In this novel, Juan Goytisolo, one of Spain's most celebrated novelists, speaks for a generation of Spaniards who were only small children during the Spanish Civil War, grew up under a stifling dictatorship, and, in many cases, emigrated in desperation from their dying country. Upon his return, the narrator confronts the most controversial political, religious, social, and sexual issues of our time with ferocious energy and elegant prose. Torn between the Islamic and European worlds around him, he finds both ultimately unsatisfactory. In the end, only displacement survives.

    It is currently being translated into numerous languages, and in 2014 will be published in a dozen countriesIn December of 2013, Killing Pythagoras appears in English for the first timeKilling Pythagoras is a thriller that will keep readers on the edge of their seats from the prologue to the final page. Based on real historical events, the novel is an extraordinary combination of intrigue, romance, and action.Synopsis:The venerable philosopher Pythagoras, one of the most powerful political figures of his time, is preparing to name a successor from among his grand masters when a string of murders rocks the Pythagorean community. The killings, each more baffling and unpredictable than the last, gradually unveil the workings of a dark and powerful mind, more formidable than that of Pythagoras himself.Egyptian investigator Akenon and the enigmatic Ariadne work to identify the murderer while at the same time coming to terms with their own tumultuous relationship. The challenge they face is one in which the ghosts of the past are interwoven with the sinister threats of the present: a challenge from which it seems impossible they will escape alive.Killing Pythagoras, based on real-life historical events, will plunge readers into an apparently unsolvable mystery. Readers will unearth cryptic clues and come face to face with some of the most unnerving characters ever to appear in the pages of fiction: Glaucus the Sybarite, the gruesome Boreas, the vengeful Cylon, and above all, the mysterious stranger who wields his prodigious capabilities to sow death.Media:“Crime, mystery, and romance in a fast-paced action novel.” HISTORIA NATIONAL GEOGRAPHIC“Maximum excitement and fun; [the author] achieves a compelling mix of strong elements.” ONDA CERO RADIO“A fast-paced historical thriller that transports us to the cradle of civilization among intrigues and passion.” LA VANGUARDIA“An edge-of-your-seat narrative driven by suspenseful action, it succeeds in creating a tense atmosphere in the face of the deadly threat that attempts to destroy the main characters.” QUÉ LEERLiterature Blogs:“A supremely interesting novel that surprised and hooked me, by an author who expertly juggles the tension and suspense up to the last second. Highly recommended.” LEER ES VIAJAR“…it has all the ingredients necessary in a book to hook you: crime, mystery, love, action… I loved it. I didn’t know there was a sequel and I’m very happy to hear there is! I can’t wait to read it.” MARIÁNLEEMÁSLIBROS“The meticulous detail with which the era is recreated gives the novel incredible realism… While the novel is fast-moving from the beginning, the pace accelerates even more toward the end, creating an action-packed finish.” ADIVINA QUIÉN LEE“The novel hooks you from the first page to the last. The plot is so intricately woven it’s hard to put down once you begin.” AL RICO LIBRO

    Ahead of him at the Polytechnic stretch years of trying to thump literature into the heads of plasterers, joiners, butchers and the like. And things are no better at home where his massive wife, Eva, is given to boundless and unpredictable fits of enthusiasm -for transcendental meditation, yoga or the trampoline. But if Wilt can do nothing about his job, he can do something about his wife, in imagination at least, and his fantasies grow daily more murderous and more concrete. After a peculiarly nasty experience at a party thrown by particularly nasty Americans, Wilt finds himself in several embarrassing positions: Eva stalks out in stratospheric dudgeon, and Wilt, under the inspiration of gin, puts one of his more vindictive fantasies into effect. But suspicions are instantly aroused and Wilt rapidly achieves an unenviable notoriety in the role of The Man Helping Police With Their Enquiries. Or is he exactly helping? Wilt's problem -although he's on the other side of the fence -is the same as Inspector Flint's: where is Eva Wilt? But Wilt begins to flourish in the heat of the investigation, and as the police stoke the flames of circumstantial evidence, Wilt deploys all his powers to show that the Law can't tell a Missing Person from a hole in the ground.

    Indeed, it is a book that changed the direction of poetry in both Spain and the Americas, a pathbreaking and defining work of modern literature.In honor of the poet's centenary, the celebrated Lorca scholar Christopher Maurer has revised this strange, timeless, and vital book of verse, using much previously unavailable or untranslated material: Lorca's own manuscript of the entire book; witty and insightful letters from the poet to his family describing his feelings about America and his temporary home there (a dorm room in Columbia's John Jay Hall); the annotated photographs which accompany those letters; and a prose poem missing from previous editions. Complementing these new addtions are extensive notes and letters, revised versions of all the poems, and an interpretive lectures by Lorca himself.An excellent introduction to the work of one of the key figures of modern poetry, this bilingual edition of Poet in New York is also a thrilling exposition of the American city in the 20th century.

    The mysteries populating the novel open with the disappearance of one of the “special,” scholarship students. As the first part unfolds, it becomes clear that all is not well in Wybrany, and that something more sordid lurks beneath the surface.In the second part—a self-indulgent, wry diary written by an imposter who has infiltrated the school as a substitute teacher—the eerie sense of what’s happening in this space removed from society, becomes more acute and potentially sinister. An exploration of the relationship between the powerful and powerless—and the repetition of these patterns—Mesa’s "sophisticated nightmare" calls to mind great works of gothic literature (think Shirley Jackson) and social thrillers to create a unique, unsettling view of freedom and how a fear of the outside world can create monsters.Translated from the Spanish by Katie Whittemore

    It won’t be the last. He’s now arrived in Galicia. It’s where Álvaro died. It’s where the case has already been quickly closed as a tragic accident. It’s also where Álvaro hid his secrets.The man to whom Manuel was married for fifteen years was not the unassuming man he knew.Álvaro’s trail leads Manuel deep into one of Spain’s most powerful and guarded families. Behind the walls of their forbidding estate, Manuel is nothing but an unwelcome and dangerous intruder. Then he finds two allies: a stubbornly suspicious police lieutenant and Álvaro’s old friend—and private confessor—from seminary school. Together they’re collecting the pieces of Álvaro’s past, his double life, and his mysterious death.But in the shadows of nobility and privilege, Manuel is about to unravel a web of corruption and deception that could be as fatal a trap for him as it was for the man he loved.

    When the locals burn down the taxidermist's house, young Alfanhui sets off to travel around Castille seeking knowledge rather than his fortune.This is the first English translation of The Adventures of the Ingenious Alfanhui, a picaresque novel in which the hero, a magical little boy, goes in search not of his fortune but of knowledge, growing both wiser and possibly sadder in the process. 'In his dedication, Ferlosio describes this exquisite fantasy novel, first published in 1952 and now beautifully translated into English as a 'story full of true lies.' Much honored in his native Spain, Ferlosio is a fabulist comparable to Jorge Borges and Italo Calvino, as well as Joan Miro and Salvador Dali. Cervantes comes to mind. Ferlosio's prose is effortlessly evocative. A chair puts down roots and sprouts 'a few green branches and some cherries, ' while a paint-absorbing tree becomes a 'marvelous botanical harlequin.' Later, Alfanhui sets off on a tour of Castile, meeting his aged grandmother 'who incubated chicks in her lap and had a vine trellis of muscatel grapes and who never died.' This is a haunting adult reverie on life and beauty and as such will appeal to discriminating readers.'

    Near an Air Force base in the northern desert, a young airman is found murdered. Lieutenant Silva and Officer Lituma investigate. Lacking a squad car, they have to cajole a local cabbie into taking them to the scene of the crime. Their superiors are indifferent; the commanding officer of the air base stands in their way; but Silva and Lituma are determined to uncover the truth.Who Killed Palomino Molero, an entertaining and brilliantly plotted mystery, takes up one of Vargas Llosa’s characteristic themes: the despair at how hard it is to be an honest man in a corrupt society.

     Milan, 1497: Leonardo is completing The Last Supper. Pope Alexander VI is determined to execute him after realizing that the painting contains clues to a baffling -- and blasphemous -- message that he is driven to decode. The Holy Grail and the Eucharistic Bread are missing, there is no meat on the table, and the apostles, shockingly, are portraits of well-known heretics -- and none of them are depicted with halos. And why has the artist painted himself into the scene with his back turned toward Jesus? The clues to Leonardo's greatest puzzle are right before your eyes....

    From the master of the novel of international intrigue comes a riveting new book as timely and unsettling as tomorrow's headlines.It is summer 1999 in Russia, a country on the threshold of anarchy.  An interim president sits powerless in Moscow as his nation is wracked by famine and inflation, crime and corruption, and seething hordes of the unemployed roam the streets.For the West, Russia is a basket case.  But for Igor Komarov, one-time army sergeant who has risen to leadership of the right-wing UPF party, the chaos is made to order.  As he waits in the wings for the presidential election of January 2000, his striking voice rings out over the airwaves offering the roiling masses hope at last--not only for law, order, and prosperity, but for restoring the lost greatness of their land.Who is this man with the golden tongue who is so quickly becoming the promise of a Russia reborn?  A document stolen from party headquarters and smuggled to Washington and London sends nightmare chills through those who remember the past, for this Black Manifesto is pure Mein Kampf in a country with frightening parallels to the Germany of the Weimar Republic.Officially the West can do nothing, but in secret a group of elder statesmen sends the only person who can expose the truth about Komarov into the heart of the inferno.  Jason Monk, ex-CIA and "the best damn agent-runner we ever had," had sworn he would never return to Moscow, but one name changes his mind.  Colonel Anatoli Grishin, the KGB officer who tortured and murdered four of Monk's agents after they had been betrayed by Aldrich Ames, is now Komarov's head of security.Monk has a dual mission: to stop Komarov, whatever it takes, and to prepare the way for an icon worthy of the Russian people.  But he has a personal mission as well: to settle the final score with Grishin.  To do this he must stay alive--and the forces allied against him are ruthless, the time frighteningly short....

    Known to millions by his pen name, Peter Hook, Fresan's hero has survived the death of his rock-star parents, and a childhood surrounded by 1960s excess, to become the most successful children's author of his generation, best loved as the creator of the time-traveling boy Jim Yang.Over the course of one night, Peter tells his life story--and that of J. M. Barrie, creator of Peter Pan--to the child actor cursed with playing Jim Yang in the movies. Gradually, a fantastical and terrible tale emerges, a tale of shadow identities and suicide, lost boys and foundlings. Moving between the Edwardian age and Swinging London, "Kensington Gardens "is an exploration of the charms and perils of nostalgia and children's literature from one of Latin America's most celebrated young novelists.

    The newspapers scream out headlines that spark terror across the city. Ten murders on the New York City subway. Ten grisly crimes that defy all reason -- no pattern, no m.o., no leads for police to pursue. The press dubs the fiend the "Subway Psycho"; the NYPD desperately seeks their quarry before the city erupts in mass hysteria. But they won't find what they're looking for.Because they all think that the killer is human.Only a few know the true story -- a story the papers will never print. It is a tale of abject terror and death written in grit and steel... and blood. The tale of a man who vanished into the bowels of the urban earth one night, taken by a creature of unholy evil, then left as a babe abandoned on the doorstep of Hell. Now he is back, driven by twin demons of rage and retribution.He is unstoppable. And we are all his prey... unless a ragtag band of misfit souls will dare to descend into a world of manmade darkness, where the real and unreal alike dwell in endless shadow. A place where humanity has been left behind, and the horrifying truth will dawn as a madman's chilling vendetta comes to light...Filled with gripping drama and harrowing doomsday dread, The Light at the End is the book that ushered in a bold new view of humankind's most ancient and ruthless evil; a mesmerizing novel from two acknowledged masters of spellbinding suspense.

    Suddenly left abandoned and penniless in Morocco by her lover, Sira Quiroga forges a new identity. Against all odds she becomes the most sought-after couture designer for the socialite wives of German Nazi officers. But she is soon embroiled in a dangerous political conspiracy as she passes information to the British Secret Service through a code stitched into the hems of her dresses.

    Comprising eleven stories, most of them never before published in English, The City of Mist offers the reader compelling characters, unique situations, and a gothic atmosphere reminiscent of his beloved Cemetery of Forgotten Books quartet.The stories are mysterious, imbued with a sense of menace, and told with the warmth, wit, and humor of Zafón's inimitable voice. A boy decides to become a writer when he discovers that his creative gifts capture the attentions of an aloof young beauty who has stolen his heart. A labyrinth maker flees Constantinople to a plague-ridden Barcelona, with plans for building a library impervious to the destruction of time. A strange gentleman tempts Cervantes to write a book like no other, each page of which could prolong the life of the woman he loves. And a brilliant Catalan architect named Antoni Gaudí reluctantly agrees to cross the ocean to New York, a voyage that will determine the fate of an unfinished masterpiece.Imaginative and beguiling, these and other stories in The City of Mist summon up the mesmerizing magic of their brilliant creator and invite us to come dream along with him.

    Two love stories. Three voices.Lito is ten years old and is almost sure he can change the weather when he concentrates very hard. His father, Mario, anxious to create a memory that will last for his son's lifetime, takes him on a road trip in a truck called Pedro. But Lito doesn't know that this might be their last trip: Mario is gravely ill. Together, father and son embark on a journey takes them through strange geographies that seem to meld the different parts of the Spanish-speaking world. In the meantime, Lito's mother, Elena, restlessly seeks support in books, and soon undertakes an adventure of her own that will challenge her moral limits. Each narrative--of father, son, and mother--embodies one of the different ways that we talk to ourselves: through speech, through thought, and through writing. While neither of them dares to tell the complete truth to the other two, their individual voices nonetheless form a poignant conversation.Sooner or later, we all face loss. Andrés Neuman movingly narrates the ways the lives of those who survive loss are transformed; how that experience changes our ideas about time, memory, and our own bodies; and how the acts of reading, and of sex, can serve as powerful modes of resistance. Talking to Ourselves presents a tender yet unsentimental portrait of the workings of love and family; a reflection both on grief and on the consolation of words. Neuman, the author of the award-winning Traveler of the Century, displays his characteristic warmth, bittersweet humor, and wide-ranging intellect, giving us the rich, textured, and strikingly different voices and experiences of three singular characters while presenting, above all, a profound tribute to those who have ever had to care for a loved one.