Pearlman writes about the predicaments of being human. The title story involves an affair, an illegitimate pregnancy, anorexia, and adolescent drug use, but the real excitement comes from the intricate attention Pearlman devotes to the interior life of young Emily, who wishes she were a bug. In "Sonny," a mother prays for her daughters to be barren so they never have to experience the death of a child. "The Golden Swan" transports the reader to a cruise ship with lavish buffets-and a surprise stowaway. In prose that is as wise as it is poetic, Pearlman shines light on small, devastatingly precise moments to reflect the beauty and grace found in everyday life. She maps the psychological landscapes of her exquisitely rendered characters with unending compassion and seeming effortlessness. Both for its artistry and for the lives of the characters it presents, Honeydew is a collection that will pull readers back time and again. These stories demonstrate once more that Pearlman is a master of the form and that hers is a vision unfailingly wise and forgiving.

    It didn't give you the date and it didn't give you specifics. It just spat out a sliver of paper upon which were printed, in careful block letters, the words DROWNED or CANCER or OLD AGE or CHOKED ON A HANDFUL OF POPCORN. It let people know how they were going to die." Machine of Death tells thirty-four different stories about people who know how they will die. Prepare to have your tears jerked, your spine tingled, your funny bone tickled, your mind blown, your pulse quickened, or your heart warmed. Or better yet, simply prepare to be surprised. Because even when people do have perfect knowledge of the future, there's no telling exactly how things will turn out. Featuring stories by: * Randall Munroe* Ben "Yahtzee" Croshaw* Tom Francis* Camille Alexa* Erin McKean* James L. Sutter* Douglas J. Lane* and many others.Featuring illustrations by: * Kate Beaton* Kazu Kibuishi* Aaron Diaz* Jeffrey Brown* Scott C.* Roger Langridge* Karl Kerschl* Cameron Stewart* and many others

    Six-year-old Kassandra is given a doll: "I put her to sleep in her box, but first I cut off her legs and arms so she'd fit," she tells us, "Later, I cut her head off too, so she wouldn't be so heavy. Now I love her very much." Kassandra is an unforgettable narrator, a perfect, brutal guide to childhood as we've never seen it, a journey that passes through the looking glass but finds the darkest corners of the real world.This edition brings Kassandra and the Wolf back into print at last, a tour de force and, as Karapanou liked to call it, a scary monster of a book.

    It is a riveting commentary on the way we live now by a spectacular prose artist.Ann Beattie published her first short story in The New Yorker in 1972. Twenty-eight years later, she received the 2000 PEN/Malamud Award for Excellence in Short Fiction. She is, as the Washington Post Book World said, "one of our era's most vital masters of the short form." The eleven stories in her new work are peopled by characters coming to terms with the legacies of long-held family myths or confronting altered circumstances -- new frailty or sudden, unlikely success. Beattie's ear for language, her complex and subtle wit, and her profound compassion are unparalleled. From the elegiac story "The Famous Poet, Amid Bougainvillea," in which two men trade ruminations on illness, art, and servitude, to "The Big-Breasted Pilgrim," wherein a famous chef gets a series of bewildering phone calls from George Stephanopoulos, Perfect Recall comprises Beattie's strongest work in years. It is a riveting commentary on the way we live now by a spectacular prose artist.

    As well as ten stunning short stories, Penny also shares some of her thoughts on a huge range of subjects from love and relationships to work and families, and gives us a peek at the tantalising first chapter of her new novel - making LOVE IN THE AFTERNOON AND OTHER DELIGHTS a must-have for any Vincenzi fan.

    The short stories included in this selection are representative not only of Tagore's range, but they also enable us to revise the conventional view of Tagore as a short story writer. Writing them at a time when the form was not yet popular, Tagore eschewed the romantic strain prevalent in his day. His stories are fables of modern man, where fairy tale meets hard ground, where myths are reworked, and the religion of man triumphs over the religion of rituals and convention, where the love of a woman infuses the universe with humanity. He writes with concern about such issues as the Hindu revivalism in the late nineteenth century and the bondage of women. The rhythms of daily life, his rural encounters and childhood reminiscences, unfold in his tales, as does a sense of history, the reality of the political situation and its impact on individual lives. Tagore wishes to see the world of humanity not only reflected in his own life but also actualized in Bengali literature. His profound sensibility led him beyond the merely regional, his humanity stretching across east and west, fulfilling the purpose of his Jibandebata, his life's deity, Edited by Sukanta Chaudhuri, a well-known scholar and translator, this is an authoritative and readable translation of Tagore's short stories. An essential Tagore for the collector, it is one that will find its place on every discerning reader's shelf.

    The stories recounts the life of times of the hero Domrudhar in colonial India. The protagonist Domrudhar is portrayed as a dishonest man who rises from a lowly shop-assistant to a land owner.

    One woman will be freed from purgatory once she writes the perfect book; another abides in a world devoid of physical contact. With wry prose and skewed humor, an emerging feminist writer explores post-Soviet promises of knowledge, freedom, and power.

    Something that threatens the whole of humanity. Something is going viral. 20 Minutes. 20 People. 20 stories that will make you want to stay inside and never greet another human being again. This is a short novella about a viral outbreak in a small town in the Lake District and shows how quickly disease can spread amongst the population. This isn't the Coronavirus. But it's just as scary. Humans. Viruses. Panic. Fear. There goes the countryside...

    The writer has a fertile imagination and an attractive narrative style.' '...one of the best reads I have had this year. Gripped by the grizzled Irish detective.....plenty of twists and turns Bravo!' '...I thoroughly enjoyed Black December - it's a very good "who done it" - and so often!' '...Top drawer crime fiction...' --Amazon  Scott Hunter is a CWA shortlisted author.

    Made-to-order for those with a taste for inventive idiosyncrasy, this book promises to provoke and entertain in equal measure. About the author: Ishavasyam took a sabbatical from her career in marketing to fulfil her childhood dream of writing a book. Besides weaving tall tales, she loves playing board games and belly dancing. She is a hoarder of art supplies, and has an alarming number of incomplete DIY projects. Ishavasyam lives with her husband, whom she adores to bits, to the point where she may soon give in to his incessant plea to get a dog.

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    It is the finest collection yet from a contemporary master of the form.Beginning with the sudden terror of a family caught up in shocking sectarian violence, and ending with the whiteout of an Iowa blizzard and the fear of losing your way very far from home, this collection is about bonds made and broken, secret and known. In the extraordinary story "Up the Coast," a landscape painter discovers a place that makes her, finally, feel whole, only to have that communion shattered by an arbitrary act of aggression that will resonate throughout her life.Written with effortless skill and empathy, these stories are hauntingly real. MacLaverty's perfect attention to every detail, every nuance of idiom and character, remakes the world for us here on the page.

    "Fingernails" quickly became a sensation when it was released and has long been a bibliographic rarity and one of the most read texts on the Russian internet.

    It can be read in ten minutes. Please don't purchase this expecting a novel for your dollar.This story was written in a small cafe on the corner of Bleeker and Grove in New York City on Tuesday, May 27th. The idea came to me yesterday while walking across the Brooklyn Bridge. I saw the locks on several of the small cables on the bridge. I remembered my time in both London and Paris, taking pictures of all the love locks on bridges there. And I thought about all the couples those locks represent. I wondered how many are still together.Maybe this story isn't worth your dollar. If I could price a work on Amazon for less, I would. It is what it is. I hope this will be the first of many short pieces that I write and publish in a single day while recording what I'm thinking and where I am when I write them. For those who take the plunge, I hope you get your money's worth. Thank you for all of your support.-Hugh