina will finally hear the singular, harrowing story of their mother’s life, and what they learn is a secret so terrible and terrifying that it will shake the very foundation of their family and change who they believe they are. Librarian's note: See alternate cover edition of ISBN13 9780312663155 here.

    But in Thirroul, in 1948, she’s not the only person trying to chase dreams through books. There’s Roy McKinnon, who found poetry in the mess of war, but who has now lost his words and his hope. There’s Frank Draper, trapped by the guilt of those his medical treatment and care failed on their first day of freedom. All three struggle to find their own peace, and their own new story.But along with the firming of this triangle of friendship and a sense of lives inching towards renewal come other extremities—and misunderstandings. In the end, love and freedom can have unexpected ways of expressing themselves.The Railwayman’s Wife explores the power of beginnings and endings, and how hard it can sometimes be to tell them apart. Most of all, it celebrates love in all its forms, and the beauty of discovering that loving someone can be as extraordinary as being loved yourself.

    In the summer of 1942, twenty-one-year-old Anne Calloway, newly engaged, sets off to serve in the Army Nurse Corps on the Pacific island of Bora-Bora. More exhilarated by the adventure of a lifetime than she ever was by her predictable fiancé, she is drawn to a mysterious soldier named Westry, and their friendship soon blossoms into hues as deep as the hibiscus flowers native to the island. Under the thatched roof of an abandoned beach bungalow, the two share a private world-until they witness a gruesome crime, Westry is suddenly redeployed, and the idyll vanishes into the winds of war.A timeless story of enduring passion from the author of Blackberry Winter and The Violets of March, The Bungalow chronicles Anne's determination to discover the truth about the twin losses-of life, and of love-that have haunted her for seventy years.

    Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal.Nearly thirty years later, Hugo’s estranged daughter, Joanna, has returned home to the English countryside to arrange her father’s funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.Still dealing with the emotional wounds of her own personal trauma, Joanna embarks on a healing journey to Tuscany to understand her father’s history—and maybe come to understand herself as well. Joanna soon discovers that some would prefer the past be left undisturbed, but she has come too far to let go of her father’s secrets now…

    Despite the protests of both families, they found a crumbling villa on a windy Tuscan hilltop, called San Martino, and they poured themselves into the house and the land–and what they built together bound them together. They had a son. They finished the house. They were happy.But away from her family and the ease of life to which she was accustomed, Alice begins to slip into a vast and encompassing loneliness. She stumbles into an ill-advised affair with a childhood sweetheart that increasingly takes her away from San Martino and into the social swirl of wartime Rome. She is with her lover when her young son dies from meningitis…and her unbearable sorrow is compounded by terrible guilt. Her indiscretion is noticed by a careful pair of eyes–those of Robert Marshall, the master restorer and dealer of renaissance art. In exchange for his silence, he demands Alice hide a priceless Caravaggio at San Martino, a national treasure that he has sold to the Germans. Neither knows, however, that the Caravaggio is, in fact, a fake, painted by Marshall’s assistant as revenge for Marshall’s scorning her as a lover and returning to his pregnant wife. Kristin had merely hoped to privately humiliate Marshall. But his sale of the forgery has placed him in far great danger than she anticipated. Compelled to make things right, she travels to San Martino in an attempt to destroy the painting. Meanwhile, inconsolable at the death of his son and at his wife’s betrayal, Claudio retreats first into silence, and then into an actual absence. He has left, without saying good-bye, without offering the grieving Alice a chance to redeem herself for her ghastly sin. As WWII moves towards its inexorable conclusion, as the front lines sweeps closer and closer to San Martino, Alice and Kristin not only have to confront the onslaught of soldiers and the destruction of everything they hold dear, but also the consequences of their past mistakes.

    The name of the detention centre -- Auschwitz.It was only after arriving at the camp that he started to discover the Nazi’s terrifying designs. Over the next two and half years, Witold forged an underground army that smuggled evidence of Nazi atrocities to the West, culminating in the mass murder of over a million Jews. His reports from the camp were to shape the Allies response to the Holocaust - yet his story was all but forgotten for decades.This is the first major account of his amazing journey, drawing on exclusive family papers and recently declassified files as well as unpublished accounts from the camp’s fighters to show how he saved hundreds of thousands of lives.The result is a enthralling story of resistance and heroism against the most horrific circumstances, and one man’s attempt to change the course of history.

    But as Emma dives deeper into the gardens’ past, she begins to uncover secrets that have long lain hidden.1907: A talented artist with a growing reputation for her ambitious work, Venetia Smith has carved out a niche for herself as a garden designer to industrialists, solicitors, and bankers looking to show off their wealth with sumptuous country houses. When she is hired to design the gardens of Highbury House, she is determined to make them a triumph, but the gardens—and the people she meets—promise to change her life forever.1944: When land girl Beth Pedley arrives at a farm on the outskirts of the village of Highbury, all she wants is to find a place she can call home. Cook Stella Adderton, on the other hand, is desperate to leave Highbury House to pursue her own dreams. And widow Diana Symonds, the mistress of the grand house, is anxiously trying to cling to her pre-war life now that her home has been requisitioned and transformed into a convalescent hospital for wounded soldiers. But when war threatens Highbury House’s treasured gardens, these three very different women are drawn together by a secret that will last for decades.

    In the midst of this isolated bastion of democratic values, Miguel finds more than a new life— he finds someone to live for. Miren Ansotegui is a charismatic and graceful dancer who has her pick of the bachelors in Guernica, but focuses only on the charming and mysterious Miguel. The two discover a love that war and tragedy can not destroy.History and fiction merge seamlessly in this beautiful novel about the resilience of family, love, and tradition in the face of hardship. The bombing of Guernica was a devastating experiment in total warfare by the German Luftwaffe in the run-up to World War II. For Basques, it was an attack on the soul of their ancient nation; for the world, it was an unprecedented crime against humanity. In his first novel, Boling reintroduces the event and paints his own picture of a people so strong, vibrant, and proud that they are willing to do whatever it takes to protect their values, their country, and their loved ones.

    ‘Nobody talked about what they did during the war. We all knew we weren’t allowed to.’Joan Stanley has a secret.  For fifty years she has been a loving mother, a doting grandmother and an occasional visitor to ballroom dancing and watercolour classes. Then one sunlit spring morning there is a knock on the door.

    Inspired by a true story, "People of the Book" is a novel of sweeping historical grandeur and intimate emotional intensity by an acclaimed and beloved author. Called "a tour de force" by the San Francisco Chronicle, this ambitious, electrifying work traces the harrowing journey of the famed Sarajevo Haggadah, a beautifully illuminated Hebrew manuscript created in fifteenth-century Spain. When it falls to Australian rare book expert Hanna Heath to conserve this priceless work, the tiny artifacts she discovers in its ancient binding—a butterfly wing fragment, wine stains, salt crystals, a white hair—only begin to unlock the book’s deep mysteries and unexpectedly plunges Hanna into the intrigues of fine art forgers and ultra-nationalist fanatics.

    Free love has given way to radical feminism, psychedelic ecstasy to hard-edged gloom. The Zodiac Killer stalks the streets. A disgraced professor takes an office in a downtown tower to plot his return. But the walls are thin and he's distracted by voices from next door—his neighbor is a psychologist, and one of her patients dislikes the hum of the white-noise machine. And so he begins to hear about the patient's troubles with her female lover, her conflicts with her adoptive, avowedly WASP family, and her quest to track down her birth mother. The professor is not just absorbed but enraptured. And the further he is pulled into the patient's recounting of her dramas—and the most profound questions of her own identity—the more he needs the story to move forward. The patient's questions about her birth family have led her to a Catholic charity that trafficked freshly baptized orphans out of Germany after World War II. But confronted with this new self— “I have no idea what it means to say ‘I’m a Jew’”—the patient finds her search stalled. Armed with the few details he’s gleaned, the professor takes up the quest and quickly finds the patient’s mother in records from a German displaced-persons camp. But he can’t let on that he’s been eavesdropping, so he mocks up a reply from an adoption agency the patient has contacted and drops it in the mail. Through the wall, he hears how his dear patient is energized by the news, and so is he. He unearths more clues and invests more and more in this secret, fraught, triangular relationship: himself, the patient, and her therapist, who is herself German. His research leads them deep into the history of displaced-persons camps, of postwar Zionism, and—most troubling of all—of the Nazi Lebensborn program. With ferocious intelligence and an enthralling, magnetic prose, Ellen Ullman weaves a dark and brilliant, intensely personal novel that feels as big and timeless as it is sharp and timely. It is an ambitious work that establishes her as a major writer.

    Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn’t so bad—at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of “Heil Hitler” with his own “Heil Puccini”, and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches. British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island—the drunken priest, the strongman, the fisherman who swims with dolphins—would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli’s Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.

    But as the Black Death reaches its hand into his uncle’s workshop, young Tonino is faced with making a choice to survive. From the author of THE GONDOLA MAKER and MADE IN VENICE comes a short tale of pestilence, Venetian artisanship, and the will to live.