By inserting 'errors' in the accounting logs, the Syndicate intends to expose a phony embezzlement scheme as an excuse to shut down the troublesome orbiting pleasure palace. When the reclusive Redwine falls in love with the madam, he begins a tricky double-cross that threatens more than the financial well-being of the Comet.

     In an interstellar romp that proves science and sorcery can mix, only hard-headed realist Rod Gallowglass can save the people of Gramarye from their doom by becoming--The Warlock in Spite of Himself--if only he believed in magic.

    In the festering sewers below a darker game is afoot: a Wall Street takeover artist has been murdered, and Gant’s crusading ex-wife, Joan Fine, has been hired to find out why. The year is 2023, and Ayn Rand has been resurrected and bottled in a hurricane lamp to serve as Joan's assistant; an eco-terrorist named Philo Dufrense travels in a pink-and-green submarine designed by Howard Hughes; a Volkswagen Beetle is possessed by the spirit of Abbey Hoffman; Meisterbrau, a mutant great white shark, is running loose in the sewers beneath Times Square; and a one-armed 181-year-old Civil War veteran joins Joan and Ayn in their quest for the truth. All of whom, and many more besides, are caught up in a vast conspiracy involving Walt Disney, J. Edgar Hoover, and a mob of homicidal robots.

    Le Guin has created a profound and transformational literature. The award-winning stories in A Fisherman of the Inland Sea range from the everyday to the outer limits of experience, where the quantum uncertainties of space and time are resolved only in the depths of the human heart. Astonishing in their diversity and power, they exhibit both the artistry of a major writer at the height of her powers and the humanity of a mature artist confronting the world with her gift of wonder still intact.A Fisherman of the Inland Sea containsAnother Story or A Fisherman of the Inland Sea • [Hainish]Dancing to Ganam • [Hainish] Introduction: On Not Reading Science Fiction Newton's Sleep The Ascent of the North FaceThe First Contact with the GorgonidsThe KerastionThe Rock That Changed ThingsThe Shobies' Story • [Hainish]

    showed that the projectile has passed the atmospheric strata, for the diffused light spread in the air would have been reflected on the metal walls, which reflection was wanting. This light would have lit the window, and the window was dark. Doubt was no longer possible; the travelers had left the earth. "I have lost," said Nicholl. "I congratulate you," replied Ardan. "Here are the nine thousand dollars," said the captain, drawing a roll of paper dollars from his pocket. "Will you have a receipt for it?" asked Barbicane, taking the sum. "If you do not mind," answered Nicholl; "it is more business-like." This is the legendary novel of technological speculation and social satire that launched an entire genre of adventure fiction: Verne's From the Earth to the Moon and 'Round the Moon is the first story of space exploration and remains a beloved work of daring exploits-and surprisingly accurate scientific conjecture. When the members of the Baltimore Gun Club-bored Civil War veterans-decide to fill their time by embarking on a project to shoot themselves to the moon, the race is on to raise money, overcome engineering challenges, and convince detractors that they're anything but "Lunatics." With this work, Verne inspired the first science fiction film, 1902's Le Voyage dans la lune, and accurately predicted that that ideal location for a spacebase is in Florida. First published in France in 1865, this replica 1918 edition includes the sequel, 1870's Round the Moon. Also available from Cosimo Classics: Verne's Five Weeks in a Balloon OF INTEREST TO: science fiction fans, readers of 19th-century literature French author JULES GABRIEL VERNE (1828-1905) is considered the father of modern science fiction. Among his many groundbreaking books are Journey to the Center of the Earth (1864), 20,000 Leagues Under the Sea (1870), and Around the World in Eighty Days (1872).

    There is no night where it waits. Only the riddle of which terrible dream will set it loose. It beheaded mercy to take possession of that place. It feasts on darkness from the minds of men. No one has ever seen its eyeless face. When it sleeps we know a few moments of peace. But when it breathes again we go down in fire and mate with jackals. It knows our fear. It has our number. It waited for our coming and it will abide long after we have become congealed smoke. It has never heard music, and shows its fangs when we panic. It is the beast of our savage past, hungering today, and waiting patiently for the mortal meal of all our golden tomorrows. It lies waiting."--Harlan Ellison15 stories by Harlan EllisonContents "Introduction: The Waves in Rio" "The Beast that Shouted Love at the Heart of the World" "Along the Scenic Route" "Phoenix" "Asleep: With Still Hands" "Santa Claus vs. S.P.I.D.E.R." "Try a Dull Knife" "The Pitll Pawob Division" "The Place With No Name" "White on White" "Run for the Stars" "Are You Listening?" "S.R.O." "Worlds to Kill" "Shattered Like a Glass Goblin" "A Boy and His Dog"

    Now, under the guidance of Chairman Carlotta Madigan and her lover and Minister of Media, Royce Lindbold, it is the galaxy's supreme electronic democracy, a Utopian world where both sexes equally serve and are served by the Media.But there are those who would have it otherwise, who have come to Pacifica to turn its very freedom into an instrument of its bondage, who have launched a devastating media war on Pacifica to divide... and conquer.

    On an island with a glass shore - relic of some even more ancient conflict - she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything.

    Dick, Larry Niven, Fritz Leiber, Poul Anderson, Damon Knight, J.G. Ballard, John Brunner, Frederik Pohl, Roger Zelazny and Samuel Delany.Contentsxi • Foreword: Year 2002 (Dangerous Visions 35th Anniversary Edition) • (2002) • essay by Michael Moorcockxiii • Introduction: Year 2002 (Dangerous Visions 35th Anniversary Edition • (2002) • essay by Harlan Ellisonxxiii • Foreword 1-The Second Revolution • (1967) • essay by Isaac Asimovxxxiii • Introduction: Thirty-Two Soothsayers • (1967) • essay by Harlan Ellison (variant of Thirty-Two Soothsayers)xxxix • Foreword 2-Harlan and I • (1967) • essay by Isaac Asimov1 • Evensong • (1967) • shortstory by Lester del Rey9 • Flies • (1967) • shortstory by Robert Silverberg21 • The Day After the Day the Martians Came • (1967) • shortstory by Frederik Pohl (variant of The Day the Martians Came)30 • Riders of the Purple Wage • (1967) • novella by Philip José Farmer105 • The Malley System • (1967) • shortstory by Miriam Allen deFord115 • A Toy for Juliette • (1967) • shortstory by Robert Bloch128 • The Prowler in the City at the Edge of the World • (1967) • novelette by Harlan Ellison154 • The Night That All Time Broke Out • (1967) • shortstory by Brian W. Aldiss169 • The Man Who Went to the Moon - Twice • (1967) • shortstory by Howard Rodman181 • Faith of Our Fathers • (1967) • novelette by Philip K. Dick216 • The Jigsaw Man • [Known Space] • (1967) • shortstory by Larry Niven231 • Gonna Roll the Bones • (1967) • novelette by Fritz Leiber256 • Lord Randy, My Son • (1967) • shortstory by Joe L. Hensley272 • Eutopia • (1967) • novelette by Poul Anderson295 • Incident in Moderan • [Moderan] • (1967) • shortstory by David R. Bunch299 • The Escaping • (1967) • shortstory by David R. Bunch305 • The Doll-House • (1967) • shortstory by James Cross326 • Sex and/or Mr. Morrison • (1967) • shortstory by Carol Emshwiller338 • Shall the Dust Praise Thee? • (1967) • shortstory by Damon Knight344 • If All Men Were Brothers, Would You Let One Marry Your Sister? • (1967) • novella by Theodore Sturgeon390 • What Happened to Auguste Clarot? • (1967) • shortstory by Larry Eisenberg396 • Ersatz • (1967) • shortstory by Henry Slesar404 • Go, Go, Go, Said the Bird • (1967) • shortstory by Sonya Dorman412 • The Happy Breed • (1967) • shortstory by John Sladek [as by John T. Sladek ]433 • Encounter with a Hick • (1967) • shortstory by Jonathan Brand439 • From the Government Printing Office • (1967) • shortstory by Kris Neville447 • Land of the Great Horses • (1967) • shortstory by R. A. Lafferty458 • The Recognition • (1967) • shortstory by J. G. Ballard472 • Judas • (1967) • shortstory by John Brunner483 • Test to Destruction • (1967) • novelette by Keith Laumer510 • Carcinoma Angels • (1967) • shortstory by Norman Spinrad523 • Auto-da-Fé • (1967) • shortstory by Roger Zelazny532 • Aye, and Gomorrah . . . • (1967) • shortstory by Samuel R. Delany

    When you realize that the 33 stories are ordered chronologically, you begin to grasp the scale of Cordwainer Smith's creation. Regimes, technologies, planets, moralities, religions, histories all rise and fall through his millennia.These are futuristic tales told as myth, as legend, as a history of a distant and decayed past. Written in an unadorned voice reminiscent of James Tiptree Jr., Smith's visions are dark and pessimistic, clearly a contrast from the mood of SF in his time; in the 1940s, '50s, and '60s it was still thought that science would cure the ills of humanity. In Smith's tales, space travel takes a horrendous toll on those who pilot the ships through the void. After reaching perfection, the lack of strife stifles humanity to a point of decay and stagnation; the Instrumentality of Mankind arises in order to stir things up. Many stories describe moral dilemmas involving the humanity of the Underpeople, beings evolved from animals into humanlike forms.Stories not to be missed in this collection include "Scanners Live in Vain", "The Dead Lady of Clown Town", "Under Old Earth", "The Crime and the Glory of Commander Suzdal", "Mother Hitton's Littul Kittons", and the truly disturbing "A Planet Called Shayol". Serious SF fans should not pass up the chance to experience Cordwainer Smith's complex, distinctive vision of the far future.--Bonnie BoumanContents:- Introduction by John J. Pierce- Editor’s Introduction by James A. Mann• Stories of the Instrumentality of Mankind- No, No, Not Rogov! (1959)- War No. 81-Q (rewritten version) - Mark Elf (1957)- The Queen of the Afternoon (1978)- Letter to Editor, Fantasy Book (March 9, 1948)- Scanners Live in Vain (1950)- The Lady Who Sailed The Soul (1960)- When the People Fell (1959)- Think Blue, Count Two (1963)- The Colonel Came Back from Nothing-at-All (1979)- The Game of Rat and Dragon (1955)- The Burning of the Brain (1958)- From Gustible’s Planet (1962)- Himself in Anachron- The Crime and the Glory of Commander Suzdal (1964)- Golden the Ship Was — Oh! Oh! Oh! (1959)- The Dead Lady of Clown Town (1964)- Under Old Earth (1966)- Drunkboat (1963)- Mother Hitton’s Littul Kittons (1961)- Alpha Ralpha Boulevard (1961)- The Ballad of Lost C’Mell (1962)- A Planet Named Shayol (1961)- On the Gem Planet [Casher O'Neill] (1963)- On the Storm Planet [Casher O'Neill] (1965)- On the Sand Planet [Casher O'Neill] (1965)- Three to a Given Star [Casher O'Neill] (1965)- Down to a Sunless Sea (1975)• Other Stories- War No. 81-Q (original version) (1928)- Western Science Is So Wonderful (1958)- Nancy (1959)- The Fife of Bodidharma (1959)- Angerhelm (1959)- The Good Friends (1963)Cover art by Jack Gaughan

    Rather, it suddenly wanted to stop thinking about them. The public was scared. Throughout all human history, the most horrifying of all ideas has been the idea of something which was as intelligent as a man, but wasn't human.The first sounds came at midnight, a plaintive keening from an unknown voice in the vastness of uncharted space. Within hours the whole world had heard the strange, unearthly music--and the panic had begun.Were the sounds a plea for help? From whom? From where? Or were they a command too terrible to think about? No one knew: And in billions of earth-bound minds the horror grew...For how could man, who had not yet claimed the moon, defy a challenge from the stars?And hours later, to the ears of a helpless world, the second message came. . .And Earth's days were numbered.

    . . through quantum space–time.  Minor Universe 31 is a vast story-space on the outskirts of fiction, where paradox fluctuates like the stock market, lonely sexbots beckon failed protagonists, and time travel is serious business. Every day, people get into time machines and try to do the one thing they should never do: change the past. That’s where Charles Yu, time travel technician—part counselor, part gadget repair man—steps in. He helps save people from themselves. Literally. When he’s not taking client calls or consoling his boss, Phil, who could really use an upgrade, Yu visits his mother (stuck in a one-hour cycle of time, she makes dinner over and over and over) and searches for his father, who invented time travel and then vanished. Accompanied by TAMMY, an operating system with low self-esteem, and Ed, a nonexistent but ontologically valid dog, Yu sets out, and back, and beyond, in order to find the one day where he and his father can meet in memory. He learns that the key may be found in a book he got from his future self. It’s called How to Live Safely in a Science Fictional Universe, and he’s the author. And somewhere inside it is the information that could help him—in fact it may even save his life.

    Not even politicians lie, and weirdly frank notices abound—such as warning: this elevator maintained by people who hate their jobs: ride at your own risk. In this dystopia of mandatory candor, every preadolescent citizen is ruthlessly conditioned, through a Skinnerian ordeal called a “brainburn,” to speak truthfully under all circumstances.Jack Sperry wouldn’t dream of questioning the norms of Veritas; he’s happy with his life and his respectable job as a “deconstructionist,” destroying “mendacious” works of art—relics from a less honest era. But when his adored son, Toby, falls gravely ill, the truth becomes Jack’s greatest enemy. Somehow our hero must overcome his brainburn and attempt to heal his child with beautiful lies.

    Dick—that unfolds in the near future, in parallel worlds.In his youth, Richard “Dodge” Forthrast founded Corporation 9592, a gaming company that made him a multibillionaire. Now in his middle years, Dodge appreciates his comfortable, unencumbered life, managing his myriad business interests, and spending time with his beloved niece Zula and her young daughter, Sophia. One beautiful autumn day, while he undergoes a routine medical procedure, something goes irrevocably wrong. Dodge is pronounced brain dead and put on life support, leaving his stunned family and close friends with difficult decisions. Long ago, when a much younger Dodge drew up his will, he directed that his body be given to a cryonics company now owned by enigmatic tech entrepreneur Elmo Shepherd. Legally bound to follow the directive despite their misgivings, Dodge’s family has his brain scanned and its data structures uploaded and stored in the cloud, until it can eventually be revived. In the coming years, technology allows Dodge’s brain to be turned back on. It is an achievement that is nothing less than the disruption of death itself. An eternal afterlife—the Bitworld—is created, in which humans continue to exist as digital souls. But this brave new immortal world is not the Utopia it might first seem . . . Fall, or Dodge in Hell is pure, unadulterated fun: a grand drama of analog and digital, man and machine, angels and demons, gods and followers, the finite and the eternal. In this exhilarating epic, Neal Stephenson raises profound existential questions and touches on the revolutionary breakthroughs that are transforming our future. Combining the technological, philosophical, and spiritual in one grand myth, he delivers a mind-blowing speculative literary saga for the modern age.

    Editor John W. Campbell, Jr., discovered and promoted great new writers such as A.E. van Vogt, whose novel Slan was one of the works of the era.Slan is the story of Jommy Cross, the orphan mutant outcast from a future society prejudiced against mutants, or slans. Throughout the forties and into the fifties, Slan was considered the single most important SF novel, the one great book that everyone had to read. Today it remains a monument to pulp SF adventure, filled with constant action and a cornucopia of ideas.This edition has a new introduction by Kevin J. Anderson.