There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

     Not only has she lost her husband, but his actions have put her under investigation for corruption. Then a bashed and broken body is found floating in the Oxford Canal. It looks like the victim fell off a boat, but Hillary is not so sure. Her investigation exposes a dark background to the death. Can Hillary clear her name and get to the bottom of a fiendish conspiracy on the water?

    But even she never thought that she would become a social pariah, an outcast fending for herself on the mean streets of London. When the city is struck by a trio of unexpected deaths and suspicion falls on her sister and her father, Charlotte is desperate to find the true culprits and clear the family name. She’ll have help from friends new and old—a kind-hearted widow, a police inspector, and a man who has long loved her.But in the end, it will be up to Charlotte, under the assumed name Sherlock Holmes, to challenge society’s expectations and match wits against an unseen mastermind.

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    At the same time, a hot-air balloon crashes out of the sky. There’s just one survivor.She’s seen the killer’s face – but he’s also seen hers. And he won’t rest until he’s eliminated the only witness to his crime.Alone, scared, trusting no one, she’s running to where she feels safe – but it could be the most dangerous place of all . . .

    The first and only author to win back-to-back Edgars for Best Novel. Every book a New York Times bestseller. After five years, John Hart is back. Since his debut bestseller, The King of Lies, reviewers across the country have heaped praise on John Hart, comparing his writing to that of Pat Conroy, Cormac McCarthy and Scott Turow. Each novel has taken Hart higher on the New York Times Bestseller list as his masterful writing and assured evocation of place have won readers around the world and earned history's only consecutive Edgar Awards for Best Novel with Down River and The Last Child. Now, Hart delivers his most powerful story yet. Imagine: A boy with a gun waits for the man who killed his mother. A troubled detective confronts her past in the aftermath of a brutal shooting. After thirteen years in prison, a good cop walks free as deep in the forest, on the altar of an abandoned church, a body cools in pale linen… This is a town on the brink. This is Redemption Road.Brimming with tension, secrets, and betrayal, Redemption Road proves again that John Hart is a master of the literary thriller.

    Simon Serrailler, her enigmatic superior. Though she fits well within the local police force, she finds herself unable to let go what seems like a routine missing persons report on a middle-aged spinster. When yet more townspeople turn up missing, her hunch is verified and a serious police search begins, bringing her into closer proximity with Serrailler at the same time it exposes her to danger.

    The wife of a wealthy man is found dead, and it is up to Lord Peter Wimsey and his wife, Harriet, to solve the case.

    Broken by the brutality he suffered and committed in equal measure while behind bars, his work and his daughter are the only light in his solitary life. When he receives a card in the mail from the woman who admits she was paid to frame him those years ago, King realizes that he has no choice but to take his own case: figuring out who on the force wanted him disposed of--and why.Running in parallel with King's own quest for justice is the case of a Black radical journalist accused of killing two on-duty police officers who had been abusing their badges to traffic in drugs and women within the city's poorest neighborhoods.Joined by Melquarth Frost, a brilliant sociopath, our hero must beat dirty cops and dirtier bankers, craven lawyers, and above all keep his daughter far from the underworld in which he works. All the while, two lives hang in the balance: King's client's, and King's own.

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.

    Claire has finally carved out a life for herself as a homicide detective in Detroit, but the past comes calling when the local police back home ask for her help with a murder eerily similar to Rachel’s.Still haunted by Rachel’s cold case, Claire returns home, hoping to solve the crime and finally put her grief to rest. As she starts investigating, the last thing she needs is tenacious journalist Noah Washington asking questions she’s not ready to answer. But like her, Noah won’t give up until he finds the truth—and Claire reluctantly finds herself relying on him more and more when disturbing new details about Rachel’s death come to light.When the killer strikes once again, Claire knows he’s not done. Now he’s set his sights on Claire, who will have to find the courage she needs to survive a deadly confrontation years in the making.

    Five years ago, her family home was the scene of a shocking and bloody crime that left her parents dead and her foster brother in prison. Marnie doesn’t talk much about her personal life, preferring to focus on work. Not even her partner, DS Noah Jake, knows much about Marnie’s past. Though as one of the few gay officers on the force and half Jamaican to boot, Noah’s not one to overshare about his private life either. Now Marnie and Noah are tackling a case of domestic violence, and a different brand of victim.Hope Proctor stabbed her husband in desperate self-defense. A crowd of witnesses in the domestic violence shelter where she’s staying saw it happen, but none of them are telling quite the same story, and the simple question remains: how did Leo Proctor get in to the secure shelter? Marnie and Noah shouldn’t even have been there when it happened but they were interviewing another resident, Ayana Mirza. They’re trying to get Ayana to testify against her brothers for pouring bleach on her face for bringing dishonor to the family, and blinding her in one eye. But Ayana knows that her brothers are looking for her, and she has no doubt that they’ll kill her this time.As the violence spirals, engulfing the residents of the women's shelter, Marnie finds herself drawn into familiar territory: A place where the past casts long shadows and she must tread carefully to survive.

    Then a talented young female student goes missing on the marsh and Nikki and Joseph find themselves joining forces with a master criminal in their efforts to save her. They need to look behind the masks, but when they do, they find something more sinister and deadly than they ever expected . . .

    Folks still whisper about her mother, a bewitching young stranger who inspired local myths when she vanished years ago. When one of Lucy's few friends, slow-minded Cheri, is found murdered, Lucy feels haunted by the two lost girls-the mother she never knew and the friend she couldn't protect. Everything changes when Lucy stumbles across Cheri's necklace in an abandoned trailer and finds herself drawn into a search for answers. What Lucy discovers makes it impossible to ignore the suspicion cast on her own kin. More alarming, she suspects Cheri's death could be linked to her mother's disappearance, and the connection between the two puts Lucy at risk of losing everything. In a place where the bonds of blood weigh heavy, Lucy must decide where her allegiances lie.

    Nobody comes "an unputdownable mystery about the nightmares that abound in the pursuit of Hollywood dreams" (Caroline Kepnes, author of the You series)."Stylish, riveting, hugely atmospheric--I couldn't put it down."--Lucy Foley, author of The Guest ListA woman has gone missing. But did she ever really exist?A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls--anxious, desperate, and willing to do whatever it takes to make it.Instead, Mia Eliot, a fish out of water in the ruthlessly competitive and faceless world of back-to-back auditioning, discovers the sinister side of Hollywood when she becomes the last person to see Emily, a newfound friend. Standing out in a conveyor-belt world of fellow aspiring stars, Emily mysteriously disappears following an audition, after asking Mia to do a simple favor. But nothing is simple. Nothing is as is seems. And nothing prepares Mia for a startling truth: In a city where dreams really do come true, nightmares can follow.