Tricked by his cunning ... Treated to his savagery ... Annie, Linda and Laurie ... fresh, pretty, ready to be taken ... stalked by a sadistic power who has returned to claim new victims, on this ... the most frightening night of the year.

    But he also has a dark side. When his girlfriend Jennifer laughs at his impotence, he lashes out in a violent rage, knocking her unconscious. At the suggestion of his employer, Andrew heads to an isolated cottage in the dark Welsh countryside to take a break and get a grip on himself. In the woods, he discovers the grotesque stinkhorn mushroom, whose phallic shape seems to rise in obscene mockery of his own shortcomings. But the stinkhorn gives him an idea, a way to win Jennifer back. As the seeds of obsession take root in Andrew’s mind, he embarks on a nightmarish quest, with unexpected and horrifying results. Stephen Gregory earned worldwide acclaim with his first novel, The Cormorant (1986), which won the Somerset Maugham Award and was adapted for a BBC film. In The Woodwitch (1988), his second novel, Gregory once again proves himself a master of disturbing and unsettling horror.

    In a deserted midwestern department store, a few people banded together, but beyond their temporary haven an insidious evil was stirring! In the tradition of Stephen King's The Stand.

    An outcast at his high school, Dan is excited to finally make some friends in his last summer before college. But when he arrives at the program, Dan learns that his dorm for the summer used to be a sanatorium, more commonly known as an asylum. And not just any asylum—a last resort for the criminally insane.As Dan and his new friends, Abby and Jordan, explore the hidden recesses of their creepy summer home, they soon discover it's no coincidence that the three of them ended up here. Because the asylum holds the key to a terrifying past. And there are some secrets that refuse to stay buried.Featuring found photos of unsettling history and real abandoned asylums and filled with chilling mystery and page-turning suspense, Madeleine Roux's teen debut, Asylum, is a horror story that treads the line between genius and insanity.

    Fragments of conversations, snapshots of memories were all she could scramble together.But, suddenly, none of it mattered.A stranger.A warning.And the hunt is on.Now Sal and her friends are in a battle like no other. Death and terror lurk around every corner. Can they defy the odds and live to fight another day?Or will they fall like so many before?Is it all a nightmare or is it for real? One thing is for sure, it’s relentless.

    Its arteries run throughout the country. Its lifeblood flows into Westminster, into Scotland Yard, into every village and every city. It flows into you, and into your mother. It keeps you alive. It makes you feel safe. Those same arteries tangle you up and night and make it hard for you to breathe. But come morning, you thank it for what it has done for you, and you sip from its golden cup, and kiss its perfect feet, and you know that all will be right in this godforsaken world as long as it is there to watch over you.Three years ago, Alice spent one night in an abandoned house with her friends Ila and Hannah. Since then, things have not been going well. Alice is living a haunted existence, selling videos of herself cleaning for money, going to parties she hates, drinking herself to sleep. She hasn’t spoken to Ila since they went into the House. She hasn’t seen Hannah either. Memories of that night torment her mind and her flesh, but when Ila asks her to return to the House, past the KEEP OUT sign, over the sick earth where teenagers dare each other to venture, she knows she must go. Together Alice and Ila must face the horrifying occurrences that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, who the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that confronts both supernatural and real-world horrors as it examines the devastating effects of trauma and the way fascism makes us destroy ourselves and each other.

    He’s the only person who understands her, and all Hanna wants is to live happily ever after with him. But Mommy stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good.Meet Suzette.She loves her daughter, really, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. As Hanna’s tricks become increasingly sophisticated, and Suzette's husband remains blind to the failing family dynamics, Suzette starts to fear that there’s something seriously wrong, and that maybe home isn’t the best place for their baby girl after all.

    Jack Quinlan, an American writer, is researching a book on the horrors of the Irish Famine. As the days pass, and the longer nights, the darkness of history parts ... only to reveal an even greater darkness in the present.

    Her family wouldn't have believed it even if she had told them - which she had no intention of doing. Elizabeth had far different plans for them - and only God could help them. He didn't - and Elizabeth set out to prove how hellishly far she could go...

    Banding together to survive, they soon discover that there is something far older and far crueler waiting for them in the woods – something that doesn’t want them to escape.As they plumb the depths of this forest that has seemingly swallowed them whole, haunted by ghosts figurative and literal, they come to understand the nature of the ancient cosmic horror that lies dead and dreaming in a lake in the center of the woods. As one among them is transformed through his own desperation into an agent of this dread, formless horror, the ones that remain must fight back to survive as they explore the dead towns and endless sprawls of trees, rivers and campgrounds deep in the Barrens.Steadily picked off one by one by this malevolent force and their turned friend, hope finally comes for the survivors in the form of their respective bonds to the forest itself – one a long-buried secret, the other an uninvited connection that allows one of the friends to see further than she ever could before. Together, their fight to finally escape twill take them to the heart of the woods and the secrets buried there, but only one of them will make it out alive.

    When something goes horribly wrong and the contestants realize no one is coming to save them, they must question their very reality—and how much of the game is really for show. Each contestant has their own reasons—and their own secrets—for joining the new virtual reality show CUT/OFF that places a group of teenagers alone in the wilderness. It’s a simple premise: whoever lasts the longest without “tapping out” wins a cash prize. Not only that, new software creates a totally unprecedented television experience, allowing viewers to touch, see, and live everything along with the contestants. But what happens when “tapping out” doesn’t work and no one comes to save you? What happens when the whole world seemingly disappears while you’re stranded in the wild? Four teenagers must confront their greatest fears, their deepest secrets, and one another when they discover they are truly cut off from reality.

    Starting out as a boy in the Catskills, Corky develops into a brilliant and famous magician whose long-hidden secret and expert skills attract dark forces intent on destroying him.

     A Hellish Spirit. A fight for more than just her life. When Del Lareaux leaves the St. Augustine orphanage, she is desperate to build a normal life for herself and Jimmy, the mentally handicapped boy she spent years protecting. But when a hellish spirit is raised from the dark swamps of Louisiana, abominations of unimaginable horror begin to prey on the lost souls of New Orleans, and Del’s soul is the most coveted. When Del learns the truth of her secret heritage, she is faced with a choice: forego the gift she was born with for the normal life she dreams of, or embrace her birthright and the dark consequences that follow. A Grimoire Dark explores the Voodoo mythos like never before. Threads of Stephen King and Edgar Allen Poe weave a nightmare veil through which dark elements of a Lovecraftian horror tale are glimpsed; for to view them directly would be ones undoing.

    They find shelter at Motel Ace, located in Middle-of-Nowhere, Nevada. They’re welcomed by a quiet clerk and they meet a cast of interesting travelers. They expect a quiet, romantic night at a dingy motel as they wait for the mechanic. Then they hear the screaming in the other rooms. Then they see the clowns outside. And those violent, deformed clowns want to come into their room to play… In the blink of an eye, a peaceful night transforms into a battle for survival and a motel becomes a bloody battleground. Jon Athan, the author of Cannibal Jungle and The Law of Retaliation, returns to his roots with this gruesome, suspenseful slasher novel inspired by the 2016 clown sightings. A ‘Do Not Disturb’ sign can’t keep these clowns away! WARNING: This novel contains graphic content. Reader discretion is advised.

    The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she’s on the verge of losing her job as a college theater director. Determined to put on Shakespeare’s All’s Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers.That’s when she meets three strange benefactors who have an eerie knowledge of Miranda’s past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what’s coming to them, and the invisible, doubted pain that’s kept her from the spotlight is made known.With prose Margaret Atwood has described as “no punches pulled, no hilarities dodged...genius,” Mona Awad has concocted her most potent, subversive novel yet. All’s Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.