But as his life drains away, Adam is transported to a strange, new dimension, populated by warriors and mystical beasts: the bizarre Mazeworld! Written by 2000 AD legend Alan Grant (Judge Dredd, Batman) and featuring the breath-taking artwork of Arthur Ranson (Button Man, Judge Anderson) this must-have graphic novel contains the complete Mazeworld saga.

    Dick and becomes a successful Hollywood screenwriter until some wicked time travelers try to subvert him. It’s 2002, and Charlie, in his late forties, is a bit of a sad-sack professor of history going through an unpleasant divorce. While flipping the cassette of an audiobook he gets into a car accident with a truck, and wakes up, fully aware as his adult mind, in his sixteen-year-old body in 1968. Charlie does the thing we all imagine: he takes what he remembers of the future and uses it for himself in his present, the past. He becomes a screenwriter, anticipating the careers of Francis Ford Coppola and Steven Spielberg, and then, in a 1980s life of excess, he dies, and wakes up again in his bedroom at sixteen in 1968. Charlie realizes things he didn’t see the first time: that there are others like him, like Albert Einstein, Philip K. Dick, Robert Heinlein. In fact, there is a society of folks who loop through time to change the world for their agenda. Now, Charlie knows he has to do something other than be self-indulgent and he tries to change one of the events of 1968 in this clever thriller.

    “May the great poet we are looking for never find it shut, or half-shut, against his ample genius!” For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now.Poetry’s archives are incomparable, and to celebrate the magazine’s centennial, editors Don Share and Christian Wiman combed them to create a new kind of anthology, energized by the self-imposed limitation to one hundred poems. Rather than attempting to be exhaustive or definitive—or even to offer the most familiar works—they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Adrienne Rich appears alongside Charles Bukowski; poems by Isaac Rosenberg and Randall Jarrell on the two world wars flank a devastating Vietnam War poem by the lesser-known George Starbuck; August Kleinzahler’s “The Hereafter” precedes “Prufrock,” casting Eliot’s masterpiece in a new light. Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices.The resulting volume is an anthology like no other, a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.

    But when he stumbles through a hidden portal in the forest, everything he’s ever known falls behind him. A hundred and thirty-four years behind, to be exact.Tess can’t quite believe John’s tale of time travel. Does he really not know what a cell phone is? A car? Indoor plumbing? To convince the girl he’s swiftly falling for that he’s not crazy, John must delve into Tess’s history—his future—and solve the mystery of his hometown’s demise. But when they learn its fate, each faces a wrenching choice. Save their love or save the past?

    He swept her up and plopped her down in a world of werewolves, blood feuds, and political intrigue with a healthy dose of scandalous sex. Now she has to learn the ways of her new world before their enemies take them out of it.