Julius believes the sites of the ancients, placed all around the globe, represent ancient pieces of a puzzle linked to the salvation of our species.Miami, September 2012: Psychology Dominique Vazquez is assigned a special patient-Mick Gabriel, a paranoid schizophrenic with a high IQ who attempts to charm her into believing his father's theories of the Apocalypse so he can escape.Fall Equinox: As it has done for a thousand years, a serpent's shadow appears on the northern balustrade of the Kukulcan Pyramid . . . a rare galactic alignment occurs, and a space transmission reaches Earth.It is the beginning of the end . . .

    Of unnatural parentage, he grows at an uncanny pace to an unsettling height, but the boy’s arrival simply precedes that of a true horror — One of the Old Ones, that forces the people of the town to hole up by night, fearing for their lives, only able to trace the wreckage wrought by the gigantic, unseen monster by the bright light of day.In his classic style, H. P. Lovecraft weaves unearthly fantasies of creatures beyond conception — existing between the dimensions that we know.

    It tells the story, through an interwoven plot, of the clash between old traditions and growing desires.

    It is here that he discovers the beauty of Galician women.

    Ostensibly a biography of the gaucho barbarian Juan Facundo Quiroga, Facundo is also a complex, passionate work of history, sociology, and political commentary, and Latin America's most important essay of the nineteenth century.

    This brilliant, allegorical tale of seduction and personal and societal ruin, set amidst exquisite, wistful descriptions of a waning aristocratic age, provides an essential link to our understanding of Roth's extraordinary fictive powers.

    It is a story of a ruthless dictator and his schemes to dispose of a political adversary in an unnamed Latin American country usually identified as Guatemala. The book has been acclaimed for portraying both a totalitarian government and its damaging psychological effects. Drawing from his experiences as a journalist writing under repressive conditions, Asturias employs such literary devices as satire to convey the government’s transgressions and surrealistic dream sequences to demonstrate the police state’s impact on the individual psyche. Asturias’s stance against all forms of injustice in Guatemala caused critics to view the author as a compassionate spokesperson for the oppressed. My work,” Asturias promised when he accepted the Nobel Prize for Literature, “will continue to reflect the voice of the people, gathering their myths and popular beliefs and at the same time seeking to give birth to a universal consciousness of Latin American problems.”

    “From the beginning,” says Taylor, “it was a conspiracy for Lizzie and Finn to be together.” Told Rashomon-style in alternating points of view, the characters expose and stumble upon lies and infidelities, past and present. Snow, ten years old and precociously drawn into a far more adult drama, becomes the catalyst for catastrophe as the novel explores collusion and betrayal in marriage. Set on the sun-drenched coast of the Ionian Sea, Siracusa unfolds with the pacing of a psychological thriller and delivers an unexpected final act that none will see coming.

    Her mother's funeral in Barcelona and the news that her cousin Irene is interested in seeing her again, send her back to her past. A literary excuse allows Manuela to return to Barcelona's China Town of her childhood and write a passionate story saturated with sensitivity and tenderness.

    The author describes a universe where magic coexists with profound reality seen through the eyes of these 21 "foolish" children.

    In the end, however, it is a meditation on the nature of totalitarian regimes, on the transition to democracy after the end of such regimes, and on the power of language to create and define reality. Ricardo Piglia combines his trademark avant-garde aesthetics with astute cultural and political insights into Argentina’s history and contemporary condition in this conceptually daring and entertaining work.The novel follows Junior, a reporter for a daily Buenos Aires newspaper, as he attempts to locate a secret machine that contains the mind and the memory of a woman named Elena. While Elena produces stories that reflect on actual events in Argentina, the police are seeking her destruction because of the revelations of atrocities that she—the machine—is disseminating through texts and taped recordings. The book thus portrays the race to recover the history and memory of a city and a country where history has largely been obliterated by political repression. Its narratives—all part of a detective story, all part of something more—multiply as they intersect with each other, like the streets and avenues of Buenos Aires itself. The second of Piglia’s novels to be translated by Duke University Press—the first was Artifical Respiration—this book continues the author’s quest to portray the abuses and atrocities that characterize dictatorships as well as the difficulties associated with making the transition to democracy. Translated and with an introduction by Sergio Waisman, it includes a new afterword by the author.

    Rebelling against the business of bestsellers and in search of an ideal place where their literary dreams can come true, Ivan and Francesca open a store where the passion for literature is given free rein. Tucked away in a corner of Paris, the store offers its clientele a selection of literary masterpieces chosen by a top-secret committee of likeminded literary connoisseurs. To their amazement, after only a few months, the little dream store proves a success. And that is precisely when their troubles begin. At first, both owners shrug off the anonymous threats that come their way and the venomous comments concerning their store circulating on the Internet, but when three members of the supposedly secret committee are attacked, they decide to call the police. One by one, the pieces of this puzzle fall ominously into place, as it becomes increasingly evident that Ivan and Francesca’s dreams will be answered with pettiness, envy and violence.

    But every day it gets harder to operate her no-kill shelter. Sam is already at her breaking point when she learns of an unidentified, dangerous virus spreading through their neighborhood. The medical community can only determine that animals are the carriers. Amid growing panic and a demand for immediate answers, suspicion abruptly falls on dogs as the source. Soon the governor is calling in the National Guard to enforce a quarantine -- no dog may leave the area.Samantha knows from her own painful history that, despite the lack of real evidence against the dogs, a quarantine may only be the beginning. As questions about the source of the virus mount and clash with the pressure for a politically expedient resolution, Sam is forced to make life-altering choices. She finds allies in a motley crew of New Yorkers -- a local priest, a troubled teen, a smart-mouthed former psychologist, and a cop desperate to do the right thing -- all looking for sanctuary from their own personal demons. But the person Sam needs the most to unravel the mystery of the virus and save the dogs is the last one she'd ever want to call on -- because contacting him will mean confronting the traumatic past she has fought so hard to escape.

    But now for the first time - suddenly, shockingly, horribly - the balance of power had shifted and the rats began to prey on the human population.

    Nimitz-Class aircraft carrier is seen as impregnable. But when the USS Thomas Jefferson suddenly disappears at sea, the Pentagon is stunned. There are no survivors, and all signs point to a tragic nuclear accident.While the world stands in shock, reports suggest that it was no accident. A rogue submarine armed with nuclear warheads may be on the loose. Where did it come from? How could it get within striking distance of the Thomas Jefferson? Worse yet, where is it now and could it strike again? The tension mounts, and a deadly chase begins.