Key Features: *Study methods *Introduction to the text *Summaries with critical notes *Themes and techniques *Textual analysis of key passages *Author biography *Historical and literary background *Modern and historical critical approaches *Chronology *Glossary of literary terms

    The young widow of the disgraced Sir Hugh Delahaye, Adeline reverts to her maiden name and is determined to leave the past behind. When she encounters Guy Ashleigh, the handsome and charismatic young ward of the village squire, they fall passionately in love, but Guy is expected to marry his childhood sweetheart. When jealousy forces them apart and the secrets of the past catch up with them, Adeline sees no alternative but to run away. Somehow, they must find a way to overcome the obstacles that threaten to destroy their future together.

    Laird boldly engages with topics ranging from fatherhood and marriage to mass destruction and the cosmos. Go Giants is a brash, brave, and wildly imaginative new collection.From Go Giants:Go in peace to love and serve the.Go and get help. Go directly to jail.Go down in flames. Go up in smoke.Go for broke. Go tell Aunt Rhody.Go tell the Spartans. Go to hell.Go into detail. Go for the throat.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    Born in the North London suburbs, his parents, Harold and Connie, both teachers, first met as teenage Communists in the 1930s Jewish East End. The family home was filled with stories of relatives in London, the United States and France and of those who had disappeared in Europe.Unlike the children around them, Rosen and his brother Brian grew up dreaming of a socialist revolution; Party meetings were held in the front room, summers were for communist camping holidays, till it all changed after a trip to East Germany, when in 1957 his parents decided to leave “the Party.” Michael followed his own journey of radical self-discovery: running away to the Aldermaston March to ban the bomb, writing and performing in experimental political theatre, getting arrested during the 1968 movements.

    When he began to write the first, he could not prune a rose. When he began to write the second, he could not boil an egg. Perhaps this is why both books remain fresh and eminently readable. The phrase 'kitchen sink' may suggest squalor and disillusionment, but Beverley Nichols transforms it into a symbol of merriment and adventure. With a new foreword by Roy Dicks and Val Biro's charming drawings, the Timber Press edition of Down the Kitchen Sink deservedly takes its place among Beverley's classics on gardens, homes, cats, and other friends.

    In pursuit of a haven from the unrest of city life, she embarked on a journey to find the perfect plot of land on which to plant a wood. But creating this would-be sanctuary proved more daunting than she expected. In this inspiring memoir, Pavey shares her story of finding peace by sowing her legacy in the form of a wood, one tree at a time. Chronicling her struggle to clear away the brambles to make a place for herself in the world, Pavey's story is both enchanting and candid, and at times self-deprecating as she recognises her shortcomings as a landowner. By probing her own motivations and her enjoyment of the solitudeand beauty of the place, she shares her insights into our relationship with nature - and our destruction of it. Her intelligent understanding and cautioning against our romanticising of rural living forces us to consider the reality of country life in Britain today. With charming descriptions of the Somerset countryside and abundant with tales of its history and inhabitants (both past and present), Pavey's story is at once lyrical and beguiling.

    The content is well sourced and there are plenty of references in the appendices.

    The anthology - the 22nd of its kind - is introduced by Jeannette Winterson. If you buy only one poetry book this year, this deserves to be it.

     Written with incredible honesty and self-knowledge, Between the Lines is a stunning collection of poems from Céline Zabad. Ranging in length from a single line to full pages, her poems mimic at once the brevity and vastness of feeling. Her verse is at times as free as a cloud, other times as solid as stone. Her words are philosophies and feelings in their own rights, on love, loss, loyalty, betrayal, hope, and disappointment—on life. Zabad encapsulates the thrill of love’s first blush and the freezing burn of heartbreak. Her feelings flow freely throughout the collection, lending her poetry uncommon authenticity and power. Nature thrives between the lines of her verse, reminding the reader that tears are as natural as raindrops. Whether you’re looking for new ways to think about your own feelings or are simply passionate about poetry, you’ll find plenty to love in this collection. To better understand the complexities of emotion in yourself and others, you must read Between the Lines.

    

    With language of devastating beauty and complexity, he investigates conflicted personal history and political tragedy, and how the human body fares against both. A book-length sequence of linked poems, Sanctificum is Abani’s most intimate and ambitious book to date, a tour de force bringing together religious ritual, the Igbo language of his Nigerian homeland, and reggae rhythms in a complex, liturgical love song.

    It gives you the tools and inspiration you need to celebrate, mark and appreciate each month of the year in your own particular way. Divided into the 12 months, a set of tables each month gives it the feel and weight of a traditional almanac, providing practical information that gives access to the outdoors and the seasons, perfect for expeditions, meteor-spotting nights and beach holidays. There are also features on each month's unique nature, such as the meteor shower of the month, beehive behaviour, folklore and stories, seasonal recipes and charts tracking moon phases and tides. You will find yourself referring to the almanac all year long, revisiting it again and again, and looking forward to the next edition as the year draws to a close.

    But most of all, she had to endure the shame of her name – that of the city's most notorious prostitute. Taking care of her younger brother and desperately trying to live down her name, Maggie manages to escape from Liverpool to enjoy an idyllic new life. But fate forces her back again and into the arms of a stranger who is to bring her both heartbreak and the greatest happiness she will ever know.

    They included Lord Byron, John Keats, and Mary Shelley, as well as a host of fascinating lesser-known figures: Mary Shelley’s stepsister and Byron’s mistress, Claire Clairmont; Hunt’s botanist sister-in-law, Elizabeth Kent; the musician Vincent Novello; the painters Benjamin Haydon and Joseph Severn; and writers such as Charles and Mary Lamb, Thomas Love Peacock, and William Hazlitt. They were characterized by talent, idealism, and youthful ardor, and these qualities shaped and informed their politically oppositional stances—as did their chaotic family arrangements, which often left the young women, despite their talents, facing the consequences of the men’s philosophies.In Young Romantics, Daisy Hay follows the group’s exploits, from its inception in Hunt’s prison cell in 1813 to its disintegration after Shelley’s premature death in 1822. It is an enthralling tale of love, betrayal, sacrifice, and friendship, all of which were played out against a background of political turbulence and intense literary creativity.