Pol shares his amusing, and often poignant, tales from his four decades as a vet in rural Michigan. Dr. Jan Pol is not your typical veterinarian. Born and raised the in Netherlands on a dairy farm, he is the star of Nat Geo Wild’s hit show The Incredible Dr. Pol and has been treating animals in rural Michigan since the 1970s. Dr. Pol’s more than 20,000 patients have ranged from white mice to 2600-pound horses and everything in between. From the time he was twelve years old and helped deliver a litter of piglets on his family’s farm to the incredible moments captured on his hit TV show, Dr. Pol has amassed a wealth of stories of what it’s like caring for this menagerie of animals. He shares his own story of growing up surrounded by animals, training to be a vet in the Netherlands, and moving to Michigan to open his first practice in a pre fab house. He has established himself as an empathetic yet no-nonsense vet who isn’t afraid to make the difficult decisions in order to do what’s best for his patients—and their hard-working owners. A sick pet can bring heartache, but a sick cow or horse could threaten the very livelihood of a farmer whose modest profits are dependent on healthy livestock.Reminiscent of the classic books of James Herriot, Never Turn Your Back on an Angus Cow is a charming, fascinating, and funny memoir that will delight animal lovers everywhere.

    Gone were the two yellow Labs he wrote about in A Dog Year, as was the mountaintop cabin they loved. Katz moved into an old farmhouse on forty-two acres of pasture and woods with a menagerie: a ram named Nesbitt, fifteen ewes, a lonely donkey named Carol, a baby donkey named Fanny, and three border collies. Training Orson was a demanding project. But a perceptive dog trainer and friend told Katz: “If you want to have a better dog, you will just have to be a better goddamned human.” It was a lesson Katz took to heart. He now sees his dogs as a reflection of his willingness to improve, as well as a critical reminder of his shortcomings. Katz shows us that dogs are often what we make them: They may have their own traits and personalities, but in the end, they are mirrors of our own lives–living, breathing testaments to our strengths and frustrations, our families and our pasts.

    Alas the newlyweds decide to settle out of the county but Tessa and her husband are delighted when a new young couple arrive in the village fresh from the city. However what looks such a promising new friendship turns to a nightmare as these are people who think money can buy them acceptance - and the village is soon in quiet revolt. Tessa finds herself in the thick of it - and realises that she has grown very strong roots in the community in the two years she has been in Cornwall. Like so many in the country, she has to think about turning her house into a source of income in the summer months. Having finally got the place up to scratch, she and her family are wondering whether to camp for a couple of months when they are asked to take over a B&B owned by friends of friends. Tessa is bubbly, outgoing - but quite inexperienced at being a landlady. She muddles through only with the generous help of the 'customers' on her postal round. Written with her usual warmth and good humour, Tessa Hainsworth enchants us again with her stories of life as a newcomer to 'deep' Cornwall and makes us dwell on the true value and meaning of 'home'.

    Luke's dream is to set up on his own and find his place in the world. These things, however, are never quite straightforward.

    For Julia already had her hands full with her son George, who suffered from autism. Quiet and withdrawn, ten-year-old George appeared lost in his own world, upset by the slightest change in his routine and unable to make friends with other children.But George wasn’t scared by the little black-and-white visitor; instead his face lit up at the sight of him and before long George was inseparable from his new friend Ben. It was the miracle Julia had been hoping for; George began to play with Ben and create stories about their adventures together, excitedly recounting them at tea-time. For Julia, it was a magical way to communicate with her son, and Ben had made it possible. That’s why when Ben went missing Julia knew she had to do everything in her power to bring him home…Captivating, uplifting and geniunely touching, A Friend Like Ben is a remarkable true story of the extraordinary devotion and empathy between a little boy and his cat, and a mother's determination to make her son happy again."You see, Ben's not just a cat - he is George's window onto the world, the key to the door which unlocks him. Call me daft, but Ben is like my second son, so I had to find him when he went missing. Because if not, I was more scared than I can say that I would never see the light in George's eyes again. There was only one way to make sure it came back: I had to bring Ben home." ~ Julia

    Life On Air, his autobiography, tells the story of how he has managed to professionalise his schoolboy interests in such a remarkably successful way. Attenborough's Life On Air began in 1950, having taken a degree in Natural Sciences in the University of Cambridge, done National Service in the Navy, got married, done a year as an editor with an educational publisher, had a son and then answered a BBC recruiting ad in the Times. Turned down for BBC Radio, he was offered a traineeship in BBC TV which was pioneering the medium in Britain and he has never looked back. The rest is TV history and you can read Sir David's personal view of it all in his engaging and highly entertaining book. This is no boring story of the rise and rise of a media mogul in the smoke-filled rooms of Ally Pally and Lime Grove. Having served his apprenticeship producing programmes like Animal, Vegetable, Mineral? and Song Hunter with the famous American folk singer and song collector Alan Lomax, he managed to escape from the confines of overlit studios into the natural world. Zoo Quest began in 1954 with an animal collecting trip to Sierra Leone and David Attenborough had found his metier. Since then he has managed to bring the wonders of the natural world into millions of living rooms around the world and to reach general audiences without patronising them, without any spurious antics, silly voices or dumbing down. His animal and plant subjects are the stars, Attenborough is the master of ceremonies who introduces the acts for our wonder and amazement. But his scope extends way beyond the birds and the bees. In the 1960s, it was suggested that he took up an administrative post--"after all, you won't want to be gallivanting around the world when you are 50". Fortunately, he did not abandon gallivanting for admin but went freelance, studied anthropology and helped extend our view of native peoples and sympathies for their life styles. He went on to become responsible for coming up with famous BBC TV series such as Kenneth Clark's incredibly successful Civilisation series, followed by Bronowski's The Ascent of Man. Inevitably, he did become one of the BBC suits but one that wore a camouflage jacket. What is remarkable is that Attenborough has managed to do it for so long without really changing his own style too much. He has not had to because the technology has changed and so he has constantly been able to give new views and insights into the details of life on Earth. Writing pretty much as he speaks, it is easy to hear his voice, dry sense of humour and generosity coming through all the time. Do not expect to read personal details, navel-gazing or malicious gossip--that is not his style. The only personal note comes at the end with the death of his wife in 1997. Over 100 photos associated with the huge range of programmes he has been intimately involved with decorate Life On Air, a fascinating personal story of our times. He says that he knows of "no pleasure deeper than that which comes from contemplating the natural world and trying to understand it"; he certainly manages to convey that in Life On Air. --Douglas Palmer

    Thus begins this tale of a man and his cat or, rather, of a cat and his man. A touching, timeless, and inspiring story about the animal/human bond and the spirit of the holiday season.

    Both funny and insightful That'd Be Right is part memoir, part personal history of Australia over the last thirty years. It's a biographical trip told through sport, and families and William's own experiences. He writes: 'As with A Man's Got to Have a Hobby I weave in and around the events that have held such fascination for this country over the last thirty years or so, connecting them all with the progression of a life.' Some of these events would be considered momentous, some small and personal. And all are seen through William's eyes. They range from a day at the Melbourne Cup with his mother where too many champagnes and too few winners were picked; a swimming carnival early in the morning after a gloomy and long federal election the night before; watching truly surreal Grand Final moments in a pub with a group of odd and unknown bar companions. William also writes about a night at the cricket with his son, which shows how things can change and oddly come full circle.

    In this warm-hearted memoir, Ingrid King shares the story of Buckley, a joyful, enthusiastic and affectionate tortoiseshell cat she meets while managing a veterinary hospital. When Ingrid leaves her job at the veterinary hospital to start her own business, Buckley comes home to live with her and Amber, another tortoiseshell cat who had adopted the author several years earlier. Buckley is diagnosed with heart disease after only two years of living with Ingrid, and caring for Buckley through her illness only deepens the bond between cat and human. Interspersed with well-researched information about cat health in general, and heart disease in particular, the author describes the challenges and rewards of managing illness in a feline companion, and ultimately helping her through the final transition. Ingrid shares both the day-to-day joys of living with a special cat as well as the profound grief that comes with losing a beloved animal companion."Buckley's Story" is a celebration of the soul connection between animals and humans, a connection that is eternal and transcends the physical dimension.

    They had mapped the route, brought three GPSs for backup, refrigerators full of food, and volunteers for help. But traveling in three RVs with twenty-five dogs turned out to be a bigger ordeal than he anticipated. Rosenfelt recounts the adventure with humor and warmth and tells how he and his wife became passionate foster parents for rescue dogs, culminating in the creation of the Tara Foundation.

    Her fascination with the handsome, domesticated creatures that have shared her flats and her life in London remained undiminished, and grew into real love with the awkwardly lovable El Magnifico, the last cat to share her home.On Cats is a celebrated classic, a memoir in which we meet the cats that have slunk and bullied and charmed their way into Doris Lessing's life. She tells their stories—their exploits, rivalries, terrors, affections, ancient gestures, and learned behaviors—with vivid simplicity. And she tells the story of herself in relation to cats: the way animals affect her and she them, and the communication that grows possible between them—a language of gesture and mood and desire as eloquent as the spoken word. No other writer conveys so truthfully the real interdependence of humans and cats or convinces us with such stunning recognition of the reasons why cats really matter.

    But she fell in love with the young horse, who had literally been born into her arms. The breeder finally said she could keep the colt, whom she nicknamed "Baby" – but only if she raced him.It was difficult to take Baby away from the safety of his pasture. But Normile had made a promise. Besides, horseracing had always come across as a glamorous blend of mint juleps and celebrity, of equine grace and speed. It was a vision she found appealing.And she fell hard for it, this "Sport of Kings." She experienced a thrill every time Baby sprinted around the track, edging out other horses. But the magic that enchants is a veneer. For every Seabiscuit, there are tens of thousands of racehorses whose lives end in pain and despair, with indifference and corruption that runs rampant through the world of horse racing.Normile knew none of this. Not until an accident on a poorly maintained track. That's when everything changed. That's when Normile founded the most successful horse rescue in the country, an organization that would go on to save more horses than anyone else ever had. That's when she knew she had no other choice.Saving Baby is Jo Anne Normile's story of perseverance and passion. A heartbreaking and ultimately life-affirming book, it testifies to the transcending power of hope, and the unshakeable bond of love.

    Huddersfield, in Yorkshire, with its distinctive manners and customs and its wealth of remarkable characters, would surely provide him with all the material he needed for his planned book, one of the great classics of travel literature. But two years later, when he sat down to write, the major events of everyday life kept intruding: the demands of a houseful of cats, the problem of getting the cooker repaired, the memories evoked by sorting through old clothes in the wardrobe . . .Still, I'm a Stranger Here Myself is a travel book of a kind, where the most hilarious adventures can happen between the kitchen and the bathroom, and where a morning's shopping can provide enough anecdotes to last a lifetime. Once again Deric Longden demonstrates his genius for taking the most ordinary materials of life and transforming them with his own special brand of gentle, inspired humour.

    Peter Allison gives us the guide’s-eye view of living in the bush, confronting the world’s fiercest terrain of wild animals and, most challenging of all, managing herds of gaping tourists. Passionate for the animals of the Kalahari, Allison works as a top safari guide in the wildlife-rich Okavango Delta. As he serves the whims of his wealthy clients, he often has to stop the impulse to run as far away from them as he can, as these tourists are sometimes more dangerous than a pride of lions. No one could make up these outrageous-but-true tales: the young woman who rejected the recommended safari-friendly khaki to wear a more “fashionable” hot pink ensemble; the lost tourist who happened to be drunk, half-naked, and a member of the British royal family; establishing a real friendship with the continent’s most vicious animal; the Japanese tourist who requested a repeat performance of Allison’s being charged by a lion so he could videotape it; and spending a crazy night in the wild after blowing a tire on a tour bus, revealing that Allison has as much good-natured scorn for himself. The author’s humor is exceeded only by his love and respect for the animals, and his goal is to limit any negative exposure to humans by planning trips that are minimally invasive—unfortunately it doesn’t always work out that way! Peter Allison is originally from Sydney, Australia. His safaris have been featured in National Geographic, Conde Nast Traveler, and on television programs such as Jack Hanna's Animal Adventures. He travels frequently to speaking appearances, and splits most of his time between Botswana, Sydney, and San Francisco.

    She’s a radical, self-styled hippie, and he is New York’s famous district attorney, a legal luminary of the establishment; she’s a prizewinning New York Times journalist who has chained herself to fences, bloodied draft files, and otherwise broken the law for her beliefs, and he is a secret iconoclast who could have put her in jail.     Timeless: Love, Morgenthau, and Me is the memoir of their triumph against the odds, their ongoing thirty-five-year marriage, a union between two people so deeply in love but so different—and with so many decades separating them—that their family and friends fought to keep them apart.     Franks offers a confidential tour of their marriage, as well as the never-revealed, behind-the-scenes details of Morgenthau’s famous cases. We see a red-faced Ronald Lauder storm into Morgenthau’s office after the DA seizes a priceless Egon Schiele painting from the walls of the Museum of Modern Art; we witness the CIA dismissing Morgenthau’s discovery of the growing terrorist cell in New York that would become al-Qaeda headquarters. This is an unusually close look at the privates lives of two well-known people who have always refused to reveal themselves to the public.