Antonio and Natasha's world is turned upside down, and their young love is put to the test, when Antonio finds himself in jail, accused of a shocking crime. Antonio fights to stay alive on the inside, while on the outside, Natasha faces choices that will change her life. Over the course of a decade, they share a desperate correspondence. Often, they have only each other to turn to as life takes them down separate paths and leaves them wondering if they will ever find their way back together.Startling, real, and filled with raw emotion, Upstate is an unforgettable coming-of-age story with a message of undeniable hope. Brilliant and profoundly felt, it is destined to speak to a new generation of readers.

    Responsible eldest sister Sydney has a sexy husband, an adorable daughter, and fulfilling work. But, little by little, the demands of her writing career have mounted, leaving her little time or energy for family life. Meanwhile proud middle sister Gina is struggling to raise her eight-year-old twins--and protect them from the increasing fury of their volatile father. Impulsive brother Rick, the baby of the family, is living the high life--dodging commitment with his longtime girlfriend and wondering if the grass is greener somewhere else.When their beloved mother Delores suffers a debilitating stroke, all three suddenly find the tenuous threads of their individual lives at a breaking point. A dark childhood secret threatens Sydney's secure world; Gina is swept into a maelstrom of domestic violence; and Rick comes to a dramatic crossroads in his relationship. Worst of all, the burden of caring for a parent is tearing the siblings apart, shattering their faith in one another. Now as Sydney, Gina, and Rick struggle to overcome daunting obstacles and rebuild their lives, they will discover something they've never let themselves believe: that their most stable--and most cherished--relationships have always been with each other.

    Because in the end, music can save us all ...1988. Frank owns a music shop. It is jam-packed with records of every speed, size and genre. Classical, jazz, punk – as long as it’s vinyl he sells it. Day after day Frank finds his customers the music they need.Then into his life walks Ilse Brauchmann.Ilse asks Frank to teach her about music. His instinct is to turn and run. And yet he is drawn to this strangely still, mysterious woman with her pea-green coat and her eyes as black as vinyl. But Ilse is not what she seems. And Frank has old wounds that threaten to re-open and a past he will never leave behind ...

    . .but he was also manipulative and controlling, especially to those he loved.  His death begins to unravel deep secrets and shocking desires among the people he cared about the most. . . His daughter, Kristine, feels that with her father’s death she is finally free.  His best friend and business partner, Lamar, feels that now can finally have what he has longed for all these years: Kristine.  His protégé, Cole, the boxing champion and rising star, married a woman Bishop never approved of and may have been right about.  Rayne, the blues singer and ex-junkie relied on Bishop to keep her clean and is now slipping down a dark path without him.  And Rhonda, Lamar’s wife, is determined to ignore what has been unfolding in front of her if it means that her predictable life will go unchanged.  And then a newcomer steps onto the scene and threatens to turn everything upside down. Five very different people whose lives are only connected by Bishop suddenly find themselves up close and personal as desires, dreams and passions collide.

    Gbessa, exiled from the West African village of Lai, is starved, bitten by a viper, and left for dead, but still she survives. June Dey, raised on a plantation in Virginia, hides his unusual strength until a confrontation with the overseer forces him to flee. Norman Aragon, the child of a white British colonizer and a Maroon slave from Jamaica, can fade from sight when the earth calls him. When the three meet in the settlement of Monrovia, their gifts help them salvage the tense relationship between the African American settlers and the indigenous tribes, as a new nation forms around them.Moore’s intermingling of history and magical realism finds voice not just in these three characters but also in the fleeting spirit of the wind, who embodies an ancient wisdom. “If she was not a woman,” the wind says of Gbessa, “she would be king.” In this vibrant story of the African diaspora, Moore, a talented storyteller and a daring writer, illuminates with radiant and exacting prose the tumultuous roots of a country inextricably bound to the United States. She Would Be King is a novel of profound depth set against a vast canvas and a transcendent debut from a major new author.

    Jump at the Sun is her stunning third novel in which she addresses the same complicated subjects, as well as gender, class, and motherhood.Grace Jefferson is an educated and accomplished modern woman, a child of the Civil Rights dream, and she knows it well. But after a series of rattling personal transitions, she finds herself in a new house in a new city and in a new career for which she feels dangerously unsuited: a stay-at-home mom. Caught between the only two models of mothering she has ever known -- a sharecropping grandmother who abandoned her children to save herself and a mother who sacrificed all to save her kids -- Grace struggles to embrace her new role, hoping to find a middle ground. But as the days pass and the pressures mount, Grace begins to catch herself in small acts of abandonment -- speeding up on neighborhood walks, closing doors with the children on one side and her on the other -- that she fears may foretell a future she is powerless to prevent. Or perhaps it's a future she secretly seeks.Jump at the Sun is a novel about an isolating suburban life and the continuing legacy of slavery, about generational change and the price of living the dream for which our parents fought. Primarily it is a novel about motherhood, and not a sentimental one. As Grace struggles not to damage her children with her own fears and complications, her thoughts stray far from the greeting-card picture often expected of mothers in society today. In her bold and fearless voice McLarin explores both the highs and the lows of being a mother and how breaking the cycle of suffocation and regret is infuriatingly difficult, and absolutely necessary.

    Alireza Courdee, a fourteen-year-old straight-A student and chemistry whiz, takes his first hit of pot. In as long as it takes to inhale and exhale, he is transformed from the high-achieving son of Iranian immigrants into a happy-go-lucky stoner. He loses his virginity, takes up surfing, and sneaks away to all-night raves. For the first time, Reza--now Rez--feels like an American teen. Life is smooth; even lying to his strict father comes easily.But then he changes again, falling out with the bad boy surfers and in with a group of kids more awake to the world around them, who share his background, and whose ideas fill him with a very different sense of purpose. Within a year, Reza and two friends are making their way to Syria to join in the fight.Timely, nuanced, and emotionally forceful, A Good Country is a gorgeous meditation on modern life, religious radicalization, and a young man caught among vastly different worlds. What we are left with at the dramatic end is not an assessment of good or evil, east versus west, but a lingering question that applies to all souls: Does a person decide how to live, or is their life decided for them?

    As the Dunbar boys love and fight and learn to reckon with the adult world, they discover the moving secret behind their father’s disappearance. At the center of the Dunbar family is Clay, a boy who will build a bridge—for his family, for his past, for greatness, for his sins, for a miracle. The question is, how far is Clay willing to go? And how much can he overcome?

    Sights Unseen shows the author at her most passionate and heartfelt best -- an unforgettable tale of unconditional love, and of a family's desperate search for normalcy in the midst of mental illness. It is a novel of rare poignancy, wit, and evocative power -- the story of the relationship between Hattie Barnes and her emotionally elusive mother, Maggie, known by their neighbors as "that Barnes woman with all the problems."This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

    Paul lives in Paris, in a world of privilege where beauty dominates, adults are intent on their own satisfaction, and everything looks perfect. There's nowhere to get dirty, or so it appears.His mother is glamorous and powerful, distracted by a younger lover and her own fear of aging. His wealthy father is desperately seeking to assuage his endless discontent. Paul lives between the two apartments of his broken family, looked after by a Filipino babysitter who hasn't seen her own children in years. When Paul meets Scarlett, a beguiling classmate, he uncovers the cruel gulf between the world as it is and how he imagined it to be. It's only a matter of time before Paul witnesses a shocking event and inherits a burden he's far too young to shoulder.A dazzling coming-of-age story, I Love You Too Much is a devastating literary debut born from the saying, Je t'aime trop: a distinctly French expression of excessive love. In a world of abundance, a Paris where parents don't always mean what they say, Paul must look beyond his glamorous home to find a love that's real.

    The place is a blue-collar town in upstate New York, where five high school girls are joined in a gang dedicated to pride, power, and vengeance on a world they never made - a world that seems made to denigrate and destroy them. Foxfire is Joyce Carol Oates' strongest and most unsparing novel yet...an often engrossing, often shocking evocation of female rage, gallantry, and grit. Here, then, are the Foxfire chronicles - the secret history of a sisterhood of blood, a haven from a world of lechers and oppressors, marked by a liberating fury that burns too hot to last. It is the story of Maddy Monkey, who writes it...of Goldie, whose womanly body masks a fierce, explosive temper...of Lana, with her Marilyn Monroe hair and packs of Chesterfields...of timid Rita, whose humiliation leads to the first act of Foxfire revenge. Above all, it is the story of Legs Sadovsky, with her lean, on-the-edge, icy beauty, whose nerve, muscle, hate, and hurt make her the spark of Foxfire, its guiding spirit, its burning core. At once brutal and lyrical, this is a careening joyride of a novel - charged with outlaw energy and lit by intense emotion.The story moves over the years from the first eruption of adolescent anger at sexual abuse to a shared life financed by luring predatory men into traps baited with sex. But then the gang's very success leads to disaster - as Foxfire makes a last tragic stand against a society intent on swallowing it up. Yet amid scenes of violence, sexual abuse, exploitation, and vengeance lies this novel's greatest power: the exquisite, astonishing rendering of the bonds that link the girls of Foxfire together - especially that between Maddy, the teller ofthe tale, and Legs, whose quintessential strength and bedrock bravery make her one of the most vivid and vital heroines in modern fiction.

    In the early 1960s, nowhere but "The Big House" attracts so many renowned jazz and blues musicians—and no one but Miss Honeybee attracts talented lost souls like Forestine Bent and Viola Bembrey.The two singers come from separate worlds: one the Brooklyn projects, the other the Baptist, rural South. One has a God-given voice and the ambition to be a star, the other a more subtle gift and a handful of hazy fantasies. But both learn the destructive consequences of following their hearts. They find sanctuary together under Honeybee's tender guidance, struggling to find the balancing point where music doesn't overpower love. Including a passel of characters both wildly raunchy and remarkably dignified, Andrea Smith has woven an unforgettable tale overflowing with energy, heart, and humanity.

    Although they are next-door neighbors in New Haven, they come from different worlds. Elise grew up in a housing project without a father and didn't graduate from high school. Jamey is a junior at Yale, heir to a private investment bank fortune and beholden to high family expectations. The attraction is instant, and what starts out as sexual obsession turns into something greater, stranger, and impossible to ignore.The unlikely couple moves to Manhattan in hopes of forging an adult life together, but Jamey's family intervenes in desperation, and the consequences of staying together are suddenly severe. And when a night out with old friends takes a shocking turn, Jamey and Elise find themselves fighting not just for their love but also for their lives.

    Although he would in his old age famously dismiss it as an ‘awkward mixture of fact and fiction’, generations of readers have not agreed, finding the novel to be a charming and insightful portrait of inner growth against the background of a world limned with extraordinary clarity, grace and color. Evident too in its brilliant account of a young person’s emerging awareness of the world and of his place within it are many of the stances, techniques and themes that would come to full flower in the immortal War and Peace and Anna Karenina, and in the other great works of Tolstoy’s maturity.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'