Lawrence's frank portrayal of an extramarital affair and the explicit sexual explorations of its central characters caused this controversial book, now considered a masterpiece, to be banned as pornography until 1960.

    A lonely art historian absorbed in her research seizes the opportunity to share in the joys and pleasures of the lives of a glittering couple, only to find her hopes of companionship and happiness shattered.

    Formerly a governess, she has landed on the occupation of prestidigitator, and thanks to her overwhelming beauty—and to a lesser extent her professional talents—she takes the town by storm, gaining admittance to her grandfather's college. It is there, at the institution inspired by Beerbohm's own alma mater, that she falls in love with the Duke of Dorset, who duly adores her in return. Ever aware of appearances, however, Zuleika breaks the Duke's heart when she decides that she must abandon the match. The epidemic of heartache that proceeds to overcome the academic town makes for some of the best comic writing in the history of English literature.

    Lucas, Lucia to her intimates, resides in the village of Riseholme, a pretty Elizabethan village in Worcestershire, where she vigorously guards her status as "Queen" despite occasional attempts from her subjects to overthrow her. Lucia’s dear friend Georgie Pillson both worships Lucia and occasionally works to subvert her power.

    Written when he was only 22 years old, the tale also features some of Rudyard Kipling’s most crystalline prose, and one of the most beautifully rendered, spectacularly exotic settings he ever used. Best of all, it features two of his most unforgettable characters, the ultra-vivid Cockneys Peachy Carnahan and Daniel Dravot, who impart to the story its ultimate, astonishing twist: it is both a tragedy and a triumph.

    At the request of Lord Emsworth, Uncle Fred journeys to Blandings Castle to steal the Empress of Blandings before the ill-tempered, egg-throwing Duke of Dunstable can lay claim to her. Disguised as the eminent nerve specialist Sir Roderick Glossop, and with his distressed nephew Pongo in tow, Uncle Fred must not only steal a pig but also reunite a young couple and diagnose various members of the upper class with imaginary mental illnesses, all before his domineering wife realizes he’s escaped their country estate.

    In this bestselling classic novel which became a famous film, Jane Graham, alone and pregnant, retreats to a dingy attic bedsit in Fulham where she finds unexpected companionship, happiness and love.Set in the late 1950s, the 27 year-old unmarried Jane Graham arrives alone at a run-down boarding house in London after being turned out of her comfortable middle class home by her shocked father who has learned she is pregnant.Jane narrates the story as we follow her through her pregnancy and her encounters with the other misfits and outsiders who reside at the boarding house.

    Elizabeth Jenkins's artistry, however, transforms the bare facts of this case from the annals of Victorian England's Old Bailey into an absolutely spine-chilling exploration of the depths of human depravity.

    The story never moves out of middle-class Edinburgh; the satire on genteel living, though, is always kept in relation to the vast severance and waste of the war beyond. The book opens with a grand comic sweep as the ladies come empty-handed away from the registry office where they have learned that they can no longer be “suited” and in future will have to manage their own unmanageable homes. There are coal fires, kitchen ranges and intractable husbands; Rose is not quite sure whether you need soap to wash potatoes. Her struggle continues on several fronts, but not always in terms of comedy. To be house-bound is to be “tethered to a collection of all the extinct memories... with which they had grown up... how are we all to get out?” I remember it as a novel by a romantic who was as sharp as a needle, too sharp to deceive herself.’

    Quick-witted, resilient, and eager to please, she adapts to this cloistered world, learning rigid conformity and subjection to authority. Passionate friendships are the only deviation from her total obedience. Convent life is perfectly captured by Antonia White.

    This income only serves to highlight the emptiness of a life led by a woman deprived of the domestic trappings that have defined her.

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    Evangeline Knapp is the perfect, compulsive housekeeper, while her husband, Lester, is a poet and a dreamer. Suddenly, through a nearly fatal accident, their roles are reversed: Lester is confined to home in a wheelchair and his wife must work to support the family. The changes that take place between husband and wife and particularly between parents and children are both fascinating and poignant.

    As Alice struggles to bridge her ideology and her bourgeois upbringing, her companions encounter unexpected challenges in their quest to incite social change against complacency and capitalism. With a nuanced sense of the intersections between the personal and the political, Nobel Laureate Doris Lessing creates in The Good Terrorist a compelling portrait of domesticity and rebellion.

    His debilitating malaise is drinking, an activity that has overshadowed his life. On the most fateful day of the consul's life—the Day of the Dead—his wife, Yvonne, arrives in Quauhnahuac, inspired by a vision of life together away from Mexico and the circumstances that have driven their relationship to the brink of collapse. She is determined to rescue Firmin and their failing marriage, but her mission is further complicated by the presence of Hugh, the consul's half brother, and Jacques, a childhood friend. The events of this one significant day unfold against an unforgettable backdrop of a Mexico at once magical and diabolical.Under the Volcano remains one of literature's most powerful and lyrical statements on the human condition, and a brilliant portrayal of one man's constant struggle against the elemental forces that threaten to destroy him.