Simon contrasts them with the touching and turbulent events that followed his return to domesticity, and explains what became of him in 'life after travel.'

    Navy, Pat Moynihan had worked the New York City docks and knew what his son would encounter. However, John’s mother, Elizabeth, an avid sailor, found the idea of an adventure at sea exciting and set out to help him get his Seaman’s Papers. When John was sworn in, he was given one piece of advice: to not tell the crew that his father was a United States senator.The job ticket read “forty-five days from Camden, New Jersey, to the Mediterranean on the Rose City,” a supertanker. As the ship sailed the orders changed, and forty-five days became four months across the equator, around Africa, across the Indian Ocean, and up to Japan—a far more perilous voyage than John or his mother had imagined. The physical labor was grueling, and outdated machinery aboard the ship, including broken radar, jeopardized the lives of the crew. They passed through the Straits of Malacca three times, with hazardous sailing conditions and threats of pirates. But it was also the trip of a lifetime: John reveled in the natural world around him, listened avidly to the tales of the old timers, and even came to value the drunken camaraderie among men whose only real family was one another. A talented artist, John drew what he saw and kept a journal on the ship that he turned into his senior thesis when he returned to Wesleyan the following year.A few years after John died in his early forties, the result of a reaction to acetaminophen, his mother printed a limited edition of his journal illustrated with drawings from his notebooks. Encouraged by the interest in his account of the voyage, she agreed to publish the book more widely. An honestly written story of a boy’s coming into manhood at sea, The Voyage of the Rose City is a taut, thrilling tale of the adventure of a lifetime.

    Hughes scrolls through Barcelona's often violent history; tells the stories of its kings, poets, magnates, and revolutionaries; and ushers readers through municipal landmarks that range from Antoni Gaudi's sublimely surreal cathedral to a postmodern restaurant with a glass-walled urinal. The result is a work filled with the attributes of Barcelona itself: proportion, humor, and seny -- the Catalan word for triumphant common sense.

    It moves from the story of the city's founding, and huge expansion in the nineteenth century, to the lives of Gaudi, Miro, Casals and Dali. It also examines the history of Catalan nationalism, the tragedy of the Civil War, the Franco years, and the transition from dictatorship to democracy which Colm Tóibín witnessed in the 1970s.

    F. K. Fisher in The Gastronomical Me, food is more than a metaphor in The Bread and the Knife. It is the organizing principle of an existence. Starting with "A Is for Al Dente," the loosely linked chapters evoke an alphabet of food memories that recount a woman’s emotional growth from the challenges of youth to professional accomplishment, marriage, and divorce. Betrayal is embodied in an overripe melon, her awakening in a Béarnaise sauce. Passion fruit juice portends the end of a first marriage, while tarte Tatin offers redemption. Each letter serves up a surprising variation on the struggle for self-knowledge, the joy and pain of familial and romantic love, and food’s astonishing ability to connect us with both the living and the dead. Ranging from her grandmother's suburban kitchen to an elegant New York restaurant, a longhouse in Borneo, and a palace in Rajasthan, The Bread and the Knife charts the vicissitudes of a woman forced to swallow some hard truths about herself while discovering that the universe can dispense surprising second chances.

    In this thought-provoking, vivid, and entertaining essay, Carrión meditates on the importance of the bookshop as a cultural and intellectual space. Filled with anecdotes from the histories of some of the famous (and not-so-famous) shops he visits on his travels, thoughtful considerations of challenges faced by bookstores, and fascinating digressions on their political and social impact, Bookshops is both a manifesto and a love letter to these spaces that transform readers’ lives.

    Joined by a friend, Joyce learned lessons that can help all of us travel on life's up-and-down journey with more grace and lightness. She shares them in this enjoyable recounting of her journey across mountains and valleys, cities and farms.

    Yet the life of any structure is neither fixed nor timeless. Outliving their original contexts and purposes, buildings are forced to adapt to each succeeding age. To survive, they must become shape-shifters. In an inspired refashioning of architectural history, Edward Hollis recounts more than a dozen stories of such metamorphosis, highlighting the way in which even the most familiar structures all change over time into “something rich and strange.” The Parthenon, that epitome of a ruined temple, was for centuries a working church and then a mosque; the cathedral of Notre Dame was “restored” to a design that none of its original makers would have recognized. Remains of the Berlin Wall, meanwhile, which was once gleefully smashed and bulldozed, are now treated as precious relics. Altered layer by layer with each generation, buildings become eloquent chroniclers of the civilizations they’ve witnessed. Their stories, as beguiling and captivating as folktales, span the gulf of history.

    In it, we follow them from sixth-century Alexandria to ninth-century Baghdad, from Muslim Cordoba to Catholic Toledo, from Salerno’s medieval medical school to Palermo, capital of Sicily’s vibrant mix of cultures and – finally – to Venice, where that great merchant city’s printing presses would enable Euclid’s geometry, Ptolemy’s system of the stars and Galen’s vast body of writings on medicine to spread even more widely. In tracing these fragile strands of knowledge from century to century, from east to west and north to south, Moller also reveals the web of connections between the Islamic world and Christendom, connections that would both preserve and transform astronomy, mathematics and medicine from the early Middle Ages to the Renaissance. Vividly told and with a dazzling cast of characters, The Map of Knowledge is an evocative, nuanced and vibrant account of our common intellectual heritage.

    

    Handsome, charming Roman men; perfectly made cappuccino and risotto; breathtakingly beautiful antiquities and that incomparable Italian light—none of these are perhaps quite as idyllic as they might seem to the casual traveler. With a jaded eye but an always vulnerable heart, Geoghegan gives us the anti-Eat, Pray, Love, a tale every bit as atmospheric but way funnier than the runaway best-seller. This is what life in Italy really looks like when you're a 30-something woman running from grief and trying to find her way back to love. Elizabeth Geoghegan writes in English, dreams in Italian, and wishes she could remember how to speak French. She earned an MFA in fiction writing from the School of the Art Institute of Chicago and an MA in creative writing from the University of Colorado at Boulder. She is currently completing a story collection, The Book of Boys, and at work on a novel called The Year of the Cock, a black comedy set in Southeast Asia. She lives in Rome, Italy, on a dead-end street between a convent and a jail. This is a short e-book published by Shebooks--high quality fiction, memoir, and journalism for women, by women. For more information, visit http://shebooks.net.

    

    Local friendships and bonds of loyalty that she and her family formed during their gradual renovation of their once derelict farmhouse have now deepened. The children, both hers and her neighbours', are now adults and the close-knit community celebrates and prepares for the new generation. The wedding festivities and banquets are beautifully described in mouth-watering detail and the tastes and smells of Lot-et-Garonne seem to float from the page. An unforgettable and enriching story of Ruth and her family, and their continuing love for their home in the sunflowers.

    What Michael doesn’t expect, is to be put in charge of a group of offenders and sent to a remote location in the Sierra Nevada Mountains in Spain to teach them survival skills as part of their rehabilitation programme. But Michael knows nothing at all about survival skills. He was sort of in the SAS, yes, but his shining record on the “Escape and Evasion” courses was more a testament to his computer skills than his ability to catch wildlife and barbecue it over an impromptu fire. Basically, he was the SAS’s techy nerd and only achieved that position as a result of a bet with a fellow hacker. Facing a stark choice between starvation or returning home to serve out their sentences, the group of offenders under Michael’s supervision soon realise that the only way to survive is to use their own unique set of skills – the kind of skills that got them arrested in the first place.

    In Holloway, Macfarlane and his collaborators explore the famed holloways of South Dorset, a landscape of shadows and spectres in the southwestern corner of England. In Ness, they create a modern myth about Orford Ness, the shingle desert of southeast England, for decades the United Kingdom’s secret atomic weapons testing site. Featuring Stanley Donwood’s spectacular etchings of woodland scenes throughout, Ghostways is a beautiful and haunted work of art unlike any other.