First published in 1809 to spectacular success throughout Europe, this new edition captures the grandeur of the earlier edition, with Wyeth's glorious paintings reproduced from the original canvases.

    This mirror didn't show you your reflection. It showed you your soul - it showed you who you really were. The wizard couldn't look at it without turning away. The king couldn't look at it. The courtiers couldn't look at it. A chestful of treasure was offered to anyone who could look at it for sixty seconds without turning away. And no one could.The Zone of Interest is a love story with a violently unromantic setting. Can love survive the mirror? Can we even meet each other's eye, after we have seen who we really are?In a novel powered by both wit and pathos, Martin Amis excavates the depths and contradictions of the human soul.

    His daughter is led to her death, and Agamemnon leads his army into battle, where he is rewarded with glorious victory. Three years later, he returns home and his murderous action has set the entire family - mother, brother, sister - on a path of intimate violence, as they enter a world of hushed commands and soundless journeys through the palace's dungeons and bedchambers. As his wife seeks his death, his daughter, Electra, is the silent observer to the family's game of innocence while his son, Orestes, is sent into bewildering, frightening exile where survival is far from certain. Out of their desolating loss, Electra and Orestes must find a way to right these wrongs of the past even if it means committing themselves to a terrible, barbarous act.House of Names is a story of intense longing and shocking betrayal. It is a work of great beauty, and daring, from one of our finest living writers.

    This is the first in a series of early medieval novels by Vanora Bennett, the author of Portrait of an Unknown Woman. Catherine de Valois, daughter of the French king, is born in troubled times. Brought up in a the stormy and unstable environment of the court, her only friend is the remarkable poet and writer Christine de Pizan. Catherine is married off to Henry V as part of a treaty honouring his victory over France, and is destined to be a trophy wife. Terrified at the idea of being married to a man who is at once a foreigner, an enemy and a rough soldier, Catherine nevertheless does her duty. Within two years she is widowed, and mother of the future King of England and France - even though her brother has already claimed the French crown for himself. Caught between warring factions, Catherine finds support from Owain Tudor, controller of her household - a dangerous support as rumours of their relationship would jeopardise her right to keep her child. To save her son, and herself, she must turn away from her love and all that is familiar and safe to find another way forward.

    However, Life and Fate is only the second half of a two-part work, the first half of which was published in 1952. Grossman wanted to call this earlier work Stalingrad—as it will be in this first English translation—but it was published as For a Just Cause. The characters in both novels are largely the same and so is the story line; Life and Fate picks up where Stalingrad ends, in late September 1942. The first novel is in no way inferior to Life and Fate; the chapters about the Shaposhnikov family are both tender and witty, and the battle scenes are vivid and moving. One of the most memorable chapters of Life and Fate is the last letter written from a Jewish ghetto by Viktor Shtrum’s mother—a powerful lament for East European Jewry. The words of this letter do not appear in Stalingrad, yet the letter’s presence makes itself powerfully felt and it is mentioned many times. We learn who carries it across the front lines, who passes it on to whom, and how it eventually reaches Viktor. Grossman describes the difficulty Viktor experiences in reading it and his inability to talk about it even to his family. The absence of the letter itself is eloquent—as if its contents are too awful for anyone to take in.

    The same world moves beneath each of them, and one by one, through seemingly random acts of selflessness, they discover the vital parts they have played in each other's lives, a realization that shatters the illusion of their separateness. Moving back and forth in time and across continents, The Illusion of Separateness displays the breathtaking skill of, "a truly special writer who does things with abstract language that is so evocative and original your breath literally catches in your chest" (Andre Dubus III).

    His adventures take him through the London Frost Fair, the strange court of King Charles I, the wars of the Spanish succession, Versailles, the golden age of Amsterdam and to nineteenth-century Venice. As he journeys through Europe, he befriends both animals and humans, falls in love (only once), marvels at the human ability to make music, despairs at their capacity for war and gains insight into both the strength and frailties of the human spirit.With the rich historical vision of Jonathan Strange & Mr Norrell and the captivating canine perspective of A Dog’s Purpose, Tomorrow draws us into a unique century-spanning tale of the unbreakable connection between dog and human.

    The newcomers are a proud and bloody-minded people whose kings once changed themselves into wolves. The Norse have advanced as implacably as a glacier from Iceland to the wastes of Greenland and from there to the place they call Vinland the Good. The natives are a bronze-skinned race who have not yet discovered iron and still see themselves as part of nature. As William T. Vollmann tells the converging stories of these two peoples and of the Norsewomen Freydis and Gudrid, whose venomous rivalry brings frost into paradise he creates a tour-de-force of speculative history, a vivid amalgam of Icelandic saga, Inuit creation myth, and contemporary travel writing that yields a new an utterly original vision of our continent and its past.--back cover

    His head filled with tales of chivalry, instead he is branded a thief, and must make do with being squire to his childhood friend Sir Robert, a knight determined to make a name for himself as a man at arms in France. While William himself slowly acquires the skills of knightly combat, he remains an outsider - until the Battle of Poitiers when Sir Robert is cut down by the greatest knight of the age, Sir Geoffry de Charny, and William, his lowly squire, revenges him. But with his own knight dead, no honour acrrues to William for this feat of arms, and he is forced to become a mercenary. Scavenging a mis-matched set of armour from the knightly corpses, he joins one of the mercenary companies now set to pillage a defenceless France, and so begins a bloody career that sees William joining forces with the infamous Sir John Hawkwood and immersing himself in a treacherous clandestine war among the Italian city states. But paradoxically it is there, among the spies, assassins and hired killers serving their ruthless masters, that William finally discovers the true meaning of chivalry - and his destiny as a knight.

    As the wall between East and West falls, Miriam Winter cares for her dying father, Henryk. When he cries out for someone named Frieda – and Miriam discovers an Auschwitz tattoo hidden under his watch strap – Henryk’s secret history begins to unravel.Searching for more clues of her father’s past, Miriam finds an inmate uniform from the Ravensbrück women’s camp concealed among her mother’s things. Within its seams are dozens of letters to Henryk written by Frieda. The letters reveal the disturbing truth about the ‘Rabbit Girls’, young women experimented on at the camp. And amid their tales of sacrifice and endurance, Miriam pieces together a love story that has been hidden away in Henryk’s heart for almost fifty years.Inspired by these extraordinary women, Miriam strives to break through the walls she has built around herself. Because even in the darkest of times, hope can survive.

    It follows Parzival from his boyhood and career as a knight in the court of King Arthur to his ultimate achievement as King of the Temple of the Grail, which Wolfram describes as a life-giving Stone. As a knight serving the German nobility in the imperial Hohenstauffen period, the author was uniquely placed to describe the zest and colour of his hero's world, with dazzling depictions of courtly luxury, jousting and adventure. Yet this is not simply a tale of chivalry, but an epic quest for spiritual education, as Parzival must conquer his ignorance and pride and learn humility before he can finally win the Holy Grail.

    But the sky is marred by two  conspicuous columns of smoke, replacing pleasurable anticipation with alarm and suspicion.One smoke column is the result of an overnight fire that has damaged the master's outbuildings. The second column rises from the wooded edge of the village, sent up by newcomers to announce their presence. In the minds of the wary villagers a mere coincidence of events appears to be unlikely, with violent confrontation looming as the unavoidable outcome. Meanwhile, another newcomer has recently been spotted taking careful notes and making drawings of the land. It is his presence more than any other that will threaten the village's entire way of life.In effortless and tender prose, Jim Crace details the unraveling of a pastoral idyll in the wake of economic progress. His tale is timeless and unsettling, framed by a beautifully evoked world that will linger in your memory long after you finish reading.

    Warriors, raiders, and rulers, Ragnar and his sons inspired unknown writers to set down their stories over seven centuries ago. This volume presents new and original translations of the three major Old Norse texts that tell Ragnar's story: the Saga of Ragnar Lodbrok, the Tale of Ragnar's Sons, and the Sogubrot. Ragnar's death song, the Krakumal, and a Latin fragment called the List of Swedish Kings, complete the story. Extensive notes and commentary are provided, helping the reader to enter the world of these timeless stories of Viking adventure.

    But when she is seventeen, Lord Hugh, whom she hasn’t seen in years, dies under mysterious circumstances. Marian is left alone again—a widow who has never been a bride. But now, like all unmarried young ladies of fortune, she is made the ward of King Richard the Lionheart. Since Richard is away on Crusade, Marian’s fate lies in the hands of his mother, the formidable Queen Eleanor of Aquitaine. The bridegroom Eleanor selects will get Marian’s lands and, in return, pledge his loyalty—and silver—to the king. Marian herself is irrelevant and she knows it. Determined not to be sold into another sham marriage, she seeks out the one man who can help uncover the queen’s intentions: Robin Hood, the notorious Saxon outlaw of Sherwood Forest.Marian is surprised to discover that the famed “prince of thieves” is not only helpful but handsome, likeable, and sympathetic to her plight. Robin’s men intercept a letter from Queen Eleanor, from which Marian learns, to her horror, that she is to marry her late husband’s brother. His family has a history of mysterious deaths, and Marian knows she is in danger. Once married, she can be easily disposed of—a fate she may have escaped once already. On the eve of her wedding, Robin Hood spirits Marian back to the forest. The Queen believes her to be dead, and Marian begins a new life with Robin Hood’s outlaws, who pledge to help her regain her fortune and expose the treachery of her enemies.

    Out of the last hours of Virgil's life and the final stirrings of his consciousness, the Austrian writer Hermann Broch fashioned one of the great works of twentieth-century modernism, a book that embraces an entire world and renders it with an immediacy that is at once sensual and profound.Begun while Broch was imprisoned in a German concentration camp, The Death of Virgil is part historical novel and part prose poem - and always an intensely musical and immensely evocative meditation on the relation between life and death, the ancient and the modern.