She seeks revenge on the girl she suspects to have caused it all, Ananya. She is not going to take her downfall lying down. And now that she has her hands upon something that can ruin Ananya’s life, she can’t wait to have her vengeance. To gain back her pride, she aims to come out on top in the most prestigious quiz competition in the city and accidentally teams up with her once upon a time best friend, Shreya. Shreya stays at a distance and sees Natasha destroy herself in hatred, revenge and pain. It aches her to see her throw her life away like this. But what can she do about it?The Backbenchers - The Missed Call! traces the story of Natasha Malhotra, as she struggles with depression, suicidal tendencies, vengeance and the loss of social equity. Will she get her old life back? Or will she destroy herself in the process?

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    Lacy starts on a journey to find to find the man that could change her life. As Lacy gets closer to finding the man, circumstances force her to do something that she will regret for the rest of her life. This explosive coming-of-age story set in the late 1970s is full of twists and turns, forgiveness and courage.

    He collects tiny morsels from London’s pavements, parks and gutters and exhibits them at home. Finds include a grape pip, a ball bearing and the wing of a flying ant. When his irritating son, troubled daughter-in-law and much loved baby granddaughter come to stay, a sequence of events lead to Walter being thrust into London’s East End art scene. His son thinks he’s out of control, but his daughter-in-law has found a kindred spirit and Walter discovers more joy and pain than he ever thought possible at his age. This is a book about self discovery that explores how we all are capable of things we may previously have thought unimaginable.

    He enlists the aid of his lifelong buddy, Aldo Scalicki, a confirmed bachelor who tries, without apparent success, to convince Huey that he would be better off sticking with his new lady friend, Teresa, a usually placid young waitress whose indignation flares when she learns what Huey is up to. In a moonlit balcony scene (hilariously reminiscent of Cyrano de Bergerac) Aldo pleads his lovesick friend's case and, to his astonishment, Janice capitulates although not for long. However we do learn that her earlier abuse of Huey was intended to make him "act like a man" which, at last, he does. And, more than that, he (and the audience) become aware that, in the final essence, "the greatest and only success is to be able to love" a truth which emerges delightfully from the heartwarming, wonderfully antic and always imaginatively conceived action of the play.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    In an unprecedented (for him) run of promiscuity, Ty has managed to impregnate three women in the span of one week: His ex-girlfriend, his 40-something married next-door neighbor, and his 18 year-old student. In this edgy comedy by playwright Rajiv Joseph, Ty's problems illuminate every triumph and failure of his life, and as the women

     It was after his identical twin Bill suffered the traumatic brain injury that left him crippled and unable to speak. George would see the man sitting on a bench at the mall, or at the store standing by the magazines. But he never seemed to notice George, not even when he tried to communicate. Twenty years later, after dropping out of college to care for Bill, George has become a junior high school janitor. Between his struggling with debt, working a physically demanding job, and taking care of Bill’s needs, life has not been easy. But George doesn’t know the meaning of difficult until the man finally acknowledges him, triggering a terrifying series of supernatural events that leaves George and Bill running for their lives. And as George struggles to protect his twin from an otherworldly evil, he discovers a startling secret about Bill—one that leaves him questioning decades-old assumptions and wondering which of them truly is the stronger half.

    He was on top of the world—until he nearly threw it all away. Meredith Perkins lived a life of luxury, courtesy of her husband’s hard work and diligence, but was isolated from the realities of the working world. Her days were spent decorating their spacious home, lunching with affluent friends, practicing yoga, and shopping in boutiques… Until her husband’s crime turned her world upside down. Meredith found herself hounded by the media, deserted by friends she had counted on for support, and struggling to reconstruct a life for her and her children…But her friends kept their own secrets...How much do you trust your spouse? Do you keep secrets from your partner? How much do you trust your friends? Is everything what it seems on the outside?

    Edward Shawcross absented himself as much as possible and kept a red-haired mistress in Tintern Avenue. Alice, his wife, sought solace in chocolate and continually carped at Connie, her beautiful daughter. And Connie and Gilbert, their children, formed an uneasy alliance in the face of their parents' antipathy.Twenty years before, Edward Shawcross had been an impoverished millhand, born in a slum to feckless parents. Overnight his fortunes had changed. To everyone's surprise he had married the plain and awkward daughter of the wealthy Fishwick family. Almost at once the Fishwicks, owners of a lucrative mill and a grand house, went to live abroad leaving Edward in charge of all their business interests. No-one could understand why Edward had suddenly made this leap of fortune.But as the new generation began to grow up, so the truth behind old scandals began to emerge. Then, after many years, the Fishwicks returned and violence swiftly followed. Before Connie and Gilbert could throw off the legacies of the past and build their own lives, there were to be many shocking revelations.

    Albee there is a theme beneath the surface, in this case the corruption of money and the rottenness of this bigoted exurbia where conformity to its illiberal standards and its hypocritical show of respectability is all that counts. The scene is the suburban home of Jenny and Richard, beautifully played by Barbara Bel Geddes and Barry Nelson. The only thing that seems to stand in the way of their happiness is a lack of money. The action starts in an entertaining comedy of manners style. Then abruptly there enters a Mrs. Toothe in the menacing and fascinating person of Beatrice Straight who offers Jenny the opportunity to make more money than they have ever had, to buy a greenhouse and all the other luxuries that they require for their garden and their lives. Richard's realization that their newfound money is being earned by his wife's whoring comes almost simultaneously with the return of their fourteen-year-old son from school and a champagne cocktail party which they are giving to impress their country club friends. As a result, his horror, disgust and rage has to be kept under wraps in order to keep up essential appearances until tragedy strikes, and Richard realizes that the assembled wives are all involved and their husbands are aware and condoning." More than that, they are prepared not merely to justify but defend the ends through which their means are attained and the devastated Richard, left in agonized despair by the ironic events that charge the final moments of the play, must face the fact of his own share in their communal guilt.

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    George Orwell's prophetic, nightmarish vision of "Negative Utopia" is timelier than ever-and its warnings more powerful in this three-act adaptation.

    It has received worldwide productions, whether as a study of parent-child relationships, as in its landmark 1976 production directed by Miller in Beijing, or as a critique of Western capitalism and has been filmed once for television and twice for movies.

    Losing her young son to a tragic accident had nearly driven her to the point of madness and now she was on the verge of losing her husband too. In a last ditch effort to save their marriage, she decided to book a romantic cabin vacation for just the two of them up in the mountains of North Carolina. She thought she had experienced the worst life could throw at her. Little did she know that the wilderness had in something else in store for her, when she finds herself left alone and fighting for her life.