Told using expressive artwork that invokes both laughter and tears, this moving and highly entertaining single volume depicts not only the artist’s burgeoning sexuality, but many other personal aspects of her life that will resonate with readers.

    An epic story long awaited, and well worth the wait. Meet Asterios Polyp: middle-aged, meagerly successful architect and teacher, aesthete and womanizer, whose life is wholly upended when his New York City apartment goes up in flames. In a tenacious daze, he leaves the city and relocates to a small town in the American heartland. But what is this “escape” really about? As the story unfolds, moving between the present and the past, we begin to understand this confounding yet fascinating character, and how he’s gotten to where he is. And isn’t. And we meet Hana: a sweet, smart, first-generation Japanese American artist with whom he had made a blissful life. But now she’s gone. Did Asterios do something to drive her away? What has happened to her? Is she even alive? All the questions will be answered, eventually.In the meantime, we are enthralled by Mazzucchelli’s extraordinarily imagined world of brilliantly conceived eccentrics, sharply observed social mores, and deftly depicted asides on everything from design theory to the nature of human perception.Asterios Polyp is David Mazzucchelli’s masterpiece: a great American graphic novel.

    This beautiful minimalist story, collected here for the first time, is the culmination of ten years and more than six hundred pages of work that details the metaphysical quandaries of the occupants of an endless plain, existing somewhere between a dream and a Russian steppe. A downed plane is thought to be a bird and the unexploded bomb that came from it is mistaken for a giant egg by the group of birds whose lives the story follows. The indifferent, stranded pilot is of great interest to the birds—some doggedly seek his approval, while others do quite the opposite, leading to tensions in the group. Nilsen seamlessly moves from humor to heartbreak. His distinctive, detailed line work is paired with plentiful white space and large, often frameless panels, conveying an ineffable sense of vulnerability and openness.Big Questions has roots in classic fables—the birds and snakes have more to say than their human counterparts, and there are hints of the hero’s journey, but here the easy moral that closes most fables is left open and ambiguous. Rather than lending its world meaning, Nilsen’s parable lets the questions wander where they will.

    What is she plotting? No one quite knows, but by manipulating both Batman and his enemies Killer Croc and Catwoman tensions are high and no one is to be trusted in Gotham City tonight!Originally published in BATMAN #608-612.

    As they get to know modern Warsaw, Regina is forced to recall difficult things about her past, and Mica begins to wonder if maybe their reasons for coming aren’t a little different than what her grandmother led her to believe.

    A tale of security and discovery, of playfulness and tragedy, of a fall from grace and the origins of faith.

    Now she's on a journey that takes her through urban and rural England along the same path that another Potter, Beatrix Potter, once took. Across the decades, two lives touch, and Helen discovers that the strength of two is far greater than one. She becomes the armored knight before her own personal demons in this story of heroism and courage.

    Jean series. In fluid black-and-white, with hilariously paranoid digressions and surreal dream sequences, Maybe Later is a record of their unique artistic partnership, midlife and its demons, the stress of deadlines, and the friends and colleagues who help and goad along the way. Above all, it's about the creative process, with aliens, pawns, and deflated superheroes battling procrastinationand self-doubt in defense of the simple pleasure of telling stories through pictures.Maybe Later is a rare opportunity to discover each of the artists in his own right. And for newcomers, it's a superb introduction to the quiet wit, brilliant narrative style, and refined visual language of the Mr. Jean stories; the first three short stories are collected in D+Q's Get a Life.

    The world of commerce and frivolous necessity has been replaced by a world of survival and responsibility. An epidemic of apocalyptic proportions has swept the globe, causing the dead to rise and feed on the living. In a matter of months society has crumbled: no government, no grocery stores, no mail delivery, no cable TV. In a world ruled by the dead, the survivors are forced to finally start living.

    Eric has returned from the dead, driven only by hate and the need to wreak revenge on those who killed him and raped and then killed his beloved Shelly.

    Mother, Come Home is Hornschemeier's graphic novel debut—the quietly stunning tale of a father and son struggling, by varying degrees of escapism and fantasy, to come to terms with the death of the family's mother. The story seamlessly weaves through the surreal and the painfully factual, guided by the careful, somber colors and inventive pacing unique to Hornschmeier's storytelling. Mother, Come Home extracts almost tangible drama from the most tranquil of moments, making that which is unspoken in each panel easily audible, and almost uncomfortably experienced.

    and how it formed him!This book opens with Portrait of the Artist as a Young %@&*!, creating vignettes of the people, events, and comics that shaped Art Spiegelman. It traces the artist's evolution from a MAD-comics obsessed boy in Rego Park, Queens, to a neurotic adult examining the effect of his parents' memories of Auschwitz on his own son.The second part presents a facsimile of Breakdowns, the long-sought after collection of the artist's comics of the 1970s, the book that triggers these memories. Breakdowns established the mode of formally sophisticated comics that transformed the medium, and includes the prototype of Maus, cubist experiments, an essay on humor, and the definitive genre-twisting pulp story Ace Hole-Midget Detective.Pulling all this together is an illustrated essay that looks back at the sixties as the artist pushes sixty, and explains the obsessions that brought these works into being. Poignant, funny, complex, and innovative, Breakdowns alters the terms of what can be accomplished in a memoir.

    Drawn with relaxed and beautiful brushwork, these strips perfectly capture the rhythm of daily life. From the hilarious to the sad, from the poetic to the drunken, these strips offer a direct and intimate portrait of the life of one of America's most important alternative cartoonists. This ambitious and deluxe, perfect-bound volume collect the first five years of Kochalka's diary. Contains a full-color section.

    Mogg is her black cat. Their friend, Owl, is an anthropomorphized owl. They hang out a lot with Werewolf Jones. This may sound like a pure stoner comedy, but it transcends the genre: these characters struggle unsuccessfully to come to grips with their depression, drug use, sexuality, poverty, lack of work, lack of ambition, and their complex feelings about each other in ways that have made Megg and Mogg sensations on Hanselmann's GirlMountain tumblr. This is the first collection of Hanselmann's work, freed from its cumbersome Internet prison, and sure to be one of the most talked about graphic novels of 2014, featuring all of the "classic" Megg and Mogg episodes from the past five years as well as over 70 pages of all-new material.

    When Wonder Woman partakes in an ancient ritual called the Hiketeia, she is honor bound to eternally protect and care for a young girl named Danielle Wellys. But when the Amazon Princess learns that Danielle has killed the drug dealers who murdered her sister, she suddenly finds herself in battle with Batman, who is searching for the female fugitive. Caught in a no-win situation, Wonder Woman must choose between breaking a sacred oath and turning her back on justice.