Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what?

    The debut collection from the vibrant voice of Roxane Gay is a unique blend of fiction, nonfiction, and poetry, all interwoven to represent the Haitian diaspora experience.

    Now, there's a reason to be. Lux and his younger brother Lunam enjoy the full freedom of the simple life and all the childhood adventures offered by growing up in a small village in a picturesque glen. Life is tranquil, peaceful, and just about perfect—except for one formidable fact... Every day is followed by night. And, with the night, comes the DARKNESS. Slowly shrouding the valley and relentlessly seeping into every nook and cranny on its nightly rampage, the darkness returns to feast on its victims. No man, woman, child, animal—or even, insect—is safe. The darkness consumes all; the darkness's hunger is never satisfied. When the sun falls from the sky, the villagers, young and old, must take to arms, guarding their homes, loved ones, and livestock with every ray of light they can muster. Even young Lux and Lunam are well-soldiered in their responsibilities to safeguard themselves and their parents during the nightly vigil, the nightly fight to live to see another day. It's always been this way—the truths and ritual passed down from generation to generation since ancient times. No one dares question why. Nothing can change the frightening fact of the lives of the villagers or emancipate them from their singular foe—nothing, except a child's imagination and a curiosity as immutable as the darkness's own appetite. There's just one truth guiding every man, woman, and child to strive to see another day: "Darkness Comes but Once a Night."

    . . eclectic. . . a feast' TelegraphThis landmark collection brings together forty writers that reflect over a hundred years of Italy's vibrant and diverse short story tradition, from the birth of the modern nation to the end of the twentieth century.Poets, journalists, visual artists, musicians, editors, critics, teachers, scientists, politicians, translators: the writers that inhabit these pages represent a dynamic cross section of Italian society, their powerful voices resonating through regional landscapes, private passions and dramatic political events.This wide-ranging selection curated by Jhumpa Lahiri includes well known authors such as Italo Calvino, Elsa Morante and Luigi Pirandello alongside many captivating new discoveries. More than a third of the stories featured in this volume have been translated into English for the first time, several of them by Lahiri herself.

    But small incidents wreak havoc on space and time, driving their wedding date further away. As centuries on Earth pass and the land and climate change, one thing is constant: the desire of the lovers to be together. In two separate yet linked stories, Kim Bo-Young cleverly demonstrate the idea love that is timeless and hope springs eternal, despite seemingly insurmountable challenges and the deepest despair.In “The Prophet of Corruption” and “That One Life,” humanity is viewed through the eyes of its creators: godlike beings for which everything on Earth—from the richest woman to a speck of dirt—is an extension of their will. When one of the creations questions the righteousness of this arrangement, it is deemed a perversion—a disease—that must be excised and cured. Yet the Prophet Naban, whose “child” is rebelling, isn’t sure the rebellion is bad. What if that which is considered criminal is instead the natural order—and those who condemn it corrupt? Exploring the dichotomy between the philosophical and the corporeal, Kim ponders the fate of free-will, as she considers the most basic of questions: who am I?

     Days after losing her child while giving birth, Rachel, and her husband, David, are haunted by the incessant cries of a baby. It is their stillborn, Adam, and he wants something from Rachel... something deadly.

    Moreover, it had the answer! But what man ever takes free advice?

    The Girl on the Fridge contains the best of Keret's first collections, the ones that made him a household name in Israel and the major discovery of this last decade.

    

    Bullied, assaulted or psychologically abused, their road to redemption was never easy, and for some there would be no redemption, only a descent into evil.These are the stories of people you know. The settings are mostly 60’s and 70’s UK and USA, the driving themes are inclusion and social justice - but the real key to these stories is that I withhold the protagonists’ identities. This means that your job is to find them - leading to that Eureka moment when you realise who's mind you've been inhabiting for the last twenty minutes.I should also add that this is a book that operates on two levels. Yes, there’s the game of identifying the mystery activist or actor, singer or murderer, but there is then the more serious business of trying to understand them. This in turn leads to the challenge of overlaying what you now know about these famous people onto what you thought you knew – not to mention the inherent challenge to your moral compass.These are people you know, but not as you know them. Peel back the mask and see.This book is dedicated to the victims of violent crime, the struggle against discrimination in all its forms and making the world a better place for our children. That is why 30% of all profits will be shared between Stop Hate UK, The North East Autism Society and Friends of the Earth.Simon Van der Velde January, 2021Backstories is published by Smoke & Mirrors Press.

    5,000 words (16 pages).For Bafion, there is no farther to fall. Once a banneret, officer, and gentleman, he is none of those things now. He is a swordsman who has slipped through the cracks of society and is eking out an existence as a thug for hire.Bafion is presented with the opportunity to reclaim some of what was lost to him, but to do so will mean facing part of his past that he would rather forget.The Swordsman of Tanosa is a swashbuckling fantasy short story set in the same world as the Society of the Sword trilogy.

    Follow Max on his lifelong quest to produce the perfect novel. Touching, irreverent, hilarious and sad. Every writer should read this story. Every writer will relate to Max. please note: This is a SHORT STORY consisting of 2,500 words.

    The basis for many film and opera adaptations, and still a story traditionally read aloud to children on Christmas Eve in Ukraine and Russia, The Night Before Christmas is the best holiday tale by the man whom Vladimir Nabokov called 'the greatest writer Russia has yet produced'.Nikolai Gogol (1809-1852) was the son of a Ukrainian gentleman farmer. He attended a variety of boarding schools, where he proved an indifferent student but was admired for his theatrical abilities. In 1828 he moved to St. Petersburg and began to publish stories, and by the mid-1830s he had established himself in the literary world and been warmly praised by Pushkin. In 1836, his play The Inspector-General was attacked as immoral, and he left Russia, remaining abroad for most of the next dozen years. During that time he wrote two of his best-known stories, The Nose and The Overcoat and in 1842 he published the first section of his masterpiece Dead Souls. Gogol became increasingly religious as the years passed, and in 1847 he became the disciple of an Orthodox priest who influenced him to burn the second part of Dead Souls and then abandon writing altogether. After undertaking an extreme fast, he died at the age of forty-two.

    These fifteen compact stories are meticulously observed glimpses of everyday life that expose the ominous lurking under the ordinary. While his wife sleeps, a husband prowls the Internet, obsessed with female serial killers; a bureaucrat tries to reinvent himself, exposing goodness as artifice when he converts to Buddhism in search of power; a woman sits on the edge of the bed where her lover lies, attempting to locate a motive for his violence within her own self-doubt. Shifting between moments of violence (real and imagined) and mundane contemporary life, these stories encompass the complexity of human emotions, our capacity for cruelty as well as compassion. Not so much minimalist as stealthy, Karate Chop delivers its blows with an understatement that shows a master at work.

    These groundbreaking stories— interconnected and juxtaposed using an experimental method Solzhenitsyn referred to as “binary”—join Solzhenitsyn’s already available work as some of the most powerful literature of the twentieth century.With Soviet and post-Soviet life as their focus, they weave and shift inside their shared setting, illuminating the Russian experience under the Soviet regime. In “The Upcoming Generation,” a professor promotes a dull but proletarian student purely out of good will. Years later, the same professor finds himself arrested and, in a striking twist of fate, his student becomes his interrogator. In “Nastenka,” two young women with the same name lead routine, ordered lives—until the Revolution exacts radical change on them both.The most eloquent and acclaimed opponent of government oppression, Solzhenitsyn was awarded the Nobel Prize in Literature in 1970, and his work continues to receive international acclaim. Available for the first time in English, Apricot Jam: And Other Stories is a striking example of Solzhenitsyn’s singular style and only further solidifies his place as a true literary giant.