Many of the ideas in this were carried over into the full series, but there are some interesting differences.

    

    

    His manipulative boss, Yoko, is trying to swindle the unsuspecting parents of his students and is using his golden boy American face to do it. Desperate to get his passport out of Yoko's locked cabinet, he sneaks into her office in the middle of the night only to surprise the Japanese mafia's burglary-in-progress. Taking whatever he can in the short amount of time he has, Max barely escapes with his life. However Max soon finds himself on the run from everyone from tattooed Yakuza to the Japanese police and a mysterious American named Lloyd Elgin who seems to have ties in the highest places. All are after the book Max grabbed instead of the passport that could take him home, a strange diary bound in leather and closed with a strange seal embossed with ornate chrysanthemum petals. Little does Max know that Yoko's father has been safeguarding the diary for more than half a century, and its secrets could topple some of Japan's most powerful people and rewrite the history of Japan's royal family.With both his and his girlfriend's life in the balance, Max must decipher the secrets of the diary and put an end to the chase before his newest, gravest troubles catch up to him and stop his running for good.Collector of Secrets marries the historical intrigue, deep research, and wide commercial appeal of the best of Dan Brown or Michael Gruber to the techno-savvy, judo-kicking, stranger-in-a-strange-land atmosphere of Barry Eisler's internationally bestselling John Rain series. Richard Goodfellow has used real-life conspiracy theories from the Far East in the creation of a nonstop ride that covers everything from World War II to Watergate. This is his first novel.

    Half-Japanese by heritage, Elly was repatriated to Japan after the war, but Tokyo is a city she barely knows. And now she’s certain her new husband is having an affair with the enigmatic Japanese poet known as Vida Vidanto. Yet Elly is not the only one suspicious of Vida.The occupying American forces have their eye on her too. Kamiya Jun has been recruited to spy on the poet and find out why Vida spent her war years in China. He is perfect for the part. A war orphan, he has honed the art of becoming invisible in order to survive. But following Vida leads Jun to the Ruskins. And he soon finds himself delving into their private lives as well. Then Vida Vidanto is found murdered in her apartment. Is it a case of mere jealousy or has there been a betrayal of a more dangerous kind? Because Vida had more than one secret worth killing for.A powerful, absorbing mystery that will be consumed by fans of Victoria Hislop, Dinah Jefferies, Fiona Valpy, Robert Goddard, Kate Morton and Louise Douglas.ABOUT TESSA MORRIS-SUZUKITessa Morris-Suzuki divides her time between a small village on the south coast of New South Wales and Canberra, where she is Emeritus Professor of Japanese History at the Australian National University

    1 of 42. Contains chapters 1-8.The story revolves around Baki Hanma and his quest to proclaim himself as the strongest grappler in the world, thus taking the title from his father. Baki also fights to gain the trust of his overly psychotic mother. Volumes: 42Chapters: 371Status: FinishedPublished: 1991 to 1999

    The novel follows the fortunes of its young Jewish narrator, Adele Lindner, as she leaves the impoverished conditions of New York’s Lower East Side and tries to rise in the world. Portraying Adele’s experiences at the Hellman Home for Working Girls, the first half of the novel exposes the “sickening farce” of institutionalized charity while portraying the class tensions that divided affluent German American Jews from more recently arrived Russian American Jews. The second half of the novel takes Adele back to her ghetto origins as she explores an alternative model of philanthropy by opening a restaurant that combines the communitarian ideals of Old World shtetl tradition with the contingencies of New World capitalism. Within the context of this radical message, Yezierska revisits the themes that have made her work famous, confronting complex questions of ethnic identity, assimilation, and female self-realization. Katherine Stubbs’s introduction provides a comprehensive and compelling historical, social, and literary context for this extraordinary novel and discusses the critical reaction to its publication in light of Yezierska’s biography and the once much-publicized and mythologized version of her life story. Unavailable for over sixty years, Arrogant Beggar will be enjoyed by general readers of fiction and be of crucial importance for feminist critics, students of ethnic literature. It will also prove an exciting and richly rewarding text for students and scholars of Jewish studies, immigrant literature, women’s writing, American history, and working-class fiction.