Thirteen-year-old Franklin Robertson is trying to survive adolescence. His parents don't understand him, his brother torments him, he has no friends, and he's more interested in the high school quarterback than any girl. The one bright spot in his life is the glow of the black-and-white TV in his parents' basement. Here, he worships at the altar of the Saturday Night Horror Movie, hosted by the eerie Dr. Cerberus. Before long, Franklin is convinced that only by going on the show will his life be redeemed - by Dr. Cerberus himself! A L.A. Theatre Works full cast performance starring Simon Helberg as Franklin Robertson, Jamison Jones as Doctor Cerberus, Steven Culp as Lawrence Robertson, Pamela J. Gray as Lydia Robertson and Jarrett Sleeper as Rodney Robertson, with original music by Steven Cahill.

    "By turns amusing and angst-filled, this well-paced production is a good choice for fans of full-cast audios" (AudioFile).All Alex Dassan needs to do is win second place in the debate team finals. The second place prize is a trip to the Nottingshire Retreat in London where she’ll have a chance to take a class with her writing idol, Mary Noelle Simmons. Alex knows that once she meets Mary her life will fall into place and her dreams of becoming a writer will be possible (and less scary). Nothing is going to stand in Alex’s way—especially not a dad who’s never home and a mom who left to go "find herself" in India. The only problem: with minutes before the competition and a missing debate partner, Alex is feeling a little desperate.All Jeremy Beekman needs to do is pass AP Biology. If Jeremy passes then he can get into medical school, become a doctor in 10 years, and keep his family together--he won’t disappoint his parents the way his brother did. The only problem: Jeremy spends more time on art and the AV Club than on his homework.When Alex and Jeremy run into each other (literally!) before the debate team competition, they make an arrangement—if Jeremy helps Alex win the debate team finals then Alex will tutor Jeremy in biology. What could go wrong?What starts as an academic arrangement soon turns into a friendship where absent parents and burdensome expectations are confronted, dreams are dreamed bigger, and the debate team competition stakes are even higher. You may now begin your rebuttal.

    But the intrepid Phyllida Spotte-Hume turns out to be the least of their troubles, in this hilarious farce starring members of the original Broadway cast. An L.A. Theatre Works full-cast performance featuring Jack Cutmore-Scott, Carson Elrod, David Furr, John Getz, Martin Jarvis, David Krumholtz, Lorenzo Pisoni, Jennifer Westfeldt, Matthew WolfDirected by Kate Benjamin. Recorded by L.A. Theatre Works before a live audience.Explorers Club is part of L.A. Theatre Works' Relativity Series featuring science-themed play. Major funding for the Relativity Series is provided by the Alfred P. Sloan Foundation to enhance public understanding of science and technology in the modern world.

    It was directed by Tony Speciale; it was produced by Dixon Place; the original music was by Duncan Sheik; the visuals were by Matthew Sandager; and the clothing was by Paul Marlow.

    They conduct interviews, keep audio journals, and record the sounds of daily life--usually collecting more than 30 hours of raw tape over the course of the year, edited into documentaries airing on NPR's All Things Considered. Whether it's the story of Amanda, the gay teen trying to understand her sexuality, or the story of Juan, who crossed the Rio Grande with his family illegally, these stories offer insight into the mysterious life of teenagers. Sixteen years later five of those diarists return to chronicle their grown-up lives.  RADIO DIARIES has helped pioneer a new form of citizen journalism, empowering ordinary people to report on their own lives and histories. Radio Diaries has won every major award in broadcast journalism and produced some of the most memorable documentaries ever heard on public radio. Founder and Executive Producer Joe Richman is and award-winning producer and reporter. Before founding Radio Diaries, he worked on the NPR program All Things Considered, Weekend Edition Saturday, and Car Talk. He also teaches radio documentary at Columbia University's Graduate School of Journalism.

    Prior is a man living with AIDS whose lover Louis has left him and become involved with Joe, an ex-Mormon and political conservative whose wife, Harper, is slowly having a nervous breakdown. These stories are contrasted with that of Roy Cohn (a fictional re-creation of the infamous American conservative ideologue who died of AIDS in 1986) and his attempts to remain in the closet while trying to find some sort of personal salvation in his beliefs.

    A maverick English teacher at odds with the young and shrewd supply teacher. A headmaster obsessed with results; a history teacher who thinks he's a fool.In Alan Bennett's classic play, staff room rivalry and the anarchy of adolescence provoke insistent questions about history and how you teach it; about education and its purpose.The History Boys premiered at the National in May 2004.

    In 1925, this Tennessee trial set the stage for ongoing national debates over the separation of church and state in a democratic society.Starring Charles Durning, Edward Asner and Tyne Daly.

    Like anyone else, all she wants is to make friends and fit in. But Amanda is keeping a secret, and she's determined not to get too close to anyone. But when she meets sweet, easygoing Grant, Amanda can't help but start to let him into her life. As they spend more time together, she realizes just how much she is losing by guarding her heart. She finds herself yearning to share with Grant everything about herself, including her past. But Amanda's terrified that once she tells him the truth, he won't be able to see past it. Because the secret that Amanda's been keeping? It's that at her old school, she used to be Andrew. Will the truth cost Amanda her new life, and her new love? Meredith Russo's If I Was Your Girl is a universal story about feeling different and a love story that everyone will root for.

    Set in the 1880s at the dawn of the age of electricity and based on the bizarre historical fact that doctors used vibrators to treat 'hysterical' women (and some men), the play centers on a doctor and his wife and how his new therapy affects their entire household. In a seemingly perfect, well-to-do Victorian home, proper gentleman and scientist Dr. Givings has innocently invented an extraordinary new device for treating "hysteria" in women (and occasionally men): the vibrator. Adjacent to the doctor's laboratory, his young and energetic wife tries to tend to their newborn daughter-and wonders exactly what is going on in the next room. When a new "hysterical" patient and her husband bring a wet nurse and their own complicated relationship into the doctor's home, Dr. and Mrs. Givings must examine the nature of their own marriage, and what it truly means to love someone.This laugh out loud, provocative and touching play premiered at Berkely Rep and subsequently marked Sarah Ruhl's Broadway debut opening at the Lyceum Theatre on November 19th, 2009.

    Before long they begin to settle down, buy a house, juggle careers, have kids – theirs is an ordinary family.But then their world starts to unravel and things take a disturbing turn.A tragic, violent look at parenthood and trauma.

    It tells the story of very private lives caught up in the heartrendering ordeal of suffering and doom - an ordeal that was largely ignored for reasons of politics and majority morality.Filled with power, anger, and intelligence, Larry Kramer's riveting play dramatizes what actualy happened from the time of the disease's discovery to the present, and points a moral j'accuse in many directions. His passionate indictment of government, the media, and the public for refusing to deal with a national plague is electrifying theater - a play that finally breaks through the conspiracy of silence with a shout of stunning impact. As Douglas Watt summed it up in his review for the New York Daily News,THE NORMAL HEART is "an angry, unremitting and gripping piece of political theater. You are bound to come away moved."

    It is 1937 in Brooklyn during the heart of the Depression. Fifteen-year-old Eugene Jerome lives in Brighton Beach with his family. He is witty, perceptive, obsessed with sex, and forever fantasizing his baseball-diamond triumphs as star pitcher for the New York Yankees. As our guide through his "memoirs," Eugene takes us through a series of trenchant observations and insights that show his family meeting life's challenges with pride, spirit, and a marvelous sense of humor. But as World War II looms ever closer, Eugene sees his own innocence slipping away as the first important era of his life ends—and a new one begins.This semiautobiographical classic was adapted into a film by Simon’s longterm professional partner, Gene Saks, who directed, among many others, Biloxi Blues, The Odd Couple, Broadway Bound, and Lost in Yonkers.

    Will and Lily Dale Kidder try to hold onto their beliefs about their son's life and death and the possibilities for their own lives, but both are dealt a shattering blow by the young man of the title, a friend of their son's who never appears in the play. Foote's pitch-perfect characters and sensitive eye for interpersonal relationships continue to place him at the top of playwrights working today.

    Evan is shy, lonely, and bullied for it―teeming with the irrepressible emotions all too familiar with anyone who's ever been a teenager. After a tragedy strikes, Evan's life suddenly gets turned around, but is it ultimately for the better?