Her family inhabits the upper echelon of Black society and when she falls for no-name Renard, she is forced to choose between her life of privilege and the man she loves. In 1982, Evelyn’s daughter, Jackie, is a frazzled single mother grappling with her absent husband’s drug addiction. Just as she comes to terms with his abandoning the family, he returns, ready to resume their old life. Jackie must decide if the promise of her husband is worth the near certainty he’ll leave again. Jackie’s son, T.C., loves the creative process of growing marijuana more than the weed itself. He finds something hypnotic about training the seedlings, testing the levels, trimming the leaves, drying the buds. He was a square before Hurricane Katrina, but the New Orleans he knew didn’t survive the storm, and in its wake he was changed too. Now, fresh out of a four-month stint for possession with the intent to distribute, he decides to start over—until an old friend convinces him to stake his new beginning on one last deal. For Evelyn, Jim Crow is an ongoing reality, and in its wake new threats spring up to haunt her descendants. A Kind of Freedom is an urgent novel that explores the legacy of racial disparity in the South through a poignant and redemptive family history.

    The Moviegoer is Binx Bolling, a young New Orleans stockbroker who surveys the world with the detached gaze of a Bourbon Street dandy even as he yearns for a spiritual redemption he cannot bring himself to believe in. On the eve of his thirtieth birthday, he occupies himself dallying with his secretaries and going to movies, which provide him with the "treasurable moments" absent from his real life. But one fateful Mardi Gras, Binx embarks on a hare-brained quest that outrages his family, endangers his fragile cousin Kate, and sends him reeling through the chaos of New Orleans' French Quarter. Wry and wrenching, rich in irony and romance, The Moviegoer is a genuine American classic.

    Reaching across America—from the neighborhoods of New Orleans to Texas, Chicago, and elsewhere—City of Refuge explores this turning point in American culture, one whose reverberations are only beginning to be understood.

    Still, what he saw of the devastation there sent him back to New Orleans eager for a normal life and a job as a floorwalker in the city’s biggest department store, and to start anew with his wife years after losing a son to illness. But when a little girl disappears from the store on his shift, he loses his job and soon joins her parents working on a steamboat plying the Mississippi and providing musical entertainment en route. Sam comes to suspect that on the downriver journey someone had seen this magical child and arranged to steal her away, and this quest leads him not only into this raucous new life on the river and in the towns along its banks but also on a journey deep into the Arkansas wilderness. Here he begins to piece together what had happened to the girl—a discovery that endangers everyone involved and sheds new light on the massacre of his own family decades before.Tim Gautreaux brings to vivid life the exotic world of steamboats and shifting currents and rough crowds, of the music of the twenties, of a nation lurching away from war into an uneasy peace at a time when civilization was only beginning to penetrate a hinterlands in which law was often an unknown force. The Missing is the story of a man fighting to redeem himself, of parents coping with horrific loss with only a whisper of hope to sustain them, of others for whom kidnapping is either only a job or a dream come true. The suspense—and the complicated web of violence that eventually links Sam to complete strangers—is relentless, urgently engaging and, ultimately, profoundly moving, the finest demonstration yet of Gautreaux’s understanding of landscape, history, human travail, and hope.

    But when Katrina’s waters rise and the city’s broken levees cause devastating floods, Simon disappears.His son, Julian, a celebrated but down-on-his-luck trumpeter, rushes home to the city he left years before to search for a father with whom he’d been on difficult terms over preparing for the hurricane. Julian’s return to New Orleans brings him back in touch with figures from his past, loves and enemies both, and as his search for Simon takes him to the rural plot where Simon grew up, Julian is drawn deep into his troubles. As he comes to grips with his father’s likely fate and struggles to regain his trumpet chops, Julian slowly gains a deeper, richer understanding of both his father and their shared heritage.Wading Home is an important book about one of America’s most important cities, veiled in the form of a captivating page-turner. Lyrical, accessible, compelling, and populated by a broad, fully realized cast of supporting characters, its timeless story tells how this son strives to save his father. Shaken to the core by the devastation of a city, Julian discovers the true meanings of home, family, and history.

    Jeff reveals that after that traumatic, galvanizing morning on the beach, he was compelled to learn more about the man whose life he had saved, convinced that their fates were now entwined. But are we agents of our fate—or are we its pawns? Upon discovering that the man is renowned art dealer Francis Arsenault, Jeff begins to surreptitiously visit his Beverly Hills gallery. Although Francis does not seem to recognize him as the man who saved his life, he nevertheless casts his legendary eye on Jeff and sees something worthy. He takes the younger man under his wing, initiating him into his world, where knowledge, taste, and access are currency; a world where value is constantly shifting and calling into question what is real, and what matters. The paths of the two men come together and diverge in dizzying ways until the novel’s staggering ending. Sly, suspenseful, and engrossing, Mouth to Mouth masterfully blurs the line between opportunity and exploitation, self-respect and self-delusion, fact and fiction—exposing the myriad ways we deceive each other, and ourselves.

    It is a contemporary bible, an atlas of feeling, and an absurdly funny guide to the great (and terrible) things about being alive. Sheila Heti is a philosopher of modern experience, and she has reimagined what a book can hold.Here we are, just living in the first draft of Creation, which was made by some great artist, who is now getting ready to tear it apart.In this first draft of the world, a woman named Mira leaves home to study. There, she meets Annie, whose tremendous power opens Mira’s chest like a portal—to what, she doesn’t know. When Mira is older, her beloved father dies, and his spirit passes into her. Together, they become a leaf on a tree. But photosynthesis gets boring, and being alive is a problem that cannot be solved, even by a leaf. Eventually, Mira must remember the human world she’s left behind, including Annie, and choose whether or not to return.

    The unwed daughter of wealthy Jewish industrialists and a gifted pianist bound for Radcliffe, Bea plans to leave her shameful secret behind and make a fresh start. Ten years later, Prohibition is in full swing, post-WWI America is in the grips of rampant xenophobia, and Bea's hopes for her future remain unfulfilled. She returns to her uncle’s house, seeking a refuge from her unhappiness. But she discovers far more when the rum-running manager of the local quarry inadvertently reunites her with Emma Murphy, the headstrong Irish Catholic woman who has been raising Bea's abandoned child—now a bright, bold, cross-dressing girl named Lucy Pear, with secrets of her own.In mesmerizing prose, award-winning author Anna Solomon weaves together an unforgettable group of characters as their lives collide on the New England coast. Set against one of America's most turbulent decades, Leaving Lucy Pear delves into questions of class, freedom, and the meaning of family, establishing Anna Solomon as one of our most captivating storytellers.

    In Manhattan, Franny Wren, a twenty-nine-year-old doctor, plans her wedding to her college sweetheart and resists the urge to run from a carefully crafted and seemingly satisfying life. In Austin, Texas, Celia, a brassy young librarian, mourns her murdered husband and struggles to find a sense of self, wholeness and a will to live.A luminous story of murder and desire, solitude and grace, fate pushes these eerily recognizable women together, culminating in a revelation of the possibility of faith, the responsibility of friendship, the value of life and the execution of a serial murderer.

    At the university he attends, he’s Gabriel, a seemingly ordinary, partying student learning about morality at a distance. But in his life outside the classroom, he’s Snoopz, a hard living member of London’s gangs, well-acquainted with drugs, guns, stabbings, and robbery. Navigating these sides of himself, dealing with loving parents at the same time as treacherous, endangering friends and the looming threat of prison, he is forced to come to terms with who he really is and the life he's chosen for himself.In a distinct, lyrical urban slang all his own, author Gabriel Krauze brings to vivid life the underworld of his city and the destructive impact of toxic masculinity. Who They Was is a disturbing yet tender and perspective-altering account of the thrill of violence and the trauma it leaves behind. It is the story of inner cities everywhere, and of the lost boys who must find themselves in their tower blocks.

    In this fog of grief, she is lured with the promise of a great job to a mysterious farm run by a shady company, with disastrous consequences for both her and her eleven-year-old son, Eddie--left behind in a panic-stricken search for her.Delicious Foods tells the gripping story of three unforgettable characters: a mother, her son, and the drug that threatens to destroy them. In Darlene's haunted struggle to reunite with Eddie, and in the efforts of both to triumph over those who would enslave them, Hannaham's daring and shape-shifting prose not only infuses their desperate circumstances with grace and humor, but also wrestles with timeless questions of love and freedom.

    Sexy and shrewd, she quickly went from streetwalker to madam and by 1920 had opened what became a legendary house of prostitution. There she entertained a steady stream of governors, gangsters, and movie stars until she was arrested at last in 1962. Shortly before she died in 1974, she tape—recorded her memories-the scandalous stories of a powerful woman who had the city's politicians in her pocket and whose lovers included the twenty-five-year-old boy next door, whom she married when she was sixty-four. Combining those tapes with original research, Christine Wiltz chronicles not just Norma's rise and fall but also the social history of New Orleans, thick with the vice and corruption that flourished there—and, like Midnight in the Garden of Good and Evil and Philistines at the Hedgerow, resurrects a vanished secret world.

    Part family drama, part social essay, part picaresque adventure -- at its heart, it is the story of a father, a son, and the country they both call home.Akhtar forges a new narrative voice to capture a country in which debt has ruined countless lives and our ideals have been sacrificed to the gods of finance, where a TV personality is president and immigrants live in fear, and where the nation's unhealed wounds of 9/11 wreak havoc around the world. Akhtar attempts to make sense of it all through the lens of a story about one family, from a heartland town in America to palatial suites in Central Europe to guerilla lookouts in the mountains of Afghanistan, and spares no one -- least of all himself -- in the process.

    Grief struck by the death of his young wife and unsure of how to care for the infant son she left behind, Bright is soon confronted by the destruction of the only home he’s ever known. His only hope for safety is the angel who has followed him to Appalachia from the trenches of France and who now promises to protect him and his son.Together, Bright and his newborn, along with a cantankerous goat and the angel guiding them, make their way through a landscape ravaged by forest fire toward an uncertain salvation, haunted by the abiding nightmare of his experiences in the war and shadowed by his dead wife’s father, the Colonel, and his two brutal sons. At times harrowing, at times funny, and always possessed by the sheer gorgeousness and unique imagination that have made Josh Ritter’s songs beloved to so many, this is the debut of a virtuoso fiction writer.

    A plantation owned for generations by a rich family. So much history. And a dead body.Just after dawn, Caren walks the grounds of Belle Vie, the historic plantation house in Louisiana that she has managed for four years. Today she sees nothing unusual, apart from some ground that has been dug up by the fence bordering the sugar cane fields. Assuming an animal has been out after dark, she asks the gardener to tidy it up. Not long afterwards, he calls her to say it's something else. Something terrible. A dead body. At a distance, she missed her. The girl, the dirt and the blood. Now she has police on site, an investigation in progress, and a member of staff no one can track down. And Caren keeps uncovering things she will wish she didn't know. As she's drawn into the dead girl's story, she makes shattering discoveries about the future of Belle Vie, the secrets of its past, and sees, more clearly than ever, that Belle Vie, its beauty, is not to be trusted. A magnificent, sweeping story of the south, The Cutting Season brings history face-to-face with modern America, where Obama is president, but some things will never change. Attica Locke once again provides an unblinking commentary on politics, race, the law, family and love, all within a thriller every bit as gripping and tragic as her first novel, Black Water Rising.