American genealogist Jefferson Tayte is hired to find out what happened, but it soon becomes apparent that a calculated killer is out to stop him.In the Blood combines a centuries-old mystery with a present-day thriller that brings two people from opposite sides of the Atlantic together to uncover a series of carefully hidden crimes. Tayte's research centres around the tragic life of a young Cornish girl, a writing box, and the discovery of a dark secret that he believes will lead him to the family he is looking for. Trouble is, someone else is looking for the same answers and will stop at nothing to find them.In the Blood is the first in the Jefferson Tayte mystery series.

    Family historian Nigel Barnes is put on the case. As one after another victim is found in various locations all over London, each with a different mutilation but the same index number carved into their skin, Barnes and the police work frantically to figure out how the corresponding files are connected. With no clues to be found in the present, Barnes must now search the archives of the past to solve the mystery behind a string of 100-year-old murders. Only then will it be possible to stop the present series of gruesome killings, but will they be able to do so before the killer ensnares his next victim? Barnes, Foster, and Jenkins enter a race against time – and before the end of the investigation, one of them will get much too close for comfort.

    Gamache cannot understand why anyone would want to deliberately kill well-loved artist Jane Neal, especially any of the residents of Three Pines - a place so free from crime it doesn't even have its own police force. But Gamache knows that evil is lurking somewhere behind the white picket fences and that, if he watches closely enough, Three Pines will start to give up its dark secrets...

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    But the next morning the body of a murdered teenage girl is discovered nearby, and suspicion falls on Magnus. Inspector Jimmy Perez enters an investigative maze that leads deeper into the past of the Shetland Islands than anyone wants to go.

    But the evil that does occasionally rear its head is the jurisdiction of Guido Brunetti, the suave, urbane vice-commissario of police and a genius at detection. Now all of his admirable abilities must come into play in the deadly affair of Maestro Helmut Wellauer, a world-renowned conductor who died painfully from cyanide poisoning during an intermission at La Fenice. But as the investigation unfolds, a chilling picture slowly begins to take shape--a detailed portrait of revenge painted with vivid strokes of hatred and shocking depravity. And the dilemma for Guido Brunetti will not be finding a murder suspect, but rather narrowing the choices down to one. . . .

     Introducing Erin Hart, who brings the beauty, poignancy, mystery, and romance of the Irish countryside to her richly nuanced first novel.When farmers cutting turf in a peat bog make a grisly discovery -- the perfectly preserved severed head of a young woman with long red hair -- Irish archaeologist Cormac Maguire and American pathologist Nora Gavin team up in a case that will open old wounds.Peat bogs prevent decay, so the decapitated young woman could have been buried for two decades, two centuries, or even much longer. Who is she? When was she killed? The extraordinary find leads to even more disturbing puzzles. The red-haired girl is clearly a case for the archaeologists, not the police. Still, her tale may have shocking ties to the present, and Cormac and Nora must use cutting-edge techniques to preserve ancient evidence.And the red-haired girl is not the only enigma in this remote corner of Galway. Two years earlier, Mina Osborne, the local landowner's Indian-born wife, went for a walk with her young son and never returned. Did Mina simply decide to disappear, or did mother and child become lost in the treacherous bog? Could they, too, be hidden in its depths, only to be discovered centuries from now? Or did the landowner, Hugh Osborne, murder his family, as some villagers suspect?Bracklyn House, Osborne's stately home, holds many secrets for Nora and Cormac and policeman Garrett Devaney. But time is running out. Devaney's superiors want him off the Osborne case. Now. He wants to stay and find a killer.Meticulously crafted and resonating with traditional music and folklore, Haunted Ground celebrates Ireland's turbulent history, revealing the eternal, subliminal connections between past and present in a riveting novel that heralds the arrival of a bright new crime-writing star.

    It's the name the media has given a brutal murderer who has beaten four young women to death before setting their bodies ablaze in secluded areas of London's parks. And now there's a fifth. Maeve Kerrigan is an ambitious detective constable, keen to make her mark on the murder task force. Her male colleagues believe Maeve's empathy makes her weak, but the more she learns about the latest victim, Rebecca Haworth, from her grieving friends and family, the more determined Maeve becomes to bring her murderer to justice. But how do you catch a killer no one has seen when so much of the evidence has gone up in smoke? Maeve's frenetic hunt for a killer in Jane Casey's gripping series debut will entrance even the most jaded suspense readers.

    . .Some crimes are too unspeakable to solve . . . In the sleepy rural town of Painters Mill, Ohio, the Amish and "English" residents have lived side by side for two centuries. But sixteen years ago, a series of brutal murders shattered the peaceful farming community. In the aftermath of the violence, the town was left with a sense of fragility, a loss of innocence. Kate Burkholder, a young Amish girl, survived the terror of the Slaughterhouse Killer but came away from its brutality with the realization that she no longer belonged with the Amish. Now, a wealth of experience later, Kate has been asked to return to Painters Mill as Chief of Police. Her Amish roots and big city law enforcement background make her the perfect candidate. She's certain she's come to terms with her past--until the first body is discovered in a snowy field. Kate vows to stop the killer before he strikes again. But to do so, she must betray both her family and her Amish past--and expose a dark secret that could destroy her.

    Even though her own childhood has been plagued by deaths and disappearances.Her mother’s death, her father’s disappearance, and her boyfriend’s disappearance. The only cases that she hasn’t solved.Her obsession with finding out the truth behind her past was what led her to join the FBI.Now, she must face what may be her biggest case. In Cabin 13 there lies an uneasy feeling. The feeling of her movements being watched.When a knock on her door revealed a body on her porch and her name written on a piece of paper in the dead man’s hand. Suddenly her worlds collide.With the past still haunting her, Emma must fight past her own demons to stop the body count from rising.The woods have secrets. And this idyllic town has dark and murderous ones.Either she reveals them or risk them claiming her too.In Feathered Nest, nothing is what it seems.The Girl in Cabin 13 is about to find out that the dead may have secrets of their own.The Girl in Cabin 13 is the first book in the Emma Griffin Mystery series, it can be read as a standalone.

    Still, it happened so fast, and no one seems to have gotten a good look at the shooter. Was it random? Was it connected to the spate of drug violence plaguing poor areas of the country just like Acker's Gap? Or were Dean Streeter, Shorty McClurg, and Lee Rader targeted somehow?One of the witnesses to the brutal incident was Carla Elkins, teenaged daughter of Bell Elkins, the prosecuting attorney for Raythune County, WV. Carla was shocked and horrified by what she saw, but after a few days, she begins to recover enough to believe that she might be uniquely placed to help her mother do her job.After all, what better way to repair their fragile, damaged relationship? But could Carla also end up doing more harm than good―in fact, putting her own life in danger?

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children. He is gripping a tree trunk in terror, wearing blood-filled sneakers and unable to recall a single detail of the previous hours.Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a 12-year-old girl is found murdered in the same woods, he and Detective Cassie Maddox (his partner and closest friend) find themselves investigating a case chillingly similar to the previous unsolved mystery. Now, with only snippets of long-buried memories to guide him, Ryan has the chance to uncover both the mystery of the case before him and that of his own shadowy past.A gorgeously written novel that marks the debut of an astonishing new voice in psychological suspense.

    A plantation owned for generations by a rich family. So much history. And a dead body.Just after dawn, Caren walks the grounds of Belle Vie, the historic plantation house in Louisiana that she has managed for four years. Today she sees nothing unusual, apart from some ground that has been dug up by the fence bordering the sugar cane fields. Assuming an animal has been out after dark, she asks the gardener to tidy it up. Not long afterwards, he calls her to say it's something else. Something terrible. A dead body. At a distance, she missed her. The girl, the dirt and the blood. Now she has police on site, an investigation in progress, and a member of staff no one can track down. And Caren keeps uncovering things she will wish she didn't know. As she's drawn into the dead girl's story, she makes shattering discoveries about the future of Belle Vie, the secrets of its past, and sees, more clearly than ever, that Belle Vie, its beauty, is not to be trusted. A magnificent, sweeping story of the south, The Cutting Season brings history face-to-face with modern America, where Obama is president, but some things will never change. Attica Locke once again provides an unblinking commentary on politics, race, the law, family and love, all within a thriller every bit as gripping and tragic as her first novel, Black Water Rising.

    Then Wesley's old friend from university, archaeologist Neil Watson, unearths the bodies of a strangled young woman and a new-born baby on the site of a seventeenth century merchant's house: though luckily for the overstretched police force the skeletons are centuries old. But as the search for the missing child intensifies and the true identity of the body on the cliff path is established, Wesley begins to suspect a tragic link, spanning the centuries, between his investigations and Neil's: for motives of jealousy, sexual obsession and desperate longing are as old as time. And when the dark secret of the merchant's house is finally revealed, Wesley must act swiftly to avert a further tragedy.