Its success "might have established communal property, a far wider democracy in political and legal institutions, might have disestablished the state church and rejected the protestant ethic." In The World Turned Upside Down, Christopher Hill studies the beliefs of such radical groups as the Diggers, the Ranters, the Levellers and others, and the social and emotional impulses that gave rise to them. The relations between rich and poor classes, the part played by wandering 'masterless men,' the outbursts of sexual freedom and deliberate blasphemy, the great imaginative creations of Milton and Bunyan - these and many other elements build up into a marvellously detailed and coherent portrait of this strange, sudden effusion of revolutionary beliefs. It is a portrait not of the bourgeois revolution that actually took place, but of the impulse towards a far more fundamental overturning of society."Incorporates some of Dr. Hill's most profound statements yet about the 17th-century revolution as a whole." -- The Economist

    He examines its relation to religion, science, philosophy, art, literature and politics before introducing us to the different types of magic, the kinds of people who practiced magic, and the reasoning behind their beliefs. This book places magic at the crossroads of medieval culture, shedding light on many other aspects of life in the Middle Ages.

    Gnostic writings offer striking perspectives on both early Christian and non-Christian thought. For example, some gnostic texts suggest that god should be celebrated as both mother and father, and that self-knowledge is the supreme path to the divine. Only in the past fifty years has it become clear how far the gnostic influence spread in ancient and medieval religions—and what a marvelous body of scriptures it produced. The selections gathered here, in poetic, readable translation, represent Jewish, Christian, Hermetic, Mandaean, Manichaean, Islamic, and Cathar expressions of gnostic spirituality. Their regions of origin include Egypt, the Greco-Roman world, the Middle East, Syria, Iraq, China, and France. Also included are introductions, notes, an extensive glossary, and a wealth of suggestions for further reading.

    These fascinating entries identify particular deities and giants, as well as the places where they dwell and the varied and wily means by which they forge their existence and battle one another. We meet Thor, one of the most powerful gods, who specializes in killing giants using a hammer made for him by dwarfs, not to mention myriad trolls, ogres, humans and strange animals. We learn of the ongoing struggle between the gods, who create the cosmos, and the jotnar, or giants, who aim to destroy it. In the enchanted world where this mythology takes place, we encounter turbulent rivers, majestic mountains, dense forests, storms, fierce winters, eagles, ravens, salmon and snakes in a landscape closely resembling Scandinavia. Beings travel on ships and on horseback; they eat slaughtered meat and drink mead.Spanning from the inception of the universe and the birth of human beings to the universe's destruction and the mythic future, these sparkling tales of creation and destruction, death and rebirth, gods and heroes will entertain readers and offer insight into the relationship between Scandinavian myth, history, and culture.

    It is written around 200BC by the great Hindu Scholar Pandit Vishnu Sharma. Panchatantra means "the five books". It is a "Nitishastra" which means book of wise conduct in life. The book is written in the form of simple stories and each story has a moral and philosophical theme which has stood the test of time in modern age of atomic fear and madness. It guides us to attain success in life by understanding human nature. Panchatantra is commonly available in an abridged form written for children. Here is the complete translation of the book as written by Vishnu Sharma.

    By universal acclaim, this biography by G. K. Chesterton is considered the best appreciation of Francis's life--the one that gets to the heart of the matter.For Chesterton, Francis is a great paradoxical figure, a man who loved women but vowed himself to chastity; an artist who loved the pleasures of the natural world as few have loved them, but vowed himself to the most austere poverty, stripping himself naked in the public square so all could see that he had renounced his worldly goods; a clown who stood on his head in order to see the world aright. Chesterton gives us Francis in his world-the riotously colorful world of the High Middle Ages, a world with more pageantry and romance than we have seen before or since. Here is the Francis who tried to end the Crusades by talking to the Saracens, and who interceded with the emperor on behalf of the birds. Here is the Francis who inspired a revolution in art that began with Giotto and a revolution in poetry that began with Dante. Here is the Francis who prayed and danced with pagan abandon, who talked to animals, who invented the creche.

    This compendium of early Japanese life provides a panorama of Japan during its formation.

    S. Eliot as one of the chief sources for his great poem "The Waste Land," Jessie L. Weston's From Ritual to Romance remains a landmark of anthropological and mythological scholarship. In this book she explores the origins of the Grail legend, arguing that it dates back to a primitive vegetation cult and only later was shaped by Celtic and Christian lore.To prove her thesis, Weston unites folkloric and Christian elements by using printed texts to prove the parallels existing between each and every feature of the legend of the Holy Grail and the recorded symbolism of the ancient mystery cults. Specifically, she finds the origin of the Grail legend in a Gnostic text that served as a link between such cults and later Celtic and Christian elaborations of the myth.With erudition and critical acumen, the author provides illuminating insights into diverse aspects of the legend: the task of the hero; the freeing of the waters; medieval and modern forms of nature ritual; the symbols of the cult (cup, lance, sword, stone, etc.); the symbolism of the fisher king; the significance of such deities as Tammuz, Adonis, Mithra, and Attis; the meaning of the adventure of the Perilous Chapel in Grail romances; and much more.Awarded the Crawshay Prize in 1920, this scholarly yet highly readable study will interest any student of the Arthurian legends, mythology, ancient religion, and Eliot's poetry.

    English translation and notes by Joseph Rowe.One of the cache of codices and manuscripts discovered in Nag Hammadi, the Gospel of Thomas, unlike the canonical gospels, does not contain a narrative recording Christ's life and prophecies. Instead it is a collection of his teachings — what he actually said. These 114 logia, or sayings, were collected by Judas Didymus Thomas, whom some claim to be Jesus's closest disciple. No sooner was this gospel uncovered from the sands of Upper Egypt than scholars and theologians began to bury it anew in a host of conflicting interpretations and polemics. While some say it is a hodgepodge from the canonical gospels, for others it is the source text from which all the gospel writers drew their material and inspiration.In this new translation of the Gospel of Thomas, Jean-Yves Leloup shows that the Jesus recorded by the "infinitely skeptical and infinitely believing" Thomas has much in common with gnostics of non-dualistic schools. Like them, Jesus preaches the coming of a new man, the genesis of the man of knowledge. In this gospel, Jesus describes a journey from limited to unlimited consciousness. The Jesus of Thomas invites us to drink deeply from the well of knowledge that lies within, not so that we may become good Christians but so we may attain the self-knowledge that will make each of us, too, a Christ.

    The next stage of the ecological revolution begins with the reawakening of the male counterpart of the Goddess, the Green Man, and archetype found in folklore and religious art from the earliest times, and especially linked with Christian origins of modern science. Long suppressed, the archetype emerges now to challenge us to heal our relationship with nature.

    Using everyday language to explain difficult theological concepts, Teresa of Avila compares the contemplative life to a castle with seven chambers. Tracing the passage of the soul through each successive chamber, she draws a powerful picture of the path toward spiritual perfection. It is the most sublime and mature of Teresa's works, offering profound and inspiring reflections on such subjects as self-knowledge, humility, detachment, and suffering.One of the most celebrated works on mystical theology in existence, as timely today as when St. Teresa of Avila wrote it centuries ago, this is a treasury of unforgettable maxims on self-knowledge and fulfillment.

    This is a comprehensive attempt to make the spiritual tradition of large areas of mankind more generally accessible to the ordinary interested reader. A. M. Allchin in Church Times Catherine of Siena-The Dialogue translation and introduction by Suzanne Noffke, O.P., preface by Giuliana Cavallini If you have received my love sincerely without self-interest, you will drink your neighbor's love sincerely. It is just like a vessel that you fill at the fountain. If you take it out of the fountain to drink, the vessel is soon empty. But if you hold your vessel in the fountain while you drink, it will not get empty: indeed, it will always be full. Catherine of Siena, 1347-1380 This is the crowning spiritual work of the only woman other than Teresa of Avila to be granted the title of Doctor of the Roman Catholic Church. This volume was simply called my book by the fourteenth-century Italian saint. The aim of her book (one of the first books to see print in Spain, Germany, Italy, and England), says Dr. Noffke in her Foreword, was the instruction and encouragement of all those whose spiritual welfare was her concern. Catherine was a mystic whose plunge into God plunged her deep into the affairs of society, Church and the souls who came under her influence. Professor Noffke goes on to call The Dialogue a great tapestry to which Catherine adds stitch upon stitch until she is satisfied that she has communicated all she can of what she has learned of the way of God. In this, the sixth centenary of the great Dominican's death, we live in a time so badly in need of her sense of institutional reform as flowing from Divine truth, love and charity. Dr. Noffke says: In the opening pages of The Dialogue Catherine presents a series of questions or petitions to God the Father each of which receives a response and amplification. There is the magnificent symbolic portrayal of Christ as the bridge. There are specific discussions of discernment, tears (true and false spiritual emotion), truth, the sacramental heart ('mystic body') of the Church, divine providence, obedience.... It is not so much a treatise to be read as it is a conversation to be entered into with earnest leisure and leisurely earnest.

    This is an account of the world's greatest ‘intellectual virtuosos,' who are also humanity's greatest doubters and disbelievers, from the ancient Greek philosophers, Jesus, and the Eastern religions, to modern secular equivalents Marx, Freud and Darwin—and their attempts to reconcile the seeming meaninglessness of the universe with the human need for meaning,This remarkable book ranges from the early Greeks, Hebrew figures such as Job and Ecclesiastes, Eastern critical wisdom, Roman stoicism, Jesus as a man of doubt, Gnosticism and Christian mystics, medieval Islamic, Jewish and Christian skeptics, secularism, the rise of science, modern and contemporary critical thinkers such as Schopenhauer, Darwin, Marx, Freud, Nietzsche, the existentialists.

    Victor's Didascalicon, composed in the late 1130's.

    Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society.The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true--as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell's magic wand--is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread.This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states.Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves--our fears and our desires.