There were three deaths that summer. The first was Letitia's, sudden and quite unexpected, leaving her husband, Thaddeus, haunted by the details of her last afternoon. The next death came some weeks later, after Thaddeus's mother-in-law helped him to interview for a nanny to bring up their baby. None of the applicants were suitable--least of all the last one, with her sharp features, her shabby clothes that reeked of cigarettes, her badly typed references--so Letitia's mother moved herself in. But then, just as the household was beginning to settle down, the last of the nannies surprisingly returned, her unwelcome arrival heralding the third of the summer tragedies. "William Trevor is an extraordinarily mellifluous writer, seemingly incapable of composing an ungraceful sentence. . . . His skill is very real, and equals his great compassion. With Death in Summer, these two qualities combine in a beautiful and resonant way."--The New York Time Book Review "Possibly the most perfect of Trevor's novels . . . Astonishing."--Los Angeles Times Book Review "Beautifully paced and mesmerizing . . . Offering us a compelling mystery on many levels through . . . finely drawn, perfect glimpses of touchingly imperfect lives."--The Washington Post Book World Nominated for a Los Angeles Times Book Prize

    In this enlightened age there's no persecution. But the millions who still believe and worship are a marginal and mistrusted minority - and now someone is killing them.

    He is amusingly tolerant of his fellow Africans, thinking them uncivilized; he is obsessed with the idea of bringing "civilization" to this small jungle station. Johnson loves the white man's ways and cheerily adopts them; he has an enthusiasm that makes his boss Rudbeck overlook his rather vague office talents. This enthusiasm centers especially upon the construction of a road (symbol of civilization) and when Rudbeck has difficulty in getting funds from HQ, Johnson does some manipulation with the books. His peculiar sense of bookkeeping, together with his disdain for regulations, lands him in trouble. He gets the road built but is discharged. In despair and anger at being fired by his "good friend" Rudbeck, he gets drunk, and accidentally kills a white store owner. He is condemned to death. Rudbeck tries to save him, but "justice" cannot be reversed. Johnson is caught between two cultures, belonging no more to the new Africa than to the old. He begs Rudbeck, whom he looks upon as a father, to shoot him rather than let him be hanged by a stranger. Rudbeck, seeing him for the first time as an individual, grants this last request and ends the boy's life.

    Vic is attracted to the beautiful but demanding Ingrid, and as their relationship grows and changes, he comes to terms the hard way with adult life and what it really means to love. The influence of Barstow's novel has been lasting the literary label "lad-lit" was first applied to this book, and over the years it has been adapted for radio, television, and the big screen.Originally published in 1960, this popular novel about frustrated youth laid the groundwork for contemporary writers such as Tony Parsons and Nick Hornby.

    The tale is recounted by their dryly conceited young English relative, Captain Georges Hamlet Alexander Diabologh, who comes to stay with them during a military mission. Teeming with bizarre characters—depressives, obsessives, paranoiacs, hypochondriacs, and sex maniacs—Gerhardie paints a brilliantly absurd world where the comic and the tragic are profoundly and irrevocably entwined.

    From the author of "Witchcraft" and "Buttons in the Marsh" comes this black comedy about an unsuccessful solicitor who decides to murder his wife, with devastating results.

    . . What follows is one of the funniest social satires ever written. Whether Cameron is haplessly participating in a village cricket match, being shown around an exclusive golf course, or trying to watch a rugby match in the thick London fog, his affectionately bemused portrait of his new countrymen is a joy to read. Reminiscent of the gentle wit of P. G. Wodehouse and Jerome K. Jerome, England, Their England offers a delightful portrait of Britain in the 1920s."

    Bill Sarratt, a civil servant, spends the war wining, dining, and wittily commenting on London's shattered nightlife. But, as the bombs begin to fall closer and closer, Sarratt's wife takes on a lover—and his life literally begins to crumble around him.

    The world in which the story is set is that of professional Rugby League in a Norther English industrial city, and spans several years in the life of narrator Arthur Machin.

    But Morris is also a chronic alcoholic, heading fast towards self-destruction. Morris is not hoping to meet Ms. Right and acquire the two kids that will straighten everything out. He already has all this and it hasn't kept him off the bottle. Ron Butlin's tale of one man's inner turmoil is haunting, harrowing, yet strangely uplifting; a masterpiece from a neglected Scottish writer.

    Mr. Warner brilliantly invents, on one side, a thoroughly degenerate Village representing fallen man, and on the other side a great Aerodrome dedicated to ruthless efficiency. The ideological struggle between the idealistic Air Vice-Marshal and the hero-narrator from the Village is portrayed with poetry, narrative speed, and great simplicity of language. It is a great symbolic novel of our time. "The value of The Aerodrome as literature becomes increasingly apparent at each rereading ... an intensely original work."--Anthony Burgess. "A moral dialogue thrown into narrative form. It is humanity versus power, sprawling fife versus death-dealing regimentation.... A parable worth reading."--New York Times. "The beauty of his prose, unsurpassed by any living English writer, has nothing to do with `fine writing' but springs from a sound moral core and from an intelligence with the keenest edge."--C. Day Lewis.

    Winner of Britain's James Tait Black Memorial Prize and the 1999 IMPAC Award. "Astoundingly good" (New York Times Book Review).

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    A self-appointed revolutionary hero, Howard always comes out on top. And Malcolm Bradbury dissects him in this savagely funny novel that has been universally acclaimed as one of the masterpieces of the decade.

    Never more timely, Millennium People “seeks to illuminate our hearts of darkness while undermining our assumptions about what literature is meant to do” (Los Angeles Times).