With twelve grisly stories of coming-of-age terror, carnival cruelty and fairground frights, this collection brings together the best and most exciting talents in the horror community. Roll up! with the following stories:"Mirrors" by Robin Grieve"Candy Apple Smiles" by Christopher Robertson"The Cyclone Sisters' Travelling Circus" by Angela Sylvaine"Anna and Abby" by L. Pine"The Prop" by Nikki R. Leigh"The Viperess of Las Cruces" by C.W. Blackwell"The Golden Tickets" by Roxie Voorhees"Dance With Us" by Kelly Brocklehurst"No Strings" by Jamie Stewart"Family Outing" by Briana Morgan"Mirrored" by Dave Musson"Smile at All the Good Times We Had" by Spencer HamiltonWith a foreword from the editors.

    For Ellen Wilder, editor of the local newspaper, the gruesome killing is as disturbing as the irrational fears that have suddenly woven themselves into her mind and left her doubting her own sanity. For state police detective Michael Chandler, whose haunting near-death experience has left him with an uncanny way of sensing things, the murder is only a hint of what is to come.But nothing could have prepared either of them for the return of Franny Corbett. A hulking child of a man and the blackest sheep in a family of black sheep, his eerie presence may have ushered in all of these bizarre and frightening events. Soon the town of Wiltshire will be shaken again. For in a car sunk beneath the surface of a glimmering blue lake, floats another body. And the killing has just begun....

    The newspapers scream out headlines that spark terror across the city. Ten murders on the New York City subway. Ten grisly crimes that defy all reason -- no pattern, no m.o., no leads for police to pursue. The press dubs the fiend the "Subway Psycho"; the NYPD desperately seeks their quarry before the city erupts in mass hysteria. But they won't find what they're looking for.Because they all think that the killer is human.Only a few know the true story -- a story the papers will never print. It is a tale of abject terror and death written in grit and steel... and blood. The tale of a man who vanished into the bowels of the urban earth one night, taken by a creature of unholy evil, then left as a babe abandoned on the doorstep of Hell. Now he is back, driven by twin demons of rage and retribution.He is unstoppable. And we are all his prey... unless a ragtag band of misfit souls will dare to descend into a world of manmade darkness, where the real and unreal alike dwell in endless shadow. A place where humanity has been left behind, and the horrifying truth will dawn as a madman's chilling vendetta comes to light...Filled with gripping drama and harrowing doomsday dread, The Light at the End is the book that ushered in a bold new view of humankind's most ancient and ruthless evil; a mesmerizing novel from two acknowledged masters of spellbinding suspense.

    Just because you don’t believe in something doesn’t mean it can’t kill you.-----------------------------Trent Walker is a mentalist who makes his living off of people believing in magic and the afterlife, even though he doesn’t believe in anything other than science, logic, and sleight of hand.The two hundred or so residents of the strange town of Whittier, Alaska, are convinced that vengeful spirits and a horrific curse have doomed them to lives of eternal darkness.When Trent finds himself trapped in Whittier, with no way to leave until the next morning, he's forced to reassess his own beliefs and to fight for his life against an unnatural force that his logical mind can’t explain.

    The walls of grief close in on Chris's life until, one day, a small cut on her finger changes everything. A drop of blood falls from Chris's hand onto her son's roadside memorial and, later that night, Chris thinks she sees his ghost outside her window. Only, is it really her son's ghost, or is it something else—something evil? Soon Chris is playing a dangerous game with forces beyond her control in a bid to see her son, Trey, alive once again.

    As tension mounts and he finds himself questioning the motives and loyalty of his companions, one of the group members disappears, leaving only a pool of blood behind. It soon becomes clear that something very large and unnatural is in the deep secret places of the forest. And it knows they are there . . .

    Or not missing–perhaps she has fled, abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the dense woods of the north. Alone and possibly lost, she meets another woman in the forest. Then everything changes.On a journey that will take her through a wolf-haunted wood, down a deep well, and onto a living ship made of human bones, our heroine is forced to confront her past and may find that the evil she flees has been inside her all along. Eerie and disturbing, In the House in the Dark of the Woods is a novel of psychological horror and suspense told in Laird Hunt's acclaimed lyrical prose style. It is the story of a bewitching, a betrayal, a master huntress and her quarry. It is a story of anger, of repression, of revenge and redemption. It is a story of a haunting, one that forms the bedrock of American mythology, told in a vivid voice you will never forget.

    Young, prosperous, and good-looking, they are seen by friends and family as the perfect couple. No one sees the dark side to their love. After their wedding, they embark on a trip across the country. As their honeymoon gift to each other, they plan to abduct, torture, and kill a stranger. But what was planned as a controlled one-time event soon explodes into a spiraling orgy of bloody, nightmarish violence and depravity.

    It also has a very, very old one.   Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?  The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

    Suppose a stranger told you your daughter was his daughter in another life? Suppose you began to believe him? Suppose it was true?

    And they used to be us. Now it's time to euthanize to survive in a hospice where Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. Post-infection Chicago. Christmas. Inside The Hospice, Emily and her fellow nurses do their rounds. Here, men and women live out their final days in comfort, segregated from society, and are then humanely terminated before fate turns them into marrow-craving monsters known as ‘Smilers.’ Outside these imposing walls, rabid protesters swarm with signs, caught up in the heat of their hatred. Emily, a woman haunted by her past, only wants to do her job and be the best mother possible. But in a world where mortality means nothing, where guns are drawn in fear and nobody seems safe anymore – at what cost will this pursuit come? And through it all, the soon to be dead remain silent, ever smiling. Such is their curse. This emotional, political novel comes from two of horror’s freshest voices, and puts a new spin on an eternal topic: the undead. In the spirit of George A Romero meets Jack Ketchum, Where the Dead Go to Die it is an unforgettable epilogue to the zombie genre, one that will leave you shaken and questioning right from wrong…even when it’s the only right left. It won't be long before that snow-speckled ground will be salted by blood.

    In each volume lies a mini-collection of stories which gives the reader a unique peek into the mind of the writer The Google+ Insider's Guide named as one of their top 32 authors to follow.Open the Box of Darkness to delve into a nightmare world of the macabre. Within these pages lurk refugees from a madman's nightmares. From traditional terrors such as vampires and ghosts to bizarre fetish-horrors of the author's own design,this book is for serious lovers of horror.

    That music, that voice calling on the edge of static and distortion-it might lead you to that blasted and damned path toward the Real and Truest heart of Leeds, Massachusetts. This is WXXT. It's the witching hour, when shadows take wing and nightmares stalk. Turn your radio up. Point your antennas to the infinite sky. And stay tuned for Weather on the Sixes. WXXT. The bubbling blisters on the tongue of the Pioneer Valley.

    It is a popular destination for tourists, painters, hikers and even weddings.Yet the forest is also a place of great pain and torment, and is an equally popular destination to end your own life.The only thing young mother Eleanor Jackson has left in her life is her son Alan-a troubled teenager who has gone to the forest to commit the unthinkable.As Eleanor goes to find him in the forest, she witnesses bizarre and fantastical happenings that try to manipulate and distract her from rescuing her child.When the sun goes down, the specters of the tormented emerge.She will come to discover so much more than just her son.