In a career spanning forty years, Barry has worked alongside the greatest producers and performers in show business: Tommy Cooper, Humphrey Lyttelton, Morecambe and Wise, Willie Rushton, Peter Cook, Kenny Everett, Rory Bremner to name but a few - this book is a veritable Who's Who of comedy.From humble beginnings at the Windmill Theatre and Expresso Bongo, to The Frost Report, Call My Bluff and I'm Sorry I haven't a Clue, Barry recalls the good, the bad, and the downright ugly in his own inimitable style.'Barry Cryer ...an anecdote jukebox whose whole life is basically one big chatshow.'Guardian

    Packed full of zingers and hilarious illustrations, if this doesn't put a smile on your face, nothing will. What's not to like:The other day someone left a piece of plasticine in my dressing room. I didn't know what to make of it. I'm against hunting. I'm actually a hunt saboteur. I go out the night before and shoot the fox. I saw this bloke chatting up a cheetah. He was trying to pull a fast one. Black holes. I don't know what people see in them. So I fancied a game of darts with my mate. He said, 'Nearest the bull goes first.' He went 'Baah' and I went 'Moo'. He said 'You're closest.' Velcro. What a rip-off. Black Beauty. He's a dark horse. I've got a sponge front door. Hey, don't knock it.

    Let's take check: Finn Bar, slightly ruffled but still in fighting form. Maggie, could do with a full night's sleep but otherwise all in order... Stay here. Don't answer the door. I'll go out and get some proper food.In a new flat, three children play hide and seek. Eliot wears a crown, little Finn, King of the Wild Thing's, draws on the walls. Maggie climbs them. Hiding from the world, needing to be found, their one shared focus a mobile phone. Will it ring? Who will call? And what are they waiting for?Tusk Tusk is a tale of family loyalty as an uncertain future circles. Polly Stenham's second play premiered at the Royal Court Theatre, London, in March 2009.

    Or so they think.

    Recreation Department twenty-fourth annual one-act play tournament, The Arts Club Players present "The Dear Departed," by Stanley Houghton, directed by Herman P. Riess.

    And this time he's got a baby. William Walker loves his gorgeous wife and new son – even if he did faint at the birth. What man wouldn't, after two whole days of labour and only one small sip of (medicinal) whiskey to sustain him? But now he's a father, and a proud one at that. It's just a shame that parenthood doesn't stop him doing the wrong thing at precisely the wrong time, with comically catastrophic results for his small – and increasingly exasperated – family.This hilarious romantic comedy will have you laughing out loud as William battles everything from floods to the Machiavellian denizens of a sinister Kentish village with more than a few hints of Royston Vasey…

    56 pages of chapter summaries, quotes, character analysis, themes, and more – everything you need to sharpen your knowledge of The Lust Lizard of Melancholy Cove. This detailed literature summary also contains Topics for Discussion and a Free Quiz on The Lust Lizard of Melancholy Cove by Christopher Moore.

     And, now that he’s running a fancy West End nightclub, Tony has new-found celebrity status – with a never-ending string of gorgeous women on his arm, he’s become the darling of the tabloids. However, despite his success, he still feels he lacks the respect he deserves and the status he desires. The little boy who lived on the streets is never far away. Desperate for recognition, he’s driven to achieve more and more. Most of all, he craves the acceptance of Ralph Gold and to become a bigger part of his extensive web of organised crime. Fearlessly facing up to enemies, winning battles and becoming the undisputed bosses of the London underworld can be a nasty business, but it’s the only business Tony and Jake know. And they’ll stop at nothing to succeed.

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    As soon as they drive across Andalusia, they fall in love with its rugged beauty, whitewashed villages, red geraniums, giant aloes, and endless olive trees. After weeks of visiting ruins and dilapidated sheds advertised as homes, they find a little stone cottage in a mountain valley in the middle of nowhere. Equipped with everything that a romantic soul desires: a patio shaded by grape vines, an ancient bay leaf tree, and a formidable oak in front of a long driveway, they fall in love with this property and decide to reform it into a guest house. With little foresight or planning, they exchange cushy expats lives for a life in the sun.Quite quickly, however, they find themselves battling cowboy builders, no electricity, a dry well, torrential rain storms, and a freezing cold winter without a roof over their heads. Through all these adventures, they develop relations with their neighbours who had lived in the valley for many generations. Puzzled by the strangers’ behaviour, the neighbours teach them about olive picking, and the cultivation of local vegetables. But primarily, they offer their endless generosity and insight into life in rural Andalusia.As they begin to settle in, financial problems confront our somewhat naïve couple. Without steady pay checks and construction bills piling up, their idea of the good life starts to fall apart. Written with a wry sense of honest humour, this story is filled with twists and turns that take the reader on a journey from a life where every day was monotonously repetitive to a place where every day presents a new challenge.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    It broke all historic records for plays of any kind, with an original London run of 1,466 performances.The play was first performed at the Theatre Royal, Bury St Edmunds in February 1892.

    Star of BBC's Supersizers and hugely popular Times columnist's works through his anger about everything from dogs to cycle helmets.

    The good wit of bad manners, elegantly spiced with irony and deftly controlled malice, has made Saki stories small, perfect gems of the English language. Here for the first time, are the collected writings of Saki--including all of his short stories ("Reginald", "Reginald in Russia", "The Chronicles of Clovis", "Beasts and Super-Beasts" "The Toys of Peace", and "The Square Egg"), his three novels (THE UNBEARABLE BASSINGTON, WHEN WILLIAM CAME and THE WESTMINSTER ALICE), and three plays (THE DEATHTRAP, KARL-LUDWIG'S WINDOW and THE WATCHED POT. You are invited to meet once again Clovis, Reginald, the Unbearable Bassington, and the other memorable characters etched so superbly by the pen of H.H. Munro. "In all literature, he was the first to employ successfully a wildly outrageous premise in order to make a serious point. I love that. And today the best of his stories are still better than the best of just about every other writer around."--Roald Dahl. Introduction by Noel Coward.(less)

    Welcome to the ER. This book is not about life and death struggles. This book is the polar opposite. It is about the absolute, over the top insanity that I have witnessed during my time in the ER. This book is the untold, unseen, and unshared rants and raves of an ER nurse, who has been slowly being driven mad by his patients. I want you, the reader to step into my scrubs, see this bizarre world through my eyes, and understand that once you stop laughing in the ER, it's time to quit. This book is the stupid stories that I still don’t believe. It’s the codes gone crazy. It’s the “I can’t believe you said that.” It’s a testament to everything an ER nurse puts up with on a day in and day out basis that most people don’t know exists. It makes Scrubs, E.R., House, and all the other medical shows look like fairy tales. As an ER nurse, I want to let the world know that when we pull that curtain and leave the room, we are laughing because let’s face it, it’s funny. Please from this moment forward stop and close this book if you think you are about to read about nursing at it’s finest. This is not Florence Nightingale’s kind of nursing; this is the grit, spit, vomit and s#!t that comes with the job I love/hate so much.