This story takes place *after* where Felicity Found ends.

    As victims of political action, powerless to initiate change, what can they do? How do they live and survive?Frank McGuinness explores the daily crisis endured by hostages whose strength comes from communication, both subtle and mundane, from humour, wit and faith.Someone Who'll Watch Over Me premiered at the Hampstead Theatre, London, in 1992 before transferring to the West End. On Broadway, it was awarded the New York Drama Critics' Circle Award for Best Foreign Play and nominated for the Tony Award for Best Play in 1993.

    With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    

    Not being happy all the time makes them stressed out of their tights. Carol practises uninhibited sex which ends with her panty liner stuck to the bottom of someone's shoe. Donnie, after a mystery bite in a third world country, thinks he's incubating a nest of spiders up his bum. Daphne gets fat. She makes soup all the time and wonders if Woolworth's sell a hose pipe to fit a Vauxhall Vectra. Pierce is a poet; a fat balding womaniser who's only steady relationship is with a cup at the sperm bank. He's the only one not on anti-depressants, and he's the hero.

    With almost everything in place, he needs a woman who can handle his life, and sons to fulfil his plans for Detroit. Pam Jennings is a single mother, who has discovered her truth and is ready to live her life according to her rules. Her main job, however, is protecting her two sons, and raising them in a city currently plagued with crime. When Pam enters George’s business, he sees everything he wants and needs, but he must get past her reservations…and his secrets, to win her heart.

    EARLY WORKS: ACTOS, BERNABE AND PENSAMIENTO SERPENTINE is three books in one: 1) a collection of one act plays by Valdez and the famous farmworker theater, El Teatro Campesino, 2) one of the first fully realized, full-length plays by Valdez alone, and 3) an original narrative poem by Luis Valdez. In the first part are collected the original, improvised works of El Teatro Campesino that deal with the exploitation of Mexican farm labor in the California fields, the discrimination found by Mexicans in the schools, and Mexicans being turned into cannon fodder by the U.S. Army in Vietnam. Bernabe is a touching, Lorcaesque poetic drama about a town fool's enchantment and ultimate unity with the earth. Pensamiento serpentino is a long, philosophical poem, based on Mayan thought and cosmology, which analyzes the cultural, religious and political circumstances of Mexican Americans and prepares a metaphysical framework for their future.

    She has no problem using anything or anyone to get what she wants. Whether it’s treating her sister, Celia, as her personal ATM or seducing unlikely, unsuspecting men, she will do whatever it takes to get ahead. Her daughter, Kendra, is a hardworking student who does a better job parenting her younger twin sisters than their mom does. She is determined to be nothing like her mother, and instead, strives to follow in her Aunt Celia’s footsteps to get the car, house, and career of her dreams. After meeting Bilal, a handsome, streetwise entrepreneur, she may just land the man of her dreams as well.When tragedy strikes one of the twins, instead of being there for her family, Diane sees it as one more opportunity to exploit for her own personal gain. And when a secret that both Diane and Kendra have been keeping comes out, the entire family is ripped apart. Will Kendra be able to hold on to everything that means the world to her, or will her mama’s drama snatch it all away?

    No one outside of his crew is safe from the death and destruction that ensues, and it isn't long before the streets bow to his will. On the other side of the city, as Chez's legend flourishes his longtime enemy Mann's hatred grows to explosive proportions. Unable to except what he sees as disrespect when one of his partners is murdered by a member of Chez's crew, Mann contacts his cousins in New York and enlists their help in his scheme to avenge his homie and steal Chez's shine in the process. When Supreme and his brother's arrive, the already deadly streets get even hotter. Not even Mann is prepared for the storm that he has begun, and when it is all over Chez's whole world will be turned upside down.

    Severely injured, he does not know if he will survive the night. Reflecting on the evening's dreadful events, wondering if he could have done anything to alter them, his thoughts begin to drift. He begins to contemplate his remarkable life, his dysfunctional family, and the unfortunate prospect that he may have to soon answer for his life to God. While vividly recalling the most amusing, distressing, bizarre, and disturbing events of his life, he soon comes to realize "the monster you know is far easier to deal with than the monster you don't!" Will he get the miracle he needs to make it through the night? If so, will he finally find peace? Author's Note: This book deals with sensitive topics, and is intended for mature audiences only.

    For each, the chaos of what has come before brings with it a painful legacy.“I have Stayed. I have Stayed – I have Stayed for as long as I possibly can.”

    Free, for the time being, from the power of the gods and the ceaseless weight of the rock, he struggles to navigate twenty-first-century America. In language by turns mordant and tender, often elegiac, Dunn illuminates the quotidian burdens of his all-too-human hero, as well as the abrasions of ambivalence and choice, finally concluding that "here / and there, though mostly here, even fate is reversible / with struggle or luck."In a second sequence of poems, nineteenth-century novelists become "local visitors" to the author's South Jersey towns. "Chekhov in Port Republic," "Jane Austen in Egg Harbor," "Dostoyevsky in Wildwood": these inventions and others give Dunn provocative new latitudes. As in his previous books, "he balances the casual and the vivid as he plumbs the ambiguity and mystery of human relations" (New York Times Book Review).

    These “seven stories” lead to a charming and surprising ending.Cast of 2 women and 3 men.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    When war is declared, the love lives of the Granville girls suffer. Rosie's husband is killed during the Blitz. Then Lousie falls in love with Jack, a sixteen-year-old evacuee from the slums of London. When she falls pregnant, she is sent to Wales in disgrace. The girls? mother, Liza, can only pin her hopes on Charlotte now . . .