The resulting explosion leveled the four-year-old structure and resulted in a death toll of more than three hundred—most of them children. To this day, it is the worst school disaster in the history of the United States. The tragedy and its aftermath were the first big stories covered by Walter Cronkite, then a young wire service reporter stationed in Dallas. He would later say that no war story he ever covered—during World War II or Vietnam—was as heart-wrenching.In the weeks following the tragedy, a fact-finding committee sought to determine who was to blame. It soon became apparent that the New London school district had, along with almost all local businesses and residents, tapped into pipelines carrying unrefined gas from the plentiful oil fields of the area. It was technically illegal, but natural gas was in abundance in the “Oil Patch.” The jerry-rigged conduits leaked the odorless “green” gas that would destroy the school.A long-term effect of the disaster was the shared guilt experienced—for the rest of their lives—by most of the survivors. There is, perhaps, no better example than Bill Thompson, who was in his fifth grade English class and “in the mood to flirt” with Billie Sue Hall, who was sitting two seats away. Thompson asked another girl to trade seats with him. She agreed—and was killed in the explosion, while Thompson and Hall both survived and lived long lives, never quite coming to terms with their good fortune.My Boys and Girls Are in There: The 1937 New London School Explosion is a meticulous, candid account by veteran educator and experienced author Ron Rozelle. Unfolding with the narrative pace of a novel, the story woven by Rozelle—beginning with the title—combines the anguished words of eyewitnesses with telling details from the historical and legal record. Released to coincide with the seventy-fifth anniversary of the New London School disaster, My Boys and Girls Are in There paints an intensely human portrait of this horrific event.

    history took place at a roadhouse called The Station in West Warwick, Rhode Island. That night, in the few minutes it takes to play a hard-rock standard, the fate of many of the unsuspecting nightclub patrons was determined with awful certainty. The blaze was ignited when pyrotechnics set off by Great White, a 1980s heavy-metal band, lit flammable polyurethane "egg crate" foam sound insulation on the club's walls. In less than 10 minutes, 96 people were dead and 200 more were injured, many catastrophically. The final death toll topped out, three months later, at the eerily unlikely round number of 100.The story of the fire, its causes, and its legal and human aftermath is one of lives put at risk by petty economic decisions—by a band, club owners, promoters, building inspectors, and product manufacturers. Any one of those decisions, made differently, might have averted the tragedy. Together, however, they reached a fatal critical mass.Killer Show is the first comprehensive exploration of the chain of events leading up to the fire, the conflagration itself, and the painstaking search for evidence to hold the guilty to account and obtain justice for the victims. Anyone who has entered an entertainment venue and wondered, "Could I get out of here in a hurry?" will identify with concertgoers at The Station. Fans of disaster nonfiction and forensic thrillers will find ample elements of both genres in Killer Show.

    And, in time, the survivors of that all-American city found themselves wondering if their own government had delivered them into this hell on earth. In 1947, Texas City was experiencing boom times, bristling with chemical and oil plants, built to fuel Europe's seemingly endless appetite for the raw materials needed to rebuild its ruined cities. When an explosion ripped through its docks, the effect was cataclysmic. Thousands of people were wounded or killed, the fire department was decimated, planes were shot out of the sky, and massive ocean-bound freighters disintegrated. The blast knocked people to their knees in Galveston, ten miles away; broke windows in Houston, forty miles away; and rattled a seismograph in Denver, Colorado. Chaos reigned, the military was scrambled, the FBI launched investigations -- and ordinary citizens turned into heroes.For months on end, the brave residents of what had once been an average American town struggled to restore their families, their homes, their lives. And they also struggled to confront another welling nightmare-the possibility that the tragedy that almost erased their city from existence might have been caused by the very government they thought would protect them.City on Fire is a painstakingly researched saga of one of the most profound but forgotten disasters in American history. The Texas City Disaster was a searing, apocalyptic event that had an enormous ripple effect for millions of people around theworld.It changed the way Americans respond to disasters and the way people viewed the American government -- the Texas City Disaster opened the door for average Americans to confront their government and its leaders in the nation's courts of law. It was the first time that the United States of America was named as a defendant in a case that, after a series of dizzying twists and turns, would end up in the nation's highest court.Ultimately, the story of Texas City is a story of courage, humanity, bravery, and a painful quest for justice. It is the story of ordinary Americans behaving in extraordinary ways -- and serving as role models for dignity and grace.

    It shouldn’t have mattered, since the steamship was chartered only for a languid excursion from Manhattan to Long Island Sound. But a fire erupted minutes into the trip, forcing hundreds of terrified passengers into the water. By the time the captain found a safe shore for landing, 1,021 had perished. Ship Ablaze draws on firsthand accounts to examine why the death toll was so high and how the city responded. Masterfully capturing both the horror of the event and the heroism of men, women, and children who faced crumbling life jackets and inaccessible lifeboats as the inferno quickly spread, historian Edward T. O’Donnell brings to life a bygone community while honoring the victims of that forgotten day.

    One of the deadliest fires in American history, it took the lives of ninety-two children and three nuns at Our Lady of the Angels School, left many families physically and psychologically scarred for life, and destroyed a close-knit working-class neighborhood. This is the moving story of that fire and its consequences written by two journalists who have been obsessed with the events of that terrible day in December 1958. It is a story of ordinary people caught up in a disaster that shocked the nation. In gripping detail, those who were there-children, teachers, firefighters-describe the fear, desperation, and panic that prevailed in and around the stricken school building on that cold Monday afternoon. But beyond the flames, the story of the fire at Our Lady of the Angels became an enigma whose mystery has deepened with time: its cause was never officially explained despite evidence that it had been intentionally set by a troubled student at the school. The fire led to a complete overhaul of fire safety standards for American schools, but it left a community torn apart by grief and anger, and accusations that the Catholic church and city fathers had shielded the truth. Messrs. Cowan and Kuenster have recreated this tragedy in a powerful narrative with all the elements of a first-rate detective story.

    The tent had been waterproofed with a mixture of paraffin and gasoline; in seconds it was burning out of control, and more than 8,000 people were trapped inside. Drawing on interviews with hundreds of survivors, O'Nan skillfully re-creates the horrific events and illuminates the psychological oddities of human behavior under stress: the mad scramble for the exits; the hero who tossed dozens of children to safety before being trampled to death. Brilliantly constructed and exceptionally moving, The Circus Fire is history at its most compelling.

    In Firestorm at Peshtigo, Denise Gess and William Lutz vividly re-create the personal and political battles leading to this monumental natural disaster, and deliver it from the lost annals of American history.

    At the city's premier nightspot, the Cocoanut Grove, the largest nightclub fire in U.S. history took the lives of 492 people—nearly one of every two people on the premises. A flash of fire that started in an imitation palm tree rolled through the overcrowded club with breathtaking speed and in a mere eight minutes anyone left in the club was dead or doomed. The Grove was a classic firetrap, the product of greed and indifference on the part of the owners and the politicians who had knowingly allowed such conditions to exist. Against the backdrop of Boston politics, cronyism, and corruption, author John C. Esposito re-creates the drama of the fire and explores the public outcry that followed. In retelling the horrific events of one of America's most cataclysmic tragedies, Esposito has fashioned both an incomparably gripping narrative and a vibrant portrait of the era. But it is the intense, detailed narrative of the fire—harrowing yet compulsively readable—and the trials that followed that will stay with the reader well after they finish this remarkable book."[Esposito] reminds us that the cautionary tale of the Cocoanut Grove is still relevant today."—New York Law Journal

    When the Iroquois Theatre opened in Chicago on November 23, 1903, it was considered one of the grandest structures of its day, a monument to modern design and technology, as well as "absolutely fireproof." This was a theatre that would rival any in New York or Paris. Instead it became the funeral pyre for hundreds of victims. Tony Hatch, former CBS reporter and Emmy Award winner, tells the grisly story in meticulous, riveting detail, based on more than forty years of research, including many exclusive interviews with eyewitnesses. In Tinder Box, he tells the Iroquois story as it has never been told before. In a rush to open the theatre on time, corners were cut, and the Iroquois lacked the most basic fire-fighting equipment: sprinklers, fire alarm boxes, backstage telephone, exit signs and functioning asbestos curtain. Some exists, for aesthetic reasons, were hidden behind heavy draperies, doors opened inward and exterior fire escapes were unfinished. But Chicago officials, the theatre owners and managers, the contractor, stagehands—all looked the other way. Then, on December 30, 1903, disaster struck. The theatre was packed, overcrowded with a standing-room-only audience, mostly women and children who had come to see the popular comedian Eddie Foy perform in the musical fantasy Mr. Bluebeard. A short circuit in a single backstage spotlight touched off a small fire that, in minutes, erupted into an uncontrollable blaze. More than 600 people died. Because of the magnitude of the catastrophe and the obvious corruption that allowed it to happen, building and fire laws were changed to prevent it everhappening again. Tinder Box is a riveting history of a traumatic and costly calamity.

    Spectators stop rustling in their seats; prosecution and defense lawyers and the accused stiffen into attitudes of wariness; and the judge looks on owlishly. In that atmosphere of heightened expectation the jury entered a Riverside County Superior Court room in southern California to render a decision in the trial of Raymond Oyler, charged with murder for setting the Esperanza Fire of 2006, which killed a five man Forest Service engine crew sent to fight the blaze.Today, wildland fire is everybody’s business, from the White House to the fireground. Wildfires have grown bigger, more intense, more destructive—and more expensive. Federal taxpayers, for example, footed most of the $16 million bill for fighting the Esperanza Fire. But the highest cost was the lives of the five-man crew of Engine 57, the first wildland engine crew ever to be wiped out by flames.

    But the aftermath of the quake—the fires that raged across the city for days and claimed the lives of thousands more—was an all too human disaster whose story has remained largely untold. Until now. Employing the same vivid prose and storytelling skill that made his Report from Ground Zero a national bestseller, Dennis Smith reconstructs those harrowing days from the perspective of the people who lived through them. Smith draws on hundreds of individual accounts and official documents to unearth the true story of the fires—from the corrupt officials who left the city woefully unprepared for disaster, to the militia officers who enforced martial law with deadly force, to the individual heroes who battled the blaze and saved untold lives. San Francisco Is Burning is a thrilling disaster tale that brings a lost chapter of history back to riveting life. BACKCOVER: “Riveting.” —The Washington Post “So riveting it is enraging…[Smith’s] message is the one that matters most.” —San Francisco Chronicle “A finely woven human story of tragedy, death, heroism and blunder…This book is an eye-opener in many ways, and a good read, to boot.” —The Associated Press

    The fire created its own weather, including hurricane-strength winds, bubbles of plasma-like glowing gas, and 200-foot-tall flames. As temperatures reached 1,600 degrees Fahrenheit, the firestorm knocked down buildings and carried flaming debris high into the sky. Two trains-one with every single car on fire-became the only means of escape. In all, more than four hundred people would die, leading to a revolution in forestry management and the birth of federal agencies that monitor and fight wildfires. A spellbinding account of danger, devastation, and courage, Under a Flaming Sky reveals the dramatic, minute-by-minute story of the tragedy and brings into focus the ordinary citizens whose lives it irrevocably marked.

    The Hotshots were loyal to one another and dedicated to the tough job they had. There's Eric Marsh, their devoted and demanding superintendent who turned his own personal demons into lessons he used to mold, train and guide his crew; Jesse Steed, their captain, a former Marine, a beast on the fire line and a family man who wasn’t afraid to say “I love you” to the firemen he led; Andrew Ashcraft, a team leader still in his 20s who struggled to balance his love for his beautiful wife and four children and his passion for fighting wildfires. We see this band of brothers at work, at play and at home, until a fire that burned in their own backyards leads to a national tragedy.Impeccably researched, drawing upon more than a hundred hours of interviews with the firefighters’ families, colleagues, state and federal officials, and fire historians and researchers, New York Times Phoenix Bureau Chief Fernanda Santos has written a riveting, pulse-pounding narrative of an unthinkable disaster, a remarkable group of men and the raging wildfires that threaten our country’s treasured wild lands.

    Nearly 2,000 people are killed; over 9,000 more are injured. The story of one of the world’s worst non-natural disasters has been told before, but never like this.In a sweeping narrative, Curse of the Narrows tells a tale of ordinary people in an extraordinary situation, retracing the steps of survivors through the wreckage of a city destroyed. Laura M. MacDonald weaves a panoramic chronicle of the astonishing international response to the explosion, telling of the generous donations of money and medical specialists made by the city of Boston, of how the number of horrific injuries to Halifax’s children inspired startling developments in pediatric medicine, and exploring the disaster’s chilling link to the creation of the atomic bomb.Filled with archival photos, defined by meticulous research andi nfused with a storyteller’s sensibility, Curse of the Narrows is a compelling and powerful book.

    In the ancient city of Bhopal, a cloud of toxic gas escaped from an American pesticide plant, killing and injuring thousands of people.