She had a face of feral sweetness, its color yellow; her eyes were long and dark, her mouth a taut bow, her nostrils upturned as if she were scenting the wind."In "How Shall I Know You?," a melancholic and ailing writer reluctantly travels east of London to give a lecture before a literary society. Mr. Simister, the organization's secretary, lures the world-weary novelist turned biographer with promises of a modest stipend and lodging at a charming bed-and-breakfast for her trouble. Nevertheless, on that rainy day she meets Mr. Simister at the train station, she wonders why she ever agreed to come in the first place. Driving past steel-shuttered windows and Day-Glo banners, Mr. Simister takes the writer to her hotel for the evening, which turns out to be crumbling and isolated rather than picturesque. As she crosses the threshold into the dank stench of Eccles House she is faced with the feral porter, Louise, and suffers through an evening that may be more than she bargained for.From Hilary Mantel's brilliant and darkly comic collection of contemporary stories, The Assassination of Margaret Thatcher, comes a tale told with her distinctive blend of subversive wit and gimlet-eyed characterization. "How Shall I Know You?" showcases the extraordinary genius of Hilary Mantel, called one of our "greatest living novelists" (NPR).

    O'Leary to Barack Obama. "Flexing impressive literary chops, the beer vendor/creative-writing professor captures both the tough, defensive exterior and the vulnerable, often-broken heart of his city."— Timeout Chicago"Chicago, a page at a time. Michael Czyzniejewski gets right to the point in telling the city's stories." — Chicago Tribune"...Michael Czyzniejewski’s “Chicago Stories,” forty fictional monologues riffing on the common culture of the Windy City’s shared history, projected forward into a possible future. Not quite historical fiction—more like historical jazz." — Newcity Lit"In 'Chicago Stories,' Michael Czyzniejewski summons all of Chicago — its ghosts, living and dead, its heroes and fools, sinners and saints, its people and places and all of its occasions — and in these pages they have gathered, strange and unlikely bedfellows, to sing a new song for Chicago. It will twist your arm behind your back, this song. It will break your fingers."— Billy Lombardo, author of The Man With Two Arms and The Logic of a Rose: Chicago Stories

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    

    "The work is deeply felt...Bernstein has been there and brought it back. Bernstein is a writer." [William S. Burroughs]

    

    

    A retired public school teacher, Miss Budge embarks on a series of slice-of-life adventures that take readers into the intriguing and authentic lives of Southern church women. "What our readers love about Miss Budge is that they all know her personally. In fact, they all are her in one way or another. Daphne's stories are instantly recognizable to those in a church community, and that's where the real humour and real pathos comes from. Daphne is a keen observer of the strange and wonderful subculture of 'the church lady.'" Brett Alan Dewing The Christian Courier (Canada) "Mildred Budge is a forthright, almost larger than life, woman who challenges every reader's faith walk by being transparent about her own. She reminds us that Jesus loves us the way we are but He loves us too much to leave us as we are." Julie Innes Evangel

    Simple, Simple to his fans, made weekly appearances beginning in 1943 in Langston Hughes' column in the Chicago Defender. Simple may have shared his readers feelings of loss and dispossession, but he also cheered them on with his wonderful wit and passion for life.

    Written in the author's wry and masterful voice, these evocative stories are infused with all the peculiar customs, ironies and humor so special to the South.The twelve stories in this collection include "Red Clay," which won an Edgar Allen Poe Award, in which a local girl from Thermopylae becomes a movie star who moves back to her sleepy North Carolina home town and is tried for murdering her unfaithful husband. Her trial causes the town and one man in particular to look back with longing and nostalgia at this exquisite Southern belle who captivated-and sometimes manipulated-every man she met."Fast Love," the recipient of an O. Henry Award, is the story of a man who chases down his future wife after seeing her jog past. As he gets closer to his quarry, he also gains the courage to stand up for what he wants and to champion what he believes.In "Blue Cadillac," Marie, blonde and beautiful, shares dinner and her love of Elvis with a high-tech sales rep on his way home to Memphis. Along the way and on the road, they have exquisite sex and decide to part, Marie in her blue Cadillac. As he rings the bell at his mother's house, the young man discovers that he has been robbed of his wallet and his whole life on cards.Self-contained masterpieces, each of these short stories has the impact and power of a full-length novel.Stella : red clay --Marie : blue Cadillac --Precious : winners and losers --Charmain : white trash noir --Lucy : maniac loose --Flonnie : the rising of the South and Flonnie Rogers --Patty : love and other crimes --Meredith : fast love --Angie : the power --Mona : Miss mona's bank --Betty : a deer on the lawn --Mattie : invitation to the ball

    As in her acclaimed novels The Siege and A Spell of Winter, world-class storyteller Helen Dunmore shows us with subtlety and humor precisely who her characters are and why we should care for them. In each taut, agile tale, they grow to surprise, concern, and move us as they negotiate situations that are often both mundane and bizarre: a cafeteria cook confronts her Polish pen pal in a meeting that is unexpectedly intense; a divorced mother gains insight from a parking meter; a boastful writer is put in his place in spectacular fashion; and in a chilling future, conception is ruthlessly controlled by the government. In several stories a soulful, curious woman named Ulli takes up residence in the reader's imagination -- stumbling across a strangely magnetic collector of religious icons, contemplating a youthful pregnancy, and remembering a troubled lover. In Ice Cream, Dunmore reveals both her poet's ear for the concise and piercing potentialities of language and the novelist's ambition of scope, proving her status as "a master of the shorter form" (The Sunday Telegraph). "Spellbinding ... She captures a moment in time and leaves us reeling at the echoes." -- Michael McLoughlin, The Irish News "Cool, elegant, and beautifully controlled, the stories collected in Ice Cream display Dunmore's virtuosity of language." -- Pamela Norris, The Independent on Sunday "All the senses are vibrantly alive in these stories." -- Katie Owen, The Sunday Telegraph

    Henry Prize stories collection has offered an exciting selection of the best stories published in hundreds of literary magazines every year. Such classic works of American literature as Ernest Hemingway’s The Killers (1927); William Faulkner’s Barn Burning (1939); Carson McCuller’s A Tree. A Rock. A Cloud (1943); Shirley Jackson’s The Lottery (1949); J.D. Salinger’s For Esme with Love and Squalor (1963); John Cheever’s The Country Husband (1956) ; and Flannery O’Conner’s Everything that Rises Must Converge (1963) all were O. Henry Prize stories. An accomplished new series editor--novelist and short story writer Laura Furman--has read more than a thousand stories to identify the 20 winners, each one a pleasure to read today, each one a potential classic. The O. Henry Prize Stories 2003 also contains brief essays from each of the three distinguished judges on their favorite story, and comments from the prize-winning writers on what inspired their stories. There is nothing like the ever rich, surprising, and original O. Henry collection for enjoying the contemporary short story.The Thing in the Forest A. S. Byatt The Shell Collector Anthony Doerr Burn Your Maps Robyn Jay Leff Lush Bradford Morrow God’s Goodness Marjorie Kemper Bleed Blue in Indonesia Adam Desnoyers The Story Edith Pearlman Swept Away T. Coraghessan Boyle Meanwhile Ann Harleman Three Days. A Month. More. Douglas Light The High Road Joan Silber Election Eve Evan S. Connell Irish Girl Tim Johnston What Went Wrong Tim O’Brien The American Embassy Chimamanda Ngozi Adichie Kissing William Kittredge Sacred Statues William Trevor Two Words Molly Giles Fathers Alice Munro Train Dreams Denis Johnson

    The eight stories in this collection, his first to be published in English, represent some of his best writing and most imaginative storylines: from the love story between Balthazar, wealthy and successful author, and Odette, cashier at a supermarket, to the tale of a barefooted princess; from the moving story of a group of female prisoners in a Soviet gulag to the entertaining portrait of a perennially disgruntled perfectionist. Here are eight contemporary fables, populated by a cast of extravagant and affecting characters, about people in search of happiness. Behind each story lies a simple, if elusive, truth: happiness is often right in front of our eyes, though we may frequently be blind to it.

    Some move toward the future heartened by what they learn from those around them--a tattoo artist, an invented medicine man, zoo animals, strangers, fellow outsiders. Deftly rendered, these stories abound with oddness and grace.In “Tattooizm,” included in The Best American Short Stories 2006, a young woman struggles with a promise that her boyfriend is determined to make her keep. In the Nelson Algren Award–winning “Space,” a reluctantly undertaken errand forces a young man to finally confront the death of his mother. And in “The Medicine Man,” hailed by the Times (U.K.) as “perfectly pitched and perfectly written,” a man recounts his manic attachment to his sister.Moffett’s closely observed stories are candid and complex, funny and moving. The world of Permanent Visitors is an idiosyncratic and generous one, its inhabitants searching for constancy in a place crowded with contradiction.