When Naomi's absent mother resurfaces to claim her, Naomi runs away to Oaxaca, Mexico with her great-grandmother and younger brother in search of her father.

    Basil E. Frankweiler meets Chasing Vermeer in this clever middle-grade debut.When Theodora Tenpenny spills a bottle of rubbing alcohol on her late grandfather’s painting, she discovers what seems to be an old Renaissance masterpiece underneath. That’s great news for Theo, who’s struggling to hang onto her family’s two-hundred-year-old townhouse and support her unstable mother on her grandfather’s legacy of $463. There’s just one problem: Theo’s grandfather was a security guard at the Metropolitan Museum of Art, and she worries the painting may be stolen.With the help of some unusual new friends, Theo’s search for answers takes her all around Manhattan, and introduces her to a side of the city—and her grandfather—that she never knew. To solve the mystery, she’ll have to abandon her hard-won self-reliance and build a community, one serendipitous friendship at a time.

    She cannot walk or talk, but she has a photographic memory; she can remember every detail of everything she has ever experienced. She is smarter than most of the adults who try to diagnose her and smarter than her classmates in her integrated classroom - the very same classmates who dismiss her as mentally challenged because she cannot tell them otherwise. But Melody refuses to be defined by cerebral palsy. And she's determined to let everyone know it - somehow.

     That's Margaret Rose Kane's response to every activity she's asked to participate in at the summer camp to which she's been exiled while her parents are in Peru. So Margaret Rose is delighted when her beloved uncles rescue her from Camp Talequa, with its uptight camp director and cruel cabinmates, and bring her to stay with them at their wonderful house at 19 Schuyler Place. But Margaret Rose soon discovers that something is terribly wrong at 19 Schuyler Place. People in their newly gentrified neighborhood want to get rid of the three magnificent towers the uncles have spent forty-five years lovingly constructing of scrap metal and shards of glass and porcelain. Margaret Rose is outraged, and determined to strike a blow for art, for history, and for individuality...and no one is more surprised than Margaret Rose at the allies she finds for her mission.

    Proper -talking, brainy Emma doesn't play baseball or fish too well, but she sure makes Dit think, especially about the differences between black and white. But soon Dit is thinking about a whole lot more when the town barber, who is black, is put on trial for a terrible crime. Together Dit and Emma come up with a daring plan to save him from the unthinkable. Set in 1917 and inspired by the author's true family history, this is the poignant story of a remarkable friendship and the perils of small-town justice.

    But folks quickly warm to the woman with the great voice and the girl who can bake like nobody's business. Soon Foster - who dreams of having her own cooking show one day - lands herself a gig baking for the local coffee shop, and gets herself some much-needed help in overcoming her biggest challenge - learning to read . . . just as Foster and Mama start to feel at ease, their past catches up to them. Thanks to the folks in Culpepper, though Foster and her mama find the strength to put their troubles behind them for good.

    He hasn't been to school in weeks. His hands are cracked and bleeding from cleaning. He refuses to leave his bedroom. To pass the time, he observes his neighbors from his bedroom window, making mundane notes about their habits as they bustle about the cul-de-sac. When a toddler staying next door goes missing, it becomes apparent that Matthew was the last person to see him alive. Suddenly, Matthew finds himself at the center of a high-stakes mystery, and every one of his neighbors is a suspect. Matthew is the key to figuring out what happened and potentially saving a child's life... but is he able to do so if it means exposing his own secrets, and stepping out from the safety of his home?

    Frannie hasn't thought much about hope. There are so many other things to think about. Each day, her friend Samantha seems a bit more holy.” There is a new boy in class everyone is calling the Jesus Boy. And although the new boy looks like a white kid, he says he’ is not white. Who is he? During a winter full of surprises, good and bad, Frannie starts seeing a lot of things in a new light: —her brother Sean's deafness, her mother's fear, the class bully's anger, her best friend's faith and her own desire for the thing with feathers.” Jacqueline Woodson once again takes readers on a journey into a young girl's heart and reveals the pain and the joy of learning to look beneath the surface.

    Rumor has it he burned down his old school and got kicked out of every school in his home state.Only one place will take him now, and that's a home school run by the Applewhites, a chaotic and hilarious family of artists. The only one who doesn't fit the Applewhite mold is E.D.—a smart, sensible girl who immediately clashes with the unruly Jake.Jake thinks surviving this one will be a breeze . . . but is he really as tough or as bad as he seems?

    Owens grabbed a brick and hurled it at the trash picker. Arthur had his reasons, and the brick hit the Junk Man in the arm, not the head. But none of that matters to the judge—he is ready to send Arthur to juvie for the foreseeable future. Amazingly, it’s the Junk Man himself who offers an alternative: 120 hours of community service . . . working for him. Arthur is given a rickety shopping cart and a list of the Seven Most Important Things: glass bottles, foil, cardboard, pieces of wood, lightbulbs, coffee cans, and mirrors. He can’t believe it—is he really supposed to rummage through people’s trash? But it isn’t long before Arthur realizes there’s more to the Junk Man than meets the eye, and the “trash” he’s collecting is being transformed into something more precious than anyone could imagine. . . . Inspired by the work of American folk artist James Hampton.

    Four starred reviews!Patricia “Sweet Pea” DiMarco wasn’t sure what to expect when her parents announced they were getting a divorce. She never could have imagined that they would have the “brilliant” idea of living in nearly identical houses on the same street. In the one house between them lives their eccentric neighbor Miss Flora Mae, the famed local advice columnist behind “Miss Flora Mae I?”Dividing her time between two homes is not easy. And it doesn’t help that at school, Sweet Pea is now sitting right next to her ex–best friend, Kiera, a daily reminder of the friendship that once was. Things might be unbearable if Sweet Pea didn’t have Oscar—her new best friend—and her fifteen-pound cat, Cheese.Then one day Flora leaves for a trip and asks Sweet Pea to forward her the letters for the column. And Sweet Pea happens to recognize the handwriting on one of the envelopes.What she decides to do with that letter sets off a chain of events that will forever change the lives of Sweet Pea DiMarco, her family, and many of the readers of “Miss Flora Mae I?”

    Her histrionic older sister, Flora, changes her hair color daily; her younger siblings, Jasmine and Twig, are completely obsessed with their pet rats; and both of her parents spend weeks away from home–and each other. Enter Zoran the Bosnian male au pair and Joss the troublemaking boy next door, and life for the Gadsby family takes a turn for the even more chaotic. Blue poignantly captures her family’s trials and tribulations from fragmented to fully dysfunctional to ultimately reunited, in a sequence of film transcripts and diary entries that will make you cry, laugh, and give thanks for the gift of families.With the charm of The Penderwicks and the poignancy of When You Reach Me, Natasha Farrant's After Iris is a story that will stay with readers long after the last page.

    The Year of Billy Miller includes black-and-white art by Kevin Henkes and is perfect for fans of the Ramona books; Frindle, by Andrew Clements; and the Clementine series.The New York Times declared: "Henkes's delightful story is restrained and vivid . . . forgoing the overdramatic or zany, it shows the substance, warmth and adaptability of beautifully common family love."When Billy Miller has a mishap at the statue of the Jolly Green Giant at the end of summer vacation, he ends up with a big lump on his head. What a way to start second grade, with a lump on your head! As the year goes by, though, Billy figures out how to navigate elementary school, how to appreciate his little sister, and how to be a more grown up and responsible member of the family and a help to his busy working mom and stay-at-home dad. Newbery Honor author and Caldecott Medalist Kevin Henkes delivers a short, satisfying, laugh-out-loud-funny school and family story that features a diorama homework assignment, a school poetry slam, cancelled sleepovers, and epic sibling temper tantrums. This is a perfect short novel for the early elementary grades.

    After being separated from her sister and sold to a cruel goat farmer, Astri makes a daring escape. She quickly retrieves her little sister, and, armed with a troll treasure, a book of spells and curses, and a possibly magic hairbrush, they set off for America. With a mysterious companion in tow and the malevolent “goatman” in pursuit, the girls head over the Norwegian mountains, through field and forest, and in and out of folktales and dreams as they steadily make their way east of the sun and west of the moon.

    But then his parents sign him up for dreaded Rec camp, where he must endure Meaningful Social Interaction and whatever activities so-called “normal” kids do.On his first day Ware meets Jolene, a tough, secretive girl planting a garden in the rubble of an abandoned church next to the camp. Soon he starts skipping Rec, creating a castle-like space of his own in the church lot.Jolene scoffs, calling him a dreamer—he doesn’t live in the “real world” like she does. As different as Ware and Jolene are, though, they have one thing in common: for them, the lot is a refuge.But when their sanctuary is threatened, Ware looks to the knights’ Code of Chivalry: Thou shalt do battle against unfairness wherever faced with it. Thou shalt be always the champion of the Right and Good—and vows to save the lot.But what does a hero look like in real life? And what can two misfit kids do?