Assembling an array of talent, this collection includes contributions from visionaries Michael Moorcock and China Miéville, modern icon Clive Barker, and audacious new talents Hal Duncan, Jeffrey Ford, and Sarah Monette. An essential snapshot of a vibrant movement in popular fiction, this anthology also features critical writings from authors, theorists, and international editors as well as witty selections from online debates.ContentsIntroduction: The New Weird: “It’s Alice?” by Jeff VanderMeer“The Gutter Sees the Light That Never Shines” by Alistair Rennie“Watson’s Boy” by Brian Evenson“Cornflowers Beside the Unuttered” by Cat Rambo“Jack” by China Miéville“In the Hills, the Cities” by Clive Barker“Forfend the Heaven’s Rending” by Conrad Williams“Locust-Mind” by Daniel Abraham“Tracking Phantoms” by Darja Malcolm-Clarke“Constable Chalch and the Ten Thousand Heroes” by Felix Gilman“The Lizard of Ooze” by Jay Lake“Festival Lives: Preamble: An Essay” by Jeff VanderMeer and Ann VanderMeer“At Reparata” by Jeffrey Ford“Immolation” by Jeffrey Thomas“The Art of Dying” by Darja Malcolm-Clarke“Whose Words You Wear” by K. J. Bishop“The Neglected Garden” by Kathy Koja“Letters from Tainaron” by Leena Krohn“The Luck in the Head” by M. John Harrison“Crossing Cambodia” by Michael Moorcock“Death in a Dirty Dhorti” by Paul Di Filippo“All God’s Chillun Got Wings” by Sarah Monette“The Braining of Mother Lamprey” by Simon D. Ings“The Ride of the Gabbleratchet” by Steph Swainston“A Soft Voice Whispers Nothing” by Thomas Ligotti“European Editor Perspectives on the New Weird: An Essay” by Martin Šust, Michael Haulica, Hannes Riffel, Jukka Halme, Konrad Walewski“The New Weird: I Think We’re the Scene” by Michael Cisco“New Weird Discussions: The Creation of a Term” by various authors

    But a still greater horror will face the recluse - more inexorable, merciless and awful than any creature that can be fought or killed.A classic of the first water - H. P. Lovecraft

    From the battlefields of a Vietnam veteran's memory to an old-time movie hero's search for a serial killer, from Halloween in a special town--where the rules of trick-or-treat are written in blood--to a Texas road where a wrong turn leads to a nest of evil, horror master McCammon is at his terrifying best in this collection of stories.

    Within its walls she discovers an unfinished manuscript written by the house's former tenant--an anthropologist obsessed with the ancient oak growing on a desolate corner of the property.Tied to local legends of supernatural magic, as well as documented accidents and murders, the gnarled tree takes root in Sarah's imagination, prompting her to write her own account of its unsavory history.And as the oak continues to possess her dreams and nearly almost all her waking thoughts, Sarah risks her health and her sanity to unearth a revelation planted centuries ago...

    A misguided youth learns the dark secrets of the world from an elderly neighbor on Halloween night. A housewarming party where the guests never leave. A caretaker tends to his rusted relic of a god deep in the desert... In his debut short story collection, Bram Stoker Award finalist Ronald Malfi mines the depths and depravities of the human condition, exploring the dark underside of religion, marriage, love, fear, regret, and hunger in a world that spins just slightly askew on its axis. Rich in atmosphere and character, Malfi's debut collection is not to be missed.

    From classic stories of the undead by writers like Edith Nesbit, Mary E. Wilkins-Freeman, and Mary Elizabeth Braddon to the work of such acclaimed contemporary authors as Poppy Z. Brite, Nancy Kilpatrick, Tanith Lee, Caitlin R. Kiernan, and Pat Cadigan, this terrifying and tantalizing volume turns the conventions of vampire fiction on their head and inside out as it refashions, and revamps, Bram Stoker's urbane Count Dracula in smart, modern, sexy terms. Original and inventive, the tales in this anthology offer a wide and varied range of undead heroines and doomed heroes, from the tormented good to the unspeakably evil. At large among them in the gardens of literature's longest night are Chelsea Quinn Yarbro's Byronic vampire Saint-Germain, Nancy A. Collins's "Vampire King of the Goth Chicks," Tanya Huff's vampiric detective Vicki Nelson, and Freda Warrington's age-old lovers Karl and Charlotte. In all, the quest continues—for blood to drink, for souls to steal, for life among the undead.CONTENTSIntroduction: My Life Among The Undead by Ingrid PittThe Master Of Rampling Gate by Anne RiceHomewrecker by Poppy Z. BriteWhen Gretchen Was Human by Mary A. TurzilloThe Vengeaful Spirit of Lake Nepeakea by Tanya HuffLa Diente by Nancy KilpatrickMiss Massingberd and the Vampire by Tina RathThe Raven Bound by Freda WarringtonVampire King of the Goth Chicks by Nancy A. CollinsJust His Type by Storm ConstantinePrince Of Flowers by Elizabeth HandService Rendered by Louise CooperAftermath by Janet BerlinerOne Among Millions by Yvonne NavarroLuella Miller by Mary E. Wilkins-FreemanSangre by Lisa TuttleA Question of Patronage by Chelsea Quinn YarbroHisako San by Ingrid PittButternut and Blood by Kathryn PtacekSleeping Cities by Wendy WebbThe Haunted House by E. NesbitTurkish Delight by Roberta LannesVenus Rising on Water by Tanith LeeYear Zero by Gemma FilesGood Lady Ducayne by Mary Elizabeth BraddonLunch At Charon's by Melanie TemForever, Amen by Elizabeth MassieNight Laughter by Ellen KushnerBootleg by Christa FaustOutfangthief by Gala BlauMy Brother's Keeper by Pat CadiganSo Runs The World Away by Caitlin R. KiernanA North Light by Gwyneth JonesJack by Connie WillisVampyr by Jane Yolen

    Blending the miraculous with the macabre, and leavened by a mischievous gallows humor, these bewitching tales are like nothing being written in Russia-or anywhere else in the world-today.

    It's the one thing Walter will never be. But what if he could play white, the way so many others seem to do? Would it bring him privilege or simply deny the pain? The title story in this collection asks those questions, and then moves on to challenge notions of race, privilege, personal choice, and even life and death with equal vigor. From the spectrum spanning despair and hope in "What She Saw When They Flew Away" to the stark weave of personal struggles in "Chocolate Park," Let's Play White speaks with the voices of the overlooked and unheard. "I Make People Do Bad Things" shines a metaphysical light on Harlem's most notorious historical madame, and then, with a deft twist into melancholic humor, "Cue: Change" brings a zombie-esque apocalypse, possibly for the betterment of all mankind.

    Defying her father’s orders to remain at home, she travels to Tidepool, the last place Henry is known to have visited. Residents of the small, shabby oceanside town can’t quite meet Sorrow’s eyes when she asks about her brother.When corpses wash up on shore looking as if they’ve been torn apart by something not quite human, Sorrow is ready to return to Baltimore and let her father send in the professional detectives.However, after meeting Ada Oliver, a widow whose black silk dresses and elegant manners set her apart from other Tidepool residents, Sorrow discovers Tidepool’s dark, deadly secret.With this discovery, some denizens of Tidepool—human and otherwise—are hell-bent on making sure Sorrow never leaves their forsaken town.Lovecraftian dark fantasy gets a modern treatment in this terrifying debut novel.

     Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken -- fetish, illness, the female body, the darkness of human history -- with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly.Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

    Dolls, sewing machines, tinned foods, mirrors, malfunctioning bodies - many images recur in stories that are in turn child-like and naive, grotesque and very dark.In Unstitching, a feminist revolution takes place. In Waxy, a factory worker fights to keep hold of her Man in a society where it is frowned upon to be Manless. In Agata's Machine, two schoolgirls conjure a Pierrot and an angel in a dank attic room. In Notes from a Spider, a half-man, half-spider finds love in a great European city.By constantly reinventing ways to engage with her obsessions and motifs, Camilla Grudova has come up with a method for storytelling that is highly imaginative, incredibly original, and absolutely discomfiting.Content:- Unstitching (2017)- The Mouse Queen (2017)- The Gothic Society (2017)- Waxy (2016)- The Doll's Alphabet (2017)- The Mermaid (2017)- Agata's Machine (2015)- Rhinoceros (2017)- The Sad Tale of the Sconce (2017)- Edward, Do Not Pamper the Dead (2017)- Hungarian Sprats (2017)- The Moth Emporium (2017)- Notes from a Spider (2017)

    Then one day, peering at his apartment window from atop a nearby hill, he sees a pale brown thing lean out his window…and wave.This encounter sends Westen on a quest through ancient books and modern streets, for the dark forces and paramental entities that thrive amidst the towering skyscrapers of modern urban life…and meanwhile, the entities are also looking for him.A pioneering work of modern urban fantasy, Our Lady of Darkness is perhaps Fritz Leiber’s greatest novel.

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    The quiet, peaceful place was straight out of a bygone era, with well-cared-for Colonial houses, a white-steepled church fronting a broad Common. Ned and Beth Constantine chanced upon the hamlet and immediately fell in love with it. This was exactly the haven they dream of. Or so they thought.For Ned and his family, Cornwall Coombe was to become a place of ultimate horror.