But she knows why they are there. Be careful who you let in...A house swap becomes the eerie backdrop to a crumbling marriage, a long-buried affair, and the fatal consequences that unfold.When Caroline and Francis receive an offer to house swap--from their city apartment to a house in a leafy, upscale London suburb--they jump at the chance for a week away from home, their son, and the tensions that have pushed their marriage to the brink.As the couple settles in, the old problems that permeate their marriage--his unhealthy behaviors, her indiscretions--start bubbling to the surface. But while they attempt to mend their relationship, their neighbor, an intense young woman, is showing a little too much interest in their activities.Meanwhile, Caroline slowly begins to uncover some signs of life in the stark house--signs of her life. The flowers in the bathroom or the music might seem innocent to anyone else--but to her they are clues. It seems the person they have swapped with is someone who knows her, someone who knows the secrets she's desperate to forget. . . .Be careful who you let in. . .

    The last she--and anyone--saw of them was Vivian closing the cabin door behind her, hushing Emma with a finger pressed to her lips.Now a rising star in the NYC art scene, Emma turns her past into paintings.. They catch the attention of Francesca Harris-White, the socialite and wealthy owner of the very same Camp Nightingale--and when Francesca implores Emma to return to the camp as a painting counselor, Emma sees an opportunity to find closure and move on.Yet, it is immediately clear that all is not right at Camp Nightingale. Already haunted by surfacing memories, Emma is suddenly plagued by a security camera pointed directly at her cabin, mounting mistrust from Francesca, and, most disturbing of all, cryptic clues Vivian apparently left behind about the camp's twisted origins. And as history begins to repeat itself and three girls go missing again, Emma must face threats from both man and nature in order to uncover all the buried secrets--including what really happened all those years ago.

    At 33 years old, she is a named partner at her firm and life is going exactly how she planned.The same cannot be said for her husband, Adam. He is a struggling writer who has had little success in his career. He begins to tire of his and Sarah’s relationship as she is constantly working. Out in the secluded woods, at Adam and Sarah’s second home, Adam engages in a passionate affair with Kelly Summers.Then, one morning everything changes. Adam is arrested for Kelly’s murder. She had been found stabbed to death in Adam and Sarah’s second home. Sarah soon finds herself playing the defender for her own husband, a man accused of murdering his mistress. But is Adam guilty or is he innocent?

    The man crossing the covered walkway on this freezing November morning is confident he's alone. As he sits on the metal bench at the far end of the platform it is clear his choice is strategic - he's as far away from the night staff as he can get.What the man doesn't realize is that he has company. Lisa Evans knows what he has decided. She knows what he is about to do as she tries and fails to stop him walking to the platform edge.Two deaths on Platform Seven. Two fatalities in eighteen months - surely they're connected?No one is more desperate to understand what connects them than Lisa Evans herself. After all, she was the first of the two to die.

    A century ago, a young widow and her son died mysteriously there; just last year a local boy, visiting for a dare, disappeared without a trace.For Zoe Adams, newly arrived from America, the house offers a refuge from her failing marriage. But her peaceful retreat is disrupted by strange and disturbing events: night-time intrusions; unknown voices; a constant sense of being watched.The locals want her to believe that these incidents are echoes of the McBrides' dark past. Zoe is convinced the danger is closer at hand, and all-too-real – but can she uncover the truth before she is silenced?

    I didn’t have anything to do with Frank’s death. I don’t have an alibi, so you’ll have to take my word for it...Forty-eight hours after leaving her husband’s body at the base of the stairs, Tanya Dubois cashes in her credit cards, dyes her hair brown, demands a new name from a shadowy voice over the phone, and flees town. It’s not the first time.She meets Blue, a female bartender who recognizes the hunted look in a fugitive’s eyes and offers her a place to stay. With dwindling choices, Tanya-now-Amelia accepts. An uneasy―and dangerous―alliance is born.It’s almost impossible to live off the grid today, but Amelia-now-Debra and Blue have the courage, the ingenuity, and the desperation, to try. Hopscotching from city to city, Debra especially is chased by a very dark secret…can she outrun her past?

    Examining the dolls, forensics makes a shocking discovery—a fingerprint belonging to a young girl, a government minister’s daughter who had been kidnapped and murdered a year ago.A tragic coincidence—or something more twisted?To save innocent lives, a pair of detectives must put aside their differences to piece together the Chestnut Man’s gruesome clues.Because it’s clear that the madman is on a mission that is far from over.And no one is safe.

    . . Lisa Dale shuts her eyes and counts to one hundred during a game of hide-and-seek. When she opens them, her four-year-old daughter Ella is gone. Disappeared without a trace. The police, the media and Lisa's family all think they know who snatched Ella. But what if the person who took her isn't a stranger? What if they are convinced they are doing the right thing? And what if Lisa's little girl is in danger of disappearing forever?

    . . Eve Singer needs death. With her career as a TV crime reporter flagging, she’ll do anything to satisfy her ghoulish audience.The killer needs death too. He even advertises his macabre public performances, where he hopes to show the whole world the beauty of dying.When he contacts Eve, she welcomes the chance to be first with the news from every gory scene. Until she realizes that the killer has two obsessions.One is public murder. And the other one is her . . .

    Mankind is facing its greatest challenge: obsolescence.Longlisted for the 2012 Wellcome Trust Book Prize.

    Marie Vandelly For the lucky among us, life is what you make of it, but for Dixie Wheeler, the theme music for her story was chosen by another long ago, on the day her father butchered her mother and brothers and then slashed a knife across his own throat. Only one-year-old Dixie was left alive, infamously known as Baby Blue for the song left playing in the aftermath of the slaughter. Twenty-five years later, Dixie is still desperate for a connection to the family she can’t remember, so when her childhood home goes up for sale, Dixie sets aside all reason and moves in, re-creating a macabre decor with her family’s salvaged furniture. But as the ghosts of her family seemingly begin to take up residence in the home that was once theirs, Dixie starts to question her own sanity and wonders if the evil force menacing her is that of her father, or a demon of her own making. In order to make sense of her present, Dixie becomes determined to unravel the truth of her past and seeks out the detective who originally investigated the murders. But the more she learns, the more she opens up the uncomfortable possibility that the sins of her father may belong to another, and, perhaps most tragically, to Dixie herself. As bodies begin to pile up around her, Dixie must find a way to expose the lunacy behind her family’s massacre and redeem what little remains of her soul.

    A girl locked away. A mystery to be solved.1956. When Ivy Jenkins falls pregnant she is sent in disgrace to St Margaret's, a dark, brooding house for unmarried mothers. Her baby is adopted against her will. Ivy will never leave.Present day. Samantha Harper is a journalist desperate for a break. When she stumbles on a letter from the past, the contents shock and move her. The letter is from a young mother, begging to be rescued from St Margaret's. Before it is too late.Sam is pulled into the tragic story and discovers a spate of unexplained deaths surrounding the woman and her child. With St Margaret's set for demolition, Sam has only hours to piece together a sixty-year-old mystery before the truth, which lies disturbingly close to home, is lost forever ...Read her letter. Remember her story ...

    That seems like it would be a difficult task, but it's not. Not anymore, thanks to the internet.I am, quite possibly, the most popular recluse ever. Not many shut-ins have a 200-member fan club, a bank account in the seven-figure range, and hundreds of men lining up to pay for undivided attention.They get satisfaction, I get a distraction. Their secret desires are nothing compared to why I hide... my lust for blood, my love of death.Taking their money is easy. Keeping all these secrets... one is bound to escape.What if you hid yourself away because all you could think of was killing? And what if one girl's life was depending on you venturing into society?Enter a world of lies, thrills, fears, and all desires, in this original thriller from A. R. Torre.

    . . and murder and mayhem ensue.All of them are friends. One of them is a killer.During the languid days of the Christmas break, a group of thirtysomething friends from Oxford meet to welcome in the New Year together, a tradition they began as students ten years ago. For this vacation, they’ve chosen an idyllic and isolated estate in the Scottish Highlands—the perfect place to get away and unwind by themselves.They arrive on December 30th, just before a historic blizzard seals the lodge off from the outside world.Two days later, on New Year’s Day, one of them is dead.The trip began innocently enough: admiring the stunning if foreboding scenery, champagne in front of a crackling fire, and reminiscences about the past. But after a decade, the weight of secret resentments has grown too heavy for the group’s tenuous nostalgia to bear. Amid the boisterous revelry of New Year’s Eve, the cord holding them together snaps.Now one of them is dead . . . and another of them did it.Keep your friends close, the old adage goes. But just how close is too close?

    A beautiful townhouse on the best street in the neighbourhood. Three bright children who are her pride and joy. Sometimes her past still hurts: losing her mother early, growing up in foster care. But her husband, Simon, is always there. A successful surgeon, he’s the envy of every woman they’ve ever met. Flowers, gifts, trips to France: nothing is too good for his family. Then Simon says another woman’s name. The way he lingers on it, Caroline , gives Marianne a shudder of suspicion, but she knows it’s nothing – she can’t entertain this flash of paranoia. In the old days, she’d have distracted herself by excelling at work, but Marianne left her glamorous career when she married. She’d speak to a friend, but she’s too busy with her children and besides, Simon doesn’t approve of the few she has left. It’s almost by accident that Marianne starts to learn more about Caroline. But once started, she can’t stop, because what she finds makes her wonder: is the question she should be asking not ‘should she be jealous’, but... ‘should she be scared?’ Fans of The Girl on the Train and I Let You Go, who are looking for a dark, gripping psychological thriller with a final twist to put their jaw on the floor, will love Our Little Lies.