The old man was brought up expecting to marry the heiress to Kuran Station—a grand estate in the Australian Outback—only to be disappointed by his rejection and the selling off of the land. He has devoted his life to putting the estate back together and has moved into the once-elegant mansion.   McIvor tries to imbue William with his obsession, but his hold on the land is threatened by laws entitling the Aborigines to reclaim sacred sites. William’s mother desperately wants her son to become John McIvor’s heir, but no one realizes that William is ill and his condition is worsening.

    Born in an Australian permanent detention center after his mother and sister fled the violence of a distant homeland, Subhi has only ever known life behind the fences. But his world is far bigger than that—every night, the magical Night Sea from his mother's stories brings him gifts, the faraway whales sing to him, and the birds tell their stories. And as he grows, his imagination threatens to burst beyond the limits of his containment.The most vivid story of all, however, is the one that arrives one night in the form of Jimmie—a scruffy, impatient girl who appears on the other side of the wire fence and brings with her a notebook written by the mother she lost. Unable to read it herself, she relies on Subhi to unravel her family's love songs and tragedies.Subhi and Jimmie might both find comfort—and maybe even freedom—as their tales unfold. But not until each has been braver than ever before.

    An engaging, entertaining read set in 1930s Sydney against the backdrop of the building of the Sydney Harbour Bridge...evocatively drawn.' - Books+PublishingBroke and hopeless in 1929, Yo O'Keenan flees the violence of his home in Chippendale, and by some miracle charms his way into a job on the Harbour Bridge, a new start for himself and his little sister, Agnes.Meanwhile, on the north side of Sydney, in her cluttered cottage at Lavender Bay, a young and ambitious costumier, Olivia Greene, works on her latest millinery creations, dreaming of taking her colours to Paris, London, New York.A random encounter in the Botanic Gardens sparks a powerful attraction, even as the gulf between this pair seems wider than the blue mile of harbour that divides the city.By mid-1932, the construction of the Bridge is complete, but Sydney is in chaos, on the brink of civil war, as the Great Depression begins to bite - hard.And then Yo disappears.Against the glittering backdrop of Sydney Harbour, The Blue Mile tells of the cruelties of poverty, the wild gamble a city took to build a wonder of the world, and the risks the truly brave will take for a chance at life.

    What could drive a girl on the cusp of womanhood to lock herself away from the world forever?Sarah is just seventeen when she chooses to become an anchoress, a holy woman shut away in a cell that measures only seven by nine paces, at the side of the village church. Fleeing the grief of losing a much-loved sister in childbirth as well as pressure to marry the local lord's son, she decides to renounce the world--with all its dangers, desires, and temptations--and commit herself to a life of prayer.But it soon becomes clear that the thick, unforgiving walls of Sarah's cell cannot protect her as well as she had thought. With the outside world clamoring to get in and the intensity of her isolation driving her toward drastic actions, even madness, her body and soul are still in grave danger. When she starts hearing the voice of the previous anchoress whispering to her from the walls, Sarah finds herself questioning what she thought she knew about the anchorhold, and about the village itself.With the lyricism of Nicola Griffith's Hild and the vivid historical setting of Hannah Kent's Burial Rites, Robyn Cadwallader's powerful debut novel tells an absorbing story of faith, desire, shame, fear, and the very human need for connection and touch. Compelling, evocative, and haunting, The Anchoress is both quietly heartbreaking and thrillingly unpredictable.

    In 1972 home is a cozy nest on Cape Cod for eleven-year-old Naomi "Chirp" Orenstein, her older sister, Rachel; her psychiatrist father; and her dancer mother. But then Chirp's mom develops symptoms of a serious disease, and everything changes. Chirp finds comfort in watching her beloved wild birds. She also finds a true friend in Joey, the mysterious boy who lives across the street. Together they create their own private world and come up with the perfect plan: Escape. Adventure. Discovery. Nest is Esther Ehrlich's stunning debut novel. Her lyrical writing is honest, humorous, and deeply affecting. Chirp and Joey will steal your heart. Long after you finish Nest, the spirit of Chirp and her loving family will stay with you. Praise for Nest:"A poignant, insightful story of family crisis and the healing power of friendship." —Kirkus Reviews, Starred"A stunning debut, with lyrical prose and superbly developed characters. . . . [Readers] will savor Nest and reflect on it long after its conclusion." —School Library Journal, Starred"Ehrlich's novel beautifully captures the fragile bond shared by Chirp and Joey and their growing trust for each other in a world filled with disappointments and misunderstandings." —Publishers Weekly, Starred "Chirp's first-person voice is believable; her poignant earnestness is truly heartrending. Ehrlich writes beautifully, constructing scenes with grace and layers of telling detail and insight." —The Horn BookWhat authors are saying about Nest:"Nest sings with heart and emotion. Simply gorgeous." —Jennifer L. Holm, New York Times bestselling author of Turtle in Paradise"Nest speaks to the heart. I wanted to put my arms around Chirp and never let go." —Holly Goldberg Sloan, author of Counting by 7s and I'll Be There"I loved the book! It's so tender and touching and real. Chirp is a marvelous character, and Joey's just plain lovable. I worry about him. Congratulations. The book is absolutely splendid and I hope everyone in the world notices." —Karen Cushman, author of the Newbery Medal–winning, The Midwife's Apprentice, and the Newbery Honor, Catherine, Called Birdy"A remarkable work. Esther Ehrlich's characters stand out so real and true: Chirp's friendship with Joey is tender and moving, and truly unforgettable. One can see Cape Cod and feel Chirp's love for the birds wheeling overhead. I wanted this story to go on and on. What a brilliant future this author has. I can't wait to read her next book." —Patricia Reilly Giff, two-time Newbery Honor–winning author

    . . Joni, Deb, Eden, and Trina have been best friends since high school, sharing a bond that has seen them through their teenage years and into adulthood. But now, time and circumstance is starting to pull them apart as careers, husbands, and babies get in the way. As their yearly vacation becomes less of a priority—at least for three of the women—how can Joni find a way to draw the four of them back together? Four secrets . . . During a laughter and wine-filled night, the women dare one another to write anonymous letters, spilling their deepest, darkest secrets. But the fun game turns devastating, exposing cracks in their lives and the friendships they share. Each letter is a dark confession revealing shocking information. A troubled marriage? A substance abuse problem? A secret pregnancy? A heartbreaking diagnosis? Five letters . . . Late on one of their last nights together, after the other three have gone to bed, Joni notices something in the fireplace—a burnt, crumpled, nearly destroyed, sheet of paper that holds the most shattering revelation of all. It is a fifth letter—a hate-filled rant that exposes a vicious, deeply hidden grudge that has festered for decades. But who wrote it? Which one of them has seethed with resentment all these years? What should Joni do?Best friends are supposed to keep your darkest secrets. But the revelations Joni, Deb, Eden and Trina have shared will ripple through their lives with unforeseen consequences . . . and things will never be the same.

    This is the story of the girl who stole it.Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world.Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.Set when the women’s suffrage movement was at its height and the Great War loomed, The Dictionary of Lost Words reveals a lost narrative, hidden between the lines of a history written by men. It’s a delightful, lyrical and deeply thought-provoking celebration of words, and the power of language to shape the world and our experience of it.

    . . A rich examination of America’s treatment of race, and the ways we attempt to discuss and confront it today.” —The Huffington Post The Freeman family--Charles, Laurel, and their daughters, teenage Charlotte and nine-year-old Callie--have been invited to the Toneybee Institute to participate in a research experiment. They will live in an apartment on campus with Charlie, a young chimp abandoned by his mother. The Freemans were selected because they know sign language; they are supposed to teach it to Charlie and welcome him as a member of their family. But when Charlotte discovers the truth about the institute’s history of questionable studies, the secrets of the past invade the present in devious ways.   The power of this shattering novel resides in Greenidge’s undeniable storytelling talents. What appears to be a story of mothers and daughters, of sisterhood put to the test, of adolescent love and grown-up misconduct, and of history’s long reach, becomes a provocative and compelling exploration of America’s failure to find a language to talk about race. “A magnificently textured, vital, visceral feat of storytelling . . . [by] a sharp, poignant, extraordinary new voice of American literature.” —Téa Obreht, author of The Tiger’s Wife

    It is a powerful and compelling novel about a young man navigating the depths of his emotional life, finding his moral center, trying to forgive himself, and accepting the gift of love.

    'Something truly amazing is going to happen.' 'To us or to the world?' I say. 'To you.' 'To me?' I laugh. 'Nothing ever happens to me, Stella.' 'But today it will.' 'Will it be good?' She looks thoughtful and then frowns. 'I . . . I don't know.'Peach is 19 and pretty happy with the way things are. She has her college work, two wildly different best friends, her sister, Stella, to look after, and a broken heart to mend. But when she takes a summer job at a café in the old convent, her idea of who she is takes a sharp turn into the past. Where once there were nuns, young girls and women who had fallen on hard times, Peach discovers secrets from three generations of her family. As their stories are revealed, Peach is jolted out of her comfort zone. But does she really want to know who she is? Warm and real, intense and provocative, this novel shows in vivid detail how fate and the choices we make ripple and reverberate through time.

    But in 1976, on his first day of eighth grade, he meets Nathan Tilly, who changes everything. Nathan is confident, fearless, impetuous--and fascinated by kites and flying. Robert and Nathan's budding friendship is forged in the crucible of two family tragedies, and as the boys struggle to come to terms with loss, they take summer jobs at the local rundown amusement park. It's there that Nathan's boundless capacity for optimism threatens to overwhelm them both, and where they learn some harsh truths about family, desire, and revenge. Unforgettable and heart-breaking, Setting Free the Kites is a poignant and moving exploration of the pain, joy, and glories of young friendship.

    Although the young woman has dreams of becoming a screenwriter, the only job Julie's able to find is one in the studio publicity office of the notoriously demanding producer David O. Selznick —who is busy burning through directors, writers and money as he begins filming Gone with the Wind.     Although tensions run high on the set, Julie finds she can step onto the back lot, take in the smell of smoky gunpowder and the soft rustle of hoop skirts, and feel the magical world of Gone with the Wind come to life. Julie's access to real-life magic comes when Carole Lombard hires her as an assistant and invites her into the glamorous world Carole shares with Clark Gable—who is about to move into movie history as the dashing Rhett Butler. Carole Lombard, happily profane and uninhibited, makes no secret of her relationship with Gable, which poses something of a problem for the studio as Gable is technically still married—and the last thing the film needs is more negative publicity. Julie is there to fend off the overly curious reporters, hoping to prevent details about the affair from slipping out. But she can barely keep up with her blonde employer, let alone control what comes out of Carole's mouth, and--as their friendship grows - soon finds she doesn't want to. Carole, both wise and funny, becomes Julie's model for breaking free of the past.     In the ever-widening scope of this story, Julie is given a front-row seat to not one but two of the greatest love affairs of all time: the undeniable on-screen chemistry between Scarlett and Rhett, and off screen, the deepening love between Carole and Clark. Yet beneath the shiny façade, things in Hollywood are never quite what they seem, and Julie must learn to balance career aspirations and her own budding romance with outsized personalities and the overheated drama on set.

    In 1987, Miri Ammerman returns to her hometown of Elizabeth, New Jersey, to attend a commemoration of the worst year of her life.Thirty-five years earlier, when Miri was fifteen, and in love for the first time, a succession of airplanes fell from the sky, leaving a community reeling. Against this backdrop of actual events that Blume experienced in the early 1950s, when airline travel was new and exciting and everyone dreamed of going somewhere, Judy Blume imagines and weaves together a haunting story of three generations of families, friends, and strangers, whose lives are profoundly changed by these disasters. She paints a vivid portrait of a particular time and place — Nat King Cole singing “Unforgettable,” Elizabeth Taylor haircuts, young (and not-so-young) love, explosive friendships, A-bomb hysteria, rumors of Communist threat. And a young journalist who makes his name reporting tragedy. Through it all, one generation reminds another that life goes on.In the Unlikely Event is a gripping novel with all the hallmarks of Judy Blume's unparalleled storytelling.

    Every morning she uses 100 strokes to brush her hair, 160 strokes to brush her teeth. She remembers the day she started to count, how she used numbers to organize her adolescence, her career, even the men she dated. But something went wrong. Grace used to be a teacher, but now she's surviving on disability checks. According to the parents of one of her former students, "she's mad."Most people don't understand that numbers rule, not just the world in a macro way but their world, their own world. Their lives. They don't really understand that everything and everybody are connected by a mathematical formula. Counting is what defines us...the only thing that gives our lives meaning is the knowledge that eventually we all will die. That's what makes each minute important. Without the ability to count our days, our hours, our loved ones...there's no meaning. Our lives would have no meaning. Without counting, our lives are unexamined. Not valued. Not precious. This consciousness, this ability to rejoice when we gain something and grieve when we lose something—this is what separates us from other animals. Counting, adding, measuring, timing. It's what makes us human.Grace's father is dead and her mother is a mystery to her. Her sister wants to sympathize but she really doesn't understand. Only Hilary, her favorite niece, connects with her. And Grace can only connect with Nikola Tesla, the turn-of-the-twentieth-century inventor whose portrait sits on her bedside table and who rescues her in her dreams. Then one day all the tables at her regular café are full, and as she hesitates in the doorway a stranger—Seamus Joseph O'Reilly (19 letters in his name, just like Grace's)—invites her to sit with him. Grace is not the least bit sentimental. But she understands that no matter how organized you are, how many systems you put in place, you can't plan for people. They are unpredictable and full of possibilities—like life itself, a series of maybes and what-ifs.And suddenly, Grace may be about to lose count of the number of ways she can fall in love.

    She's breathing gently, long slow breaths. I imagine her soul going in and out: wanting to leave, wanting to come back, wanting to leave, wanting to come back. The day will soon harden into what we need to do. But for now we have each other. . . ."He met Candy amid a lush Sydney summer. Gorgeous, sexy, free-spirited Candy. They fell in love fast, lots of laughter and lust, the days melting warmly into each other. He never planned to give her a habit. But she wanted a taste. And wasn't love, after all, about sharing lives? Candy had a bit of money and in the beginning, everything was beautiful. Heady, heroin-hazed days, the world open and inviting. But when the money ran out, the craving remained, and the days ceased their luxurious stretch.But there was still love. Only now, it was a threesome. Heroin had its own demands, its own timetable, and thoughts of nabbing the next fix hurled them into each day. Then, when desperation sets in, Candy will stop at nothing to secure a blast, as she and her lover become hostage to the nightmarish world of addiction. Painful, sexy, tender, and charged with dark humor, Candy provocatively charts the daily rituals of two lovers maintaining a long-term junk habit. Told in stunningly vivid prose and set against the backdrop of suburban and urban Australia, Candy is both an electrifying and frightening glimpse of contemporary life and love.