Maimed and abandoned as an infant, Freckles seeks a chance to prove his worth. He is given that opportunity as the guard of the precious timber of the Limberlost.

    Perilous quests, true love, and animals that talk. The traditional stories of Ireland, Scotland, Brittany, and Wales transport us to the fantastical world of Celtic folklore. These timeless tales brim with wit and magic, and each on is brought to life with elegant silhouette art in this special illustrated edition.

    They include "The Prisoner of the Caucasus," inspired by Tolstoy's own experiences as a soldier in the Chechen War, "Hadji Murat," the novella Harold Bloom called "the best story in the world," "The Devil," a fascinating tale of sexual obsession, and the celebrated "The Death of Ivan Ilyich," an intense and moving examination of death and the possibilities of redemption. Pevear and Volokhonsky's translation captures the richness, immediacy, and multiplicity of Tolstoy's language, and reveals the author as a passionate moral guide, an unflinching seeker of truth, and ultimately, a creator of enduring and universal art. "From the Trade Paperback edition."

            The stories are divided into three sections: The Age of Fable or Stories of Gods and Heroes (first published in 1855); The Age of Chivalry (1858), which contains King Arthur and His Knights, The Mabinogeon, and The Knights of English History; and Legends of Charlemagne or Romance of the Middle Ages (1863). For the Greek myths, Bulfinch drew on Ovid and Virgil, and for the sagas of the north, from Mallet's Northern Antiquities. He provides lively versions of the myths of Zeus and Hera, Venus and Adonis, Daphne and Apollo, and their cohorts on Mount Olympus; the love story of Pygmalion and Galatea; the legends of the Trojan War and the epic wanderings of Ulysses and Aeneas; the joys of Valhalla and the furies of Thor; and the tales of Beowulf and Robin Hood. The tales are eminently readable. As Bulfinch wrote, "Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated. . . . Our book is an attempt to solve this problem, by telling the stories of mythology in such a manner as to make them a source of amusement."Thomas Bulfinch, in his day job, was a clerk in the Merchant's Bank of Boston, an undemanding position that afforded him ample leisure time in which to pursue his other interests. In addition to serving as secretary of the Boston Society of Natural History, he thoroughly researched the myths and legends and copiously cross-referenced them with literature and art. As such, the myths are an indispensable guide to the cultural values of the nineteenth century; however, it is the vigor of the stories themselves that returns generation after generation to Bulfinch.

    The special disaster in which the name originated had long been lost from memory when the poet Longfellow chose the spot as a background for his description of the “Wreck of the Hesperus,” and gave it an association that it will scarcely lose while the English language endures. Nor does it matter to the legend lover that the ill-fated schooner was not “gored” by the “cruel rocks” just at this point, but nearer to the Gloucester coast.

    Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf?

    Yet all his work is united by one common thread: a vivid and profound understanding of the vast set of emotions that bring strength and mythic resonance to our frail species. Ray Bradbury characters may find themselves anywhere and anywhen. A horrified mother may give birth to a strange blue pyramid. A man may take Abraham Lincoln out of the grave—and meet another who puts him back. An amazing Electrical Grandmother may come to live with a grieving family. An old parrot may have learned over long evenings to imitate the voice of Ernest Hemingway, and became the last link to the great man. A priest on Mars may confront his fondest dream: to meet the Messiah. Each of these magnificent creations has something to tell us about our humanity—and all of their fates await you in this new trade edition of twenty-eight classic Bradbury stories and one luscious poem. Travel on an unpredictable and unforgettable literary journey—safe in the hands of one of the century's great men of imagination.

    Set in the idyllic Salinas Valley in California, where simple people farm the land and struggle to find a place for themeselves in the world, these stories reflect many of the concerns key to Steinbeck as a writer; the tensions between town and city, labourers and owners, past and present. Included here are the celebrated tales, THE MURDERER and THE CHRYSANTHEMUMS.

    In 1871 it was published in single volume together with novel A Floating City as a part of the Voyages Extraordinaires series (The Extraordinary Voyages). An English translation was published in 1874.The American Civil War plot centers on the exploits of a British merchant captain named James Playfair who must break the Union blockade of Charleston harbor in South Carolina to trade supplies for cotton. Verne's tale was inspired by reality as many ships were actually lost while acting as blockade runners in and around Charleston in the early 1860s.

    She herself acknowledged, 'you know I can tell stories better than any other way of expressing myself'. Her work shows her compulsion to express herself on the many subjects relevant to her experience as a Victorian, and Mancunian, a Unitarian, a social observer, and a woman. Above all, however, she writes about love.Love is the common thread which runs through the stories collected here. Gaskell recognizes that it can give rise to selfishness as well as self-sacrifice, unhappiness as well as joy. Writing with passion and shrewdness, irony and sympathy, she explores these paradoxes through humour, pathos, tragedy, the extraordinary, and the everyday.This selection of one short novel and eight stories shows Mrs. Gaskell working in different genres and with a wide range of material. As in her novels she explores different kinds of love, and her observations about human nature are as acute here as in her longer works.In addition to the title tale, this edition includes The Sexton's Hero, Christmas Storms and Sunshine, The Well of Pen-Morfa, The Heart of John Middleton, Morton Hall, My French Master, The Manchester Marriage, and Crowley Castle.

    Now, at a veritable fairy-tale moment—witness the popular television shows Grimm and Once Upon a Time and this year’s two movie adaptations of “Snow White”—Philip Pullman, one of the most popular authors of our time, makes us fall in love all over again with the immortal tales of the Brothers Grimm.From much-loved stories like “Cinderella” and “Rumpelstiltskin,” “Rapunzel” and “Hansel and Gretel” to lesser-known treasures like “Briar-Rose,” “Thousandfurs,” and “The Girl with No Hands,” Pullman retells his fifty favorites, paying homage to the tales that inspired his unique creative vision—and that continue to cast their spell on the Western imagination.

    Each of the 15 stories offers glimpses into the lives of ordinary Dubliners, and collectively they paint a portrait of a nation.

    This is the best known version of the original story that inspired Walt Disney’s classic and has been retold countless times and adapted for screen, stage, prose, and television.

    In struggling to escape from their thwarted lives and to achieve human 'tenderness', the characters embody and continue the major preoccupations of Lawrence's work as a whole.Love Among the Haystacks provides an early illustration of the intensity and innovation which made Lawrence one of the most distinctive and important of twentieth-century writers.

    Included are the following: Major Works: Sense and Sensibility (1811) Pride and Prejudice (1813) Mansfield Park (1814) Emma (1815) Northanger Abbey (1817) Posthumous Persuasion (1817) Posthumous Unfinished Works:The Watsons (1804) Sanditon (1817) Minor Work:Lady Susan (1794, 1805) Early Works: Love and Friendship Lesley Castle The History of England Collection of Letters Scraps Experience Jane Austen like you never have before, by having all of her major and minor works right in the palm of your hand!