But this daughter was not one to let others define her; Amory became a woman who accepted no limits to what that could mean, and, from the time she picked up her first camera, one who would record her own version of events.Moving freely between London and New York, between photojournalism and fashion photography, and between the men who love her on complicated terms, Amory establishes her reputation as a risk taker and a passionate life traveler. Her hunger for experience draws her to the decadence of Weimar Berlin and the violence of London's blackshirt riots, to the Rhineland with Allied troops and into the political tangle of war-torn Vietnam. In her ambitious career, the seminal moments of the 20th century will become the unforgettable moments of her own biography, as well.In Sweet Caress, Amory Clay comes wondrously to life, her vibrant personality enveloping the reader from the start. And, running through the novel, her photographs over the decades allow us to experience this vast story not only with Amory's voice but with her vision. William Boyd's Sweet Caress captures an entire lifetime unforgettably within its pages. It captivates.

    Its goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each volume is introduced by a well-known student of the featured photographer. In this book, Larry Fink--well-known for his layered pictures in social settings--explores composing photographs and improvising within a scene to create images with both feeling and meaning. Through words and photographs, he reveals insight into his own practice and discusses a wide range of creative issues, from connecting with the subject in front of the lens to shaping a vision that is authentic. Photographer Lisa Kereszi, a student of Larry Fink, provides the introduction.Larry Fink (born 1941) has been a professor at Yale University School of Art; Cooper Union School of Art and Architecture; Parsons the New School for Design; and Tyler School of Art, Temple University. Currently, he is a tenured professor of photography at Bard College. His work has been widely exhibited in the United States, including solo exhibitions at Light Gallery, New York; Massachusetts Institute of Technology, Cambridge; Museum of Modern Art, New York; and San Francisco Museum of Modern Art.Lisa Kereszi is a photographer and educator. She is now the director of undergraduate studies at the Yale University School of Art, where she has taught since 2004. She has published five books, including "Fun and Games" and "Joe's Junk Yard." Her work is in the collections of the Whitney Museum of American Art, New York, and the Brooklyn Museum, and has appeared in the "New Yorker," "Harper's" and the "New York Times Magazine."

    Mark and Magali Peysha guide you through 50 innovative strategies to be implemented by coaches or anyone who works with people. Whether you're a health care provider, teacher, manager, attorney, consultant, therapist, or another professional who works with people, you will find intelligent strategies that will make you effective in your relationships, communications, and your life.

    Initially, it appears to be a simple case of a girl escaping to start a new life but it soon becomes apparent that there are ominous undertones.When a woman's body is found on a nearby beach the case takes an even darker turn. Craig focuses his attention on the seedy world of escorts and their clients. A pimp with a violent history and a number of witnesses with their own secrets to protect block his investigation.He finally breaks through the wall of lies and discovers a gruesome truth that leads to a dramatic and explosive climax.

    Mairi makes no secret of the fact that she would rather be out taking down a wild pig with her childhood friend Iain, the fletcher’s son, than plying a needle with the women. Her mother despairs of her, and never stops comparing her to her beautiful and successfully married sister Una. Her father, tired of her rejection of one suitable match after another, finally presents her with an ultimatum: Marry Alastair Maclean or spend the rest of her life in the priory. Mairi knows that she would never survive in a priory, locked away from her beloved outdoor pursuits. But nor can she endure the thought of a loveless marriage to Alastair, who has never stopped mourning the loss of his adored first wife Madeline in childbed. Left without choices, Mairi becomes Alastair’s wife. Life is every bit as bad as she feared. Alastair’s sister Rhona clearly does not want to see her brother married to the Chisholm wildcat, and Alastair himself is as cold as the frigid wind that blows across the Highlands. Mairi resolves to resign herself to the demands of the marriage bed, and devote her life to raising bairns with the love she was never shown. But one day, she finds herself in more danger than she has ever known… and everything changes.

    His present lifestyle is complicated enough before past indiscretions come back to haunt him. Once a gung-ho investigator of murderous criminals and violent crime, Fyfe has been taken off the frontlines and reassigned to the low-profile Fraud Squad — mistakes from years earlier conspired to condemn him to dull work that he doesn’t much enjoy. His enforced distance from solving murders bothers him particularly at the moment, as a series of seemingly drug dealing–related murders in the city is all anyone can talk about. When Chief Constable Sir Duncan Morrison asks him to look into the several hundred thousand dollars missing from the Catholic Church’s accounts, Fyfe expects the job to be little more than soothing the Archbishop’s worries — only to discover that things are considerably more complicated than they first appear. As he begins his investigation into the licentious Father Byrne and the accused embezzler Father Quinn (Byrne’s superior), Fyfe begins to find evidence that link the corrupt priests to racketeering kingpin Gus Barrie…and an armed robbery that occurred nearly a decade previously. For Fyfe himself, the spectre of the past rises with not only the reappearance of his ex-lover Sylvia, whose impending marriage throws him for a loop, but the return to British soil of the beautiful Angela — a sexy widow whose acquaintance he first made in the aftermath of the robbery ten years earlier. But this time Angela has blood on her hands and a million pounds in unmarked notes stuffed into her luggage. Any ordinary policeman would make the arrest and wrap up the inquiry. But David Fyfe is no ordinary policeman… Sleeping Dogs is a fast-moving, wryly humorous, expertly plotted crime novel with an outrageous finale. Praise for William Paul ‘Fyfe's engrossing ruminations on the human condition [means] readers will find themselves absorbed from beginning to end’Booklist Sleeping Dogs is the first of three books featuring DCI David Fyfe. William Paul has also authored a number of other books, including Seasons of Revenge and The Lion Rampant.

    For years, Walter has striven to impose his family values – stairs must be regularly washed, noise kept down, and wheelie bins moved back and forth at the correct times. When Walter is found murdered, there are plenty of suspects among his ungrateful neighbours. Comic book dealer Billy Briggs is estranged from his daughter, with his business in ruins, and Tony Miller is jobless and facing eviction, all because of Walter. Henrietta Quayle, bullied and belittled by the dead man, conceals a murderous obsession beneath her timid exterior. And alcoholic solicitor Gus Mackinnon has even more reason to hate Walter than anyone else. As Close Quarters takes a look back over the years at the various turbulent relationships between Walter and his neighbours, one thing becomes clear: although only one may be the murderer, none of them will mourn his passing.

    An escape from reality, a place of plentiful loot and dark powers, drawing would-be heroes from across the world. After his brother's accident, Chris is holding the family together. When he runs into money troubles, he finds an answer in an unlikely place. It's a land of adventure, fighting, spells, and skills. Most importantly, somewhere fortunes can be made. Chris is going to the new island of Artemis, but it won't be simple. The developers have created Artemis with the toughest of adventurers in mind, and nobody knows what happens there at night.... He chooses a less-popular class: scout. If he's to survive, he'll need to learn new powers, battle monsters, forge alliances, and most of all, discover how to master the game. Chris will need his wits and his courage if he's to beat the game and become the Scout of Artemis.

    . . Perfect for fans of Diney Costeloe, Rita Bradshaw and Nadine Dorries.5-star reader reviews for The Shipbuilder's Daughter'Beautifully written with a great deal of empathy, very satisfying plot. Lovely mix of old Glasgow and the western Isles''A definite must-buy''A lovely read''Fabulous reading'Glasgow, 1928. Margaret Bannatyne lost both of her brothers in the Great War and is now the last remaining child of wealthy and powerful shipyard owner William Bannatyne. Without a male heir to carry on the family business, William expects his daughter to do her duty, marry well and provide him with a grandson to inherit his business.Margaret cares deeply for her father but she has ambitions of her own: after witnessing a horrific accident when she was sixteen, she's determined to become a doctor. Her father, convinced she will never practise medicine, permits Margaret to complete her training. But he doesn't count on her falling in love with Alasdair Morrison.Alasdair, a union man at the shipyard, has been a thorn in William's side for years, and he didn't become one of the richest men in Glasgow only for Alasdair to take it all away - even if it means destroying his only daughter's happiness by forcing her to make a heartbreaking and impossible choice . . .

    This book offers a beginners guide to his thought, including his views on: * technology* primitivism* reworking Marxism* simulation and hyperreality* America and postmodernism.Richard Lane places Baudrillard's key ideas in the context of French and postmodern thought and examines the ongoing impact of his work. Concluding with an extensively annotated bibliography of the original texts, this is the perfect companion for any student approaching the work of Jean Baudrillard.

    Mapping the messy connections between people - and their failures to connect - the characters are captured in the grainy texture of real life: freshly palpable, sensuous and deeply flawed.From Dublin to Venice, from an American college dorm to a holiday caravan in France, these are stories about women stirred, bothered, or fascinated by men they cannot understand, or understand too well. Enright's women are haunted by children, and by the ghosts of the lives they might have led - lit by new flames, old flames, and flames that are guttering out.A woman's one night stand is illuminated by dreams of a young boy on a cliff road, another's is thwarted by an swarm of somnolent bees. A pregnant woman is stuck in a slow lift with a tactile American stranger, a naked mother changes a nappy in a hotel bedroom, and waits for her husband to come back from the bar. These are sharp, vivid stories of loss and yearning, of surrender to responsibilities or to unexpected delight; all share the unsettling, dislocated reality, the subversive wit and awkward tenderness that have marked Anne Enright as one of our most thrillingly gifted writers.

    Her brothers have given her the task of deciding what to do with their parents’ farm, which is slowly falling into disrepair. Imogen will not be rushed into passing judgement on the place. When she starts to carry out some research into the history of Kilduggan Farm, she inadvertently sets off a chain of events that ends in tragedy. Suddenly, Imogen and her psychologist husband, Hugh, find themselves faced with a seemingly insoluble puzzle. How can it be possible that an unexplained death in the present day can match, in every detail, an unsolved case from 40 years ago?As the past begins to catch up with Imogen, she realises that she must strive to discover the truth about her family, even if it means that nothing will ever be the same again…This is an intricately plotted novel, cleverly interwoven with subtle clues and the occasional red-herring. It will keep you guessing and the pages turning, right up until its final, shocking conclusion.Aoife's Chariot is the first novel in the Imogen and Hugh Croft Mysteries Series. It is an absorbing family saga, full of mystery and suspense. Husband and wife sleuths Imogen and Hugh Croft are first introduced to readers in this tense genealogical mystery with deathly consequences.

    Nobody remembers her now, but this elderly woman was in her youth an artistic pioneer, a creator of groundbreaking documentary photographs. Her beloved grandson, Luke, now a captain in the British army is on a tour of duty in Afghanistan. When his mission goes horribly wrong, he ultimately comes face to face with questions of loyalty and moral responsibility that will continue to haunt him. Once Luke returns home to Scotland, Anne's secret story begins to emerge, along with his, and they set out for an old guest house in Blackpool where she once kept a room. There they witness the annual illuminations--the dazzling artificial lights that brighten the seaside resort town as the season turns to winter. The Illuminations is a beautiful and highly charged novel that reveals, among other things, that no matter how we look at it, there is no such thing as an ordinary life.

    An indispensable and handy resource for anyone who wants to take better pictures in Yosemite and elsewhere.

    Bayles now turns that same attention to his native West.When European Americans “discovered” the American West, they fell in love with the resplendent landscape. The love affair and its congenital flaws persists to this day.Bayles writes: “. . . the question is why my people bungled our occupation of the West so badly when no one really wanted to, when there was every chance to get it right, when voices of caution were constantly raised, when what needed to be done was frequently obvious, and when, occasionally, we did get it right (think: National Parks).”Notes on a Shared Landscape engages the issues that make the West the West—widely ranging over the autobiographical and the cultural, the ecological and the epistemological, the cow and the potato. This is an intensely personal book, and though the Western library is huge, there is not another book like it. Much of the text unfolds in Yellowstone, where Bayles writes:In the Lamar valley of the Yellowstone, beaver gnaw the trunks of cottonwoods, elk browse their leaves. The shadows are long, even in summer. Even so, it is just another place. In it, just as elsewhere, we see the marks of our own hands faintly because we don’t have to know very much about the land we live in, because we are equally a part of and apart from nature, and because there is hardly any moment when humans are more delusional than when self recognition is required.