Readers will find these dressed up chickens comical as they pour over the extravagant setting, including a "WOW"-inducing double gatefold of chicken couples whirling around the ballroom. A feast for the eyes sure to become a perennial favorite.

    They set fire to Fred Shoemaker’s toolshed, blackmailed Wanda Pierce to get her charm bracelet, and smacked Alice Wendelken across the head. And that’s just the start! When the Herdmans show up at church for the free snacks and suddenly take over the Christmas pageant, the other kids are shocked. It’s obvious that they’re up to no good. But Christmas magic is all around and the Herdmans, who have never heard the Christmas story before, start to reimagine it in their own way.This year’s pageant is definitely like no other, but maybe that’s exactly what makes it so special.

    A book that, along with its fun, truly illustrates the American scene.

    Jim LaMarche's stunning paintings, reminiscent of his earlier work in The Rainbabies, are the perfect compliment to this favorite Grimm fairy tale.

    and Mrs. Brown first met Paddington, a most endearing bear from Darkest Peru on a railway platform in London. A sign hanging around his neck said, "Please look after this bear. Thank you" So that is just what they did.From the very first night when he attempted his first bath and ended up nearly flooding the house, Paddington was seldom far from imminent disaster. Jonathan and Judy were delighted with this havoc and even Mr. and Mrs. Brown had to admit that life seemed to be more filled with adventure when there was a bear in the house.

    So he goes to ask Leo, the wise turtle. When he arrives, the turtle is struggling to dig in his garden, and Nikolai rushes to help him. As he finishes work, a violent storm rolls in. Nikolai runs for Leo's cottage, but on his way, he hears cries for help from an injured panda. Nikolai brings her in from the cold, and then rushes back outside to rescue her baby too.

    After learning a lesson from a naughty ride on the pantry, Raggedy Ann's adventures show her striving to be good - and succeeding. She and the other dolls rescue Fido, the family dog, from the dogcatcher. When, in one adventure, Raggedy Ann has to have her stuffing replaced, she gets her famous "I LOVE YOU" candy heart. Raggedy Anne also goes up in a kite, teaches two new dolls to be tolerant, and shares the excitement of a baby brother for Marcella, among several other tales.

    Then she is sent to Norfolk to stay with old Mr and Mrs Pegg, where she runs wild on the sand dunes and around the water. There is a house, the Marsh House, which she feels she recognises - and she soon meets a strange little girl called Marnie, who becomes Anna's first ever friend. Then one day, Marnie vanishes. A new family, the Lindsays, move into the Marsh House. Having learnt so much from Marnie about friendship, Anna makes firm friends with the Lindsays - and learns some strange truths about Marnie, who was not all she seemed...

    Join Madeline in another adventure when she and Pepito run off to join the carnival with a band of traveling gypsies! At first they're having the time of their lives—they don't have to go to school, brush their teeth, or ever go to sleep. But soon Madeline and Pepito start to feel homesick. Leave it to clever Miss Clavel to find Madeline and Pepito and bring them home.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    I come from a world of stories.A little girl sails her raft across a sea of words, arriving at the house of a small boy. She invites him to go away with her on an adventure into the world of stories... where, with only a little imaginaton, anything at all can happen. Irresistibly engaging characters by Oliver Jeffers set sail and chart their way through Sam Winston's fascinating typographical landscapes in this extraordinary ode to the power and promises of storytelling. Forty treasured children's classics and lullabies are featured in the pictures, providing endless opportunities for discovery, memories and sharing. Woven together by a simple story line, the one-of-a-kind illustrations in a A Child of Books provide an unforgettable reading experience that will inspire and encourage readers of all ages to explore, question, and imagine timeless stories of their own.

    Magical talent a bonus. Must be good with heights. Enter Baba Yaga's house to apply. Most children think twice before braving a haunted wood filled with terrifying beasties to match wits with a witch, but not Masha. Her beloved grandma taught her many things: that stories are useful, that magic is fickle, and that nothing is too difficult or too dirty to clean. The fearsome witch of folklore needs an assistant, and Masha needs an adventure. She may be clever enough to enter Baba Yaga's house on chicken legs, but within its walls, deceit is the rule. To earn her place, Masha must pass a series of tests, outfox a territorial bear, and make dinner for her host. No easy task, with children on the menu! Wry, spooky and poignant, Marika McCoola's debut--with richly layered art by acclaimed graphic artist Emily Carroll--is a storytelling feat and a visual fest.

    A fictional editor's note tells of an encounter with an author and illustrator named Harris Burdick, who provided the images and captions as samples, each from a different picture book he had written. He left with a promise to deliver the complete manuscripts if the editor chose to buy the books. Burdick was never seen again, and the samples are all that remain of his supposed books. Readers are challenged to imagine their own stories based on the images in the book.

    Marcia Brown’s stylized illustrations capture the personalities of the clever goats and the horrible troll, making this book a feast for the eyes as well as the ears.

    A fun book that takes the reader on a journey to the imaginary land of Balloonia.