Five other tales describe folk in Britain's lowest professional class between the late-1950s and 60s.

    

    The ultimate back story of the original Dracula, and its creator, Bram Stoker.Best-selling author Frank Delaney deconstructs the Vampire myth through the ages, and shows us how Stoker’s 1897 novel, one of the most widely read books of all time, heightened the allure of sex, the glamour of blood, and the defeat of death in a way that continues to pulse - and faster than ever - on the page and on the screen.

    Her own survival soon becomes doubtful when the band’s leader threatens to cast her out onto the steppe for what he sees as dangerous willfulness. Raven feels an unexpected empathy for the mysterious Neanderthal. But while trying to preserve his life and health, will she go so far as to commit what could be the worst error of her own life? Mark Hayek will never find out that Raven faced a frightening dilemma. But if he did know, he would understand that the present reality exists because of choices made in the past. As meticulously researched as Jean Auel’s Earth Children series but with the benefit of recent discoveries, this novella is an updated story revealing how contact between Neanderthals and Early Humans had surprising results.

    Her eagerness to help a mysterious bunny gets her transported to a strange world full of goblin inventors, dog armies, cosmic giants, and even stranger things! Armed with the ancestral weapon of rabbitkind (an old shovel) she must help her animal friends, and get home in time for supper. Along the way she will experience the bravery of folk heroes, the power of ancient gods and the danger of lurking monsters; all while making sure her animal friends are safe. A word book for young readers, The Tale of Tallest Rabbit is a family friendly collection of stories tied together by an overarching narrative of bravery and friendship.

    A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. With chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others, this collection will thrill and entertain even the most seasoned horror fan.Ages- 16+Includes some explicit content.

    There have been hardcovers and paperbacks, an issue with two spines, an issue with a magnetic binding, an issue that looked like a bundle of junk mail, and an issue that looked like a sweaty human head. McSweeney’s has won multiple literary awards, including two National Magazine Awards for fiction, and has had numerous stories appear in The Best American Magazine Writing, the O. Henry Awards anthologies, and The Best American Short Stories. Design awards given to the quarterly include the AIGA 50 Books Award, the AIGA 365 Illustration Award, and the Print Design Regional Award.Issue 47 brings with it a gale of bracing fiction from writers new and old—two never-before-seen stories from “Lottery” author Shirley Jackson, a portrait of a celebrity interview gone terribly wrong from Thomas McGuane, dark reflections from Lynn Coady and Mona Simpson, an excerpt from Bill Cotter’s latest novel, new work from Bob Odenkirk, and much, much more. From father-daughter surfing duels to sinister substitute teachers to a parlor drama called “Hitler Dinner Party” (thank you, Mr. Odenkirk), this one may well have it all. And its packaging, in ten separate booklets bedecked with one panoramic mega-illustration, ensures that you’ll always be able to carry at least part of it around.

    In fact Charles Willard a fellow scientist claimed to have actually seen them in Tibet but unfortunately died shortly afterwards. So when Shonku learns that another expedition is starting off for Tibet he jumps at the opportunity to trace Willard's route and find the unicorns. Tibet is just one of the exotic places Professor Shonku's exploits take him in this volume of stories. In the Sahara Desert he comes face to face with a massive pyramid like structure no one knew of earlier he travels underwater in a submarine with two Japanese scientists to investigate the sudden appearance of deadly red fish that have taken to eating humans in the caves of Bolivia he meets a primitive man who has been painting his dwelling with animal figures and strange mathematical formulae and on a peculiar island which has appeared out of nowhere in the Pacific Ocean horrific plants suck out all his learning from his brain. Professor Shonku is at the height of his ingenuity and daring in this collection and thrills and surprises await us around every bend as we follow him on his astonishing adventures.

    How do we get out of what we’ve gotten ourselves into? How do we deal with what’s been thrust upon us? Granta 118 zooms in close on the phenomenon of the exit strategy.With award-winning reportage, memoir and fiction, Granta has illuminated the most complex issues of modern life through the refractory light of literature. This issue features new stories by Alice Munro, Susan Minot, Ann Beattie, David Long, and Daniel Alarcon; an excerpt from an upcoming novel by Anne Tyler; new memoir writing by John Barth and Aleksandar Hemon; and many other pieces that examine how we get ourselves out and the repercussions that follow. Hindsight is twenty/twenty, but it’s what we do moving forward that defines us and � in the best of all worlds � redeems us.

    The Goon Squad 2014 Summer Special contains an introduction to the Squad, and four short stories: "Red Wolf, Red Wolf, Does Whatever a Red Wolf Can," "Changes," "No-No Dojo," and "Tale of Terror." Join Puppet Girl, the Revenant, Red Wolf, and Talos as they protect the fairly innocent, are sharply critical about modern newspapers, talk to a door in Salford, and recount the day the city nearly blew up.

    Unlike much of the current form, full of blood, monsters and melodrama, Aickman's stories achieve a quieter, more subtle and, in several ways, more lasting sense of disquiet. His lucid, finely tuned prose moves imperceptibly from the small crises and celebrations of ordinary life into another sphere. In these 11 stories, the occasion may be a walking tour of Northern England, a birthday present of a Victorian dollhouse or a stay at a Swedish sanatorium for insomniacs, but it simultaneously traps the characters with dread and opens them up to a new awareness of a greater, deeper and more dangerous world. A remarkable collection by an author who deserves to be better known.Copyright 1988 Reed Business Information, Inc.

    In Rushdie's hybrid world, an Indian guru can be a redheaded Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. Rushdie allows himself, like his characters, to be pulled now in one direction, then in another. Yet he remains a writer who insists on our cultural complexity; who, rising beyond ideology, refuses to choose between East and West and embraces the world.

    All four stories in this volume have been previously published.Volume One Contents•The Girl in the Carnival Gown•Last Stand•Nos Galan Gaeaf•A Haunted House of Her Own

    Ella had sworn to watch over her father and care for him. But then her father had married anew. Her stepmother and two stepsisters took sharp delight in causing Ella grief from morn to eve. They bullied her, called her Cinderella, and treated her as little more than a slave in her own home. It took all of Ella's courage to swallow the insults and to honor her word. Now the crown prince had returned home from the battlefront, and a ball was announced to celebrate his arrival. All eligible young women from the entire kingdom were invited to attend. Ella had but one desire left. To see the king's gardens one last time before she fled home. It would be a final way to commemorate her beloved mother before considering her vow's terms to be complete. She had no idea what waited her on that arched stone bridge ... * * * Cinderella - A Retelling with Strength and Courage is Book 1 of a gently cliff-hangered short story series. The series honors the original intention of the Grimm Fairy Tales - to present women of strength and courage tackling challenges which seemed insurmountable. With each new book a new heroine is interwoven into the story. The series sequence leads up to a happily ever after ending. The series is clean romance and is suitable for teens and up. Half of all author's proceeds benefit battered women's shelters. I publish my books one at a time to get feedback and suggestions as I go. If you prefer to read your stories complete, you are welcome to wait until the sequence is complete and then buy the box set. Either way, you support the cause! I have been working on these stories for many years. As fairy tales are so integral to so many young girls' lives, it was critical for me to do my very best to present each heroine in a way which honored her strength and showcased her ability to stand on her own. I feel strongly that no woman should ever sit around waiting for a man to "rescue" them. They should not endure abusive behavior in the hopes that a man will change or magically become that prince. Be the change you wish to see in the world. I have a library of over 300 books running the gamut from medieval romance to cozy mystery, from mythology to fairy tale to Biblical retellings. Most of my series benefit battered women's shelters. Please contact me with any questions!

    The details of Arthur's story are mainly composed of folklore and literary invention, and his historical existence is debated and disputed by modern historians. The sparse historical background of Arthur is gleaned from various sources, including the Annales Cambriae, the Historia Brittonum, and the writings of Gildas. Arthur's name also occurs in early poetic sources such as Y Gododdin. The legendary Arthur developed as a figure of international interest largely through the popularity of Geoffrey of Monmouth's fanciful and imaginative 12th-century Historia Regum Britanniae (History of the Kings of Britain). However, some Welsh and Breton tales and poems relating the story of Arthur date from earlier than this work; in these works, Arthur appears either as a great warrior defending Britain from human and supernatural enemies or as a magical figure of folklore, sometimes associated with the Welsh Otherworld, Annwn. How much of Geoffrey's Historia (completed in 1138) was adapted from such earlier sources, rather than invented by Geoffrey himself, is unknown. Although the themes, events and characters of the Arthurian legend varied widely from text to text, and there is no one canonical version, Geoffrey's version of events often served as the starting point for later stories. Geoffrey depicted Arthur as a king of Britain who defeated the Saxons and established an empire over Britain, Ireland, Iceland, Norway and Gaul. In fact, many elements and incidents that are now an integral part of the Arthurian story appear in Geoffrey's Historia, including Arthur's father Uther Pendragon, the wizard Merlin, the sword Excalibur, Arthur's birth at Tintagel, his final battle against Mordred at Camlann and final rest in Avalon. The 12th-century French writer Chretien de Troyes, who added Lancelot and the Holy Grail to the story, began the genre of Arthurian romance that became a significant strand of medieval literature. In these French stories, the narrative focus often shifts from King Arthur himself to other characters, such as various Knights of the Round Table. Arthurian literature thrived during the Middle Ages but waned in the centuries that followed until it experienced a major resurgence in the 19th century. In the 21st century, the legend lives on, not only in literature but also in adaptations for theatre, film, television, comics and other media. The Sir James Knowles version of King Arthur is considered as the most accurate and well known original story of King Arthur and the Knights of the Round Table.