And she's made it clear that she doesn't want to be found.Then, quite by chance, you see her busking in New York's Central Park.But she's not the girl you remember. This woman is wasted, frightened and clearly in trouble.You don't stop to think. You approach her, beg her to come home.She runs. And you follow her into a dark and dangerous world you never knew existed. Where criminal gangs rule, where drugs are the main currency, and murder is commonplace.Now it's your life on the line. And nowhere and no one is safe.

    But Romy is young, pregnant and completely alone - and if she is to keep herself safe in this new world, she has some important lessons to learn.Like how there are some people you can trust, and some you must fear. And about who her family really is, and why her mother ran away from them all those years ago.And that you can't walk away from a dark past without expecting it to catch up with you...

    The Met's crack murder squad, AMIP, is called out by nervous CID detectives to a grim discovery. Five bodies, all young women, all ritualistically murdered and dumped on wasteland near the Dome. As each post-mortem reveals a singular, horrific signature linking the victims, officers realize that they are on the trail of that most dangerous offender: a sexual serial killer. Detective Inspector Jack Caffery - young, driven, unshockable - finds himself facing both hostility within the force and echoes of his past in this, his first case with AMIP. Haunted by the memory of a death long ago, he employs every weapon forensic science can offer for he knows it is only a matter of time before this chaotic, sadistic killer strikes again.

    Mike’s love story.Mike Hayes fought his way out of a brutal childhood and into a quiet, if lonely life, before he met Verity Metcalf. V taught him about love, and in return, Mike has dedicated his life to making her happy. He’s found the perfect home, the perfect job, he’s sculpted himself into the physical ideal V has always wanted. He knows they’ll be blissfully happy together.It doesn’t matter that she hasn’t been returning his emails or phone calls.It doesn’t matter that she says she’s marrying Angus.It’s all just part of the secret game they used to play. If Mike watches V closely, he’ll see the signs. If he keeps track of her every move he’ll know just when to come to her rescue…A spellbinding, darkly twisted novel about desire and obsession, and the complicated lines between truth and perception, Our Kind of Cruelty introduces Araminta Hall, a chilling new voice in psychological suspense.

    The house hasn’t been lived in for years, but they are drawn to its original features and surprisingly large garden, which stretches down into a beautiful apple orchard. It’s idyllic, remote, picturesque: exactly what they need to put the horror of the past behind them.One hundred and fifty years earlier, a huge oak tree was felled in front of the cottage during a raging storm. Beneath it lies a young man with a shock of red hair, presumed dead—surely no one could survive such an accident. But the red-haired man is alive, and after a brief convalescence is taken in by the family living in the cottage and put to work in the fields. The children all love him, but the eldest daughter, Eliza, has her reservations. There’s something about the red-haired man that sits ill with her. A presence. An evil.Back in the present, weeks after moving to the cottage and still drowning beneath the weight of insurmountable grief, Mary Coles starts to sense there’s something in the house. Children’s whispers, footsteps from above, half-caught glimpses of figures in the garden. A young man with a shock of red hair wandering through the orchard.Has Mary’s grief turned to madness? Or have the events that took place so long ago finally come back to haunt her…?

    and Cindy, have gone missing. Later that day, Cindy's body is found in a derelict lot a half mile from her home, strangled. Ten days later, Frankie Jr.'s decomposing body is found. Immediately, all fingers point to Ruth. As police investigate the murders, the detritus of Ruth's life is exposed. Seen through the eyes of the cops, the empty bourbon bottles and provocative clothing which litter her apartment, the piles of letters from countless men and Ruth's little black book of phone numbers, make her a drunk, a loose woman - and therefore a bad mother. The lead detective, a strict Catholic who believes women belong in the home, leaps to the obvious conclusion: facing divorce and a custody battle, Malone took her children's lives. Pete Wonicke is a rookie tabloid reporter who finagles an assignment to cover the murders. Determined to make his name in the paper, he begins digging into the case. Pete's interest in the story develops into an obsession with Ruth, and he comes to believe there's something more to the woman whom prosecutors, the press, and the public have painted as a promiscuous femme fatale. Did Ruth Malone violently kill her own children, is she a victim of circumstance - or is there something more sinister at play?

    But soon his murky past will collide with his idyllic life and threaten the very people he loves the most in the world. When his five-year-old daughter, Ellie, is kidnapped, Nick's life is thrown into a tailspin. In exchange for his daughter's safe return, Nick will have to do the unthinkable: he must murder his wife. With his family's lives hanging in the balance, what will Nick do? Can he and his family survive when the evil that taunts them stems from the sins of his past? Her Last Tomorrow is a gripping, fast-paced thriller which will engross fans of Simon Kernick, Stephen Leather and Mark Edwards. "Adam Croft is one of the best new writers in Britain." — Stephen Leather. Amazon reviews about Adam Croft "Adam's books are getting better and better and are very difficult to put down." "Adam Croft goes from strength to strength." "Adam always comes up with the goods and as always sends you on a roller-coaster ride." "Highly recommend his books. Get them and you'll be completely hooked."

    "That was all it took for me to feel like I had all the power in the world. One morning, one moment, one yellow-haired boy. It wasn't so much after all."Meet Chrissie... Chrissie is eight and she has a secret: she has just killed a boy. The feeling made her belly fizz like soda pop. Her playmates are tearful and their mothers are terrified, keeping them locked indoors. But Chrissie rules the roost -- she's the best at wall-walking, she knows how to get free candy, and now she has a feeling of power that she never gets at home, where food is scarce and attention scarcer.Twenty years later, adult Chrissie is living in hiding under a changed name. A single mother, all she wants is for her daughter to have the childhood she herself was denied. That's why the threatening phone calls are so terrifying. People are looking for them, the past is catching up, and Chrissie fears losing the only thing in this world she cares about, her child.

    Men ruthless enough to threaten their baby daughter, Evie. This is no burglary gone wrong. The intruders know who they’re looking for – a man called Edward Renshaw. And they are prepared to kill to get to him. When the men leave empty handed, little do Alice and Harry realise that their nightmare is just beginning. Is it a case of mistaken identity? Who is Renshaw? And what is he hiding? One thing is clear – they already know too much. As Alice and Harry are separated in the run for their lives, there is no time to breathe in their fight to be reunited. And with their attackers closing in, there is only one choice: STAY ALIVE. OR DON’T. Terrifying, unputdownable and full of twists and turns, this stunning thriller will have you on the edge of your seat right to the very last page.

    Ryan appears to be the perfect future son-in-law. There's just one problem. There's something off about Ryan. Something hidden in the shadows behind his eyes. And it seems that only Ed can see it.Terrified that his daughter is being drawn in by a psychopath, Ed sets out to uncover her fiancé's dark past - while keeping his own concealed. But no-one believes him. And the more he digs, the more he alienates her and the rest of the family who are convinced that Ryan is 'the one'.Ed knows different. For reasons of his own, he knows a monster when he sees one...

    They seem made for each other, but the truth is ugly. Consumed by professional and personal betrayals and financial woes, the two both love and hate each other. As tensions mount, Sutton disappears, leaving behind a note saying not to look for her.Ethan finds himself the target of vicious gossip as friends, family and the media speculate on what really happened to Sutton Montclair. As the police investigate, the lies the couple have been spinning for years quickly unravel. Is Ethan a killer? Is he being set up? Did Sutton hate him enough to kill the child she never wanted and then herself? The path to the answers is full of twists that will leave the reader breathless.

    But can you trust her?The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die.Laura hasn’t had it easy: she’s survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn’t love talking to people worse off than she is. She craves it.But now someone’s on to her—Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together?The sinister truth is within Ryan’s grasp, but he has no idea of the desperate lengths Laura will go to…Because the best thing about being a Good Samaritan is that you can get away with murder.

    The killer was caught, but Sarah lost everything: her marriage, her child, and the life she loved.Struggling with PTSD, Sarah changes her name to Olivia West and finds sanctuary working on Broken Bar Ranch. But as her scars finally begin to heal, a cop involved with her horrific case remains convinced the Watt Lake Killer is still out there. He sets a lure for the murderer, and a fresh body is discovered. Now Olivia must face the impossible—could the butcher be back, this time to finish the job?As a frigid winter isolates the ranch, only one person can help Olivia: Cole McDonough, a writer, adventurer, and ranch heir who stirs long-dormant feelings in her. But this time, Olivia’s determination to shut out her past may destroy more than her chance at love. It could cost her her life.

    But when the FBI starts investigating the kid she thought she knew, will she jeopardize her own career at the Bureau to keep her child safe? From the New York Times bestselling author of Need to Know. . . .Stephanie Maddox makes tough decisions every day. She has her hands full heading the FBI's Internal Investigations division, policing wrongdoers within the Bureau. But, as a single mother, the most important thing in her life is her teenage son Zachary, who's anxiously awaiting college acceptance letters. So when she discovers a gun concealed in Zach's room, her world reels. And then an FBI agent on the domestic terrorism squad shows up at her door and utters three devastating words: "It's about Zachary..."Has she been wrong about her near-perfect son? Is Zach embroiled in something criminal--something deadly? And, if so, what is her greater duty: To protect him? Or to betray him?

    She is the beautiful young wife to handsome, charming Wall Street tycoon Henry Whittaker. She is a member of Manhattan’s social elite. She is on the board of one of the city’s most prestigious philanthropic organizations. She has a perfect Tribeca penthouse in the city and a gorgeous lake house in the country. The finest wine, the most up-to-date fashion, and the most luxurious vacations are all at her fingertips. What no one knows is that five years ago, Zoe’s life was in danger. Back then, Zoe wasn’t Zoe at all. Now her secrets are coming back to haunt her. As the past and present collide, Zoe must decide who she can trust before she—whoever she is—vanishes completely. A “dark, twisty, edge-of-your-seat suspense” (Karen Robards), The Vanishing Year combines the classic sophistication of Ruth Rendell and A.S.A. Harrison with the thoroughly modern flair of Jessica Knoll. Told from the point-of-view of a heroine who is as relatable as she is enigmatic, The Vanishing Year is an unforgettable new novel by a rising star of the genre.