This book, the first of a trilogy written by Volkogonov on Stalin, Lenin, and Trotsky, takes advantage of the author's discoveries to reveal much heretofore unknown knowledge about Stalin's reign of terror in the early days of the Soviet Union. Photos.

    An Autobiography Robert Robinson

    But Bunin's other stories and novellas are not to be missed. Over the last several years a great many of them have been freshly and brilliantly translated by Graham Hettlinger. Together, along with four new pieces, they are now published in a one-volume paperback collection of Bunin's greatest writings. In Mr. Hettlinger's renderings readers will see why Bunin was regarded by many of his contemporaries as the rightful successor to Tolstoy and Chekhov as a master of Russian letters.

    The NKVD officer carefully designed it. He measured my size with a stick, made lines on the forest floor, and told me to dig. He wanted to make sure I'd fit well inside."In 1941 Janusz Bardach's death sentence was commuted to ten years' hard labor and he was sent to Kolyma—the harshest, coldest, and most deadly prison in Joseph Stalin's labor camp system—the Siberia of Siberias. The only English-language memoir since the fall of communism to chronicle the atrocities committed during the Stalinist regime, Bardach's gripping testimony explores the darkest corners of the human condition at the same time that it documents the tyranny of Stalin's reign, equal only to that of Hitler. With breathtaking immediacy, a riveting eye for detail, and a humanity that permeates the events and landscapes he describes, Bardach recounts the extraordinary story of this nearly inconceivable world.The story begins with the Nazi occupation when Bardach, a young Polish Jew inspired by Soviet Communism, crosses the border of Poland to join the ranks of the Red Army. His ideals are quickly shattered when he is arrested, court-martialed, and sentenced to death. How Bardach survives an endless barrage of brutality—from a near-fatal beating to the harsh conditions and slow starvation of the gulag existence—is a testament to human endurance under the most oppressive circumstances. Besides being of great historical significance, Bardach's narrative is a celebration of life and a vital affirmation of what it means to be human.

    Now, to mark the centenary of this epochal event, historian Steve Smith presents a panoramic account of the history of the Russian empire, from the last years of the nineteenth century, through the First World War and the revolutions of 1917 and the establishment of the Bolshevik regime, to the end of the 1920s, when Stalin simultaneously unleashed violent collectivization of agriculture and crash industrialization upon Russian society. Drawing on recent archivally-based scholarship, Russia in Revolution pays particular attention to the varying impact of the Revolution on the various groups that made up society: peasants, workers, non-Russian nationalities, the army, women and the family, young people, and the Church. In doing so, it provides a fresh way into the big, perennial questions about the Revolution and its consequences: why did the attempt by the tsarist government to implement political reform after the 1905 Revolution fail; why did the First World War bring about the collapse of the tsarist system; why did the attempt to create a democratic system after the February Revolution of 1917 not get off the ground; why did the Bolsheviks succeed in seizing and holding on to power; why did they come out victorious from a punishing civil war; why did the New Economic Policy they introduced in 1921 fail; and why did Stalin come out on top in the power struggle inside the Bolshevik party after Lenin's death in 1924. A final chapter then reflects on the larger significance of 1917 for the history of the twentieth century - and, for all its terrible flaws, what the promise of the Revolution might mean for us today.

    In this study, historian Richard Stites offers a vivid portrayal of revolutionary life and the cultural factors--myth, ritual, cult, and symbol--that sustained it, and describes the principal forms of utopian thinking and experimental impulse. Analyzing the inevitable clash between the authoritarian elements in the Bolshevik's vision and the libertarian behavior and aspirations of large segments of the population, Stites interprets the pathos of utopian fantasy as the key to the emotional force of the Bolshevik revolution which gave way in the early 1930s to bureaucratic state centralism and a theology of Stalinism.

    Although the opening of the Soviet archives to scholars has made it possible to write the history of this notorious concentration camp system, documents tell only one side of the story. Gulag Voices now fills in the other half.The backgrounds of the writers reflect the extraordinary diversity of the Gulag itself. Here are the personal stories of such figures as Dmitri Likhachev, a renowned literary scholar; Anatoly Marchenko, the son of illiterate laborers; and Alexander Dolgun, an American citizen. These remembrances—many of them appearing in English for the first time, each chosen for both literary and historical value—collectively spotlight the strange moral universe of the camps, as well as the relationships that prisoners had with one another, with their guards, and with professional criminals who lived beside them.A vital addition to the literature of this era,annotated for a generation that no longer remembers the Soviet Union, Gulag Voices will inform, interest, and inspire, offering a source for reflection on human nature itself.

    Who could possibly take the place of that gigantic reformer, that despotic visionary? He died in 1725, leaving Russia with one foot in the modern world and one foot in obscurity - and entirely caught up in a snarl of conspiracies and betrayals. In the next 37 years, five women would make history, calling the shots as their nation became a player in the major-league games of Europe. Brains and brass, gluttony and glory. . . these passionate women responded to the challenges - some for better, some for worse. Henri Troyat paints a dazzling tableau with all the glitter of a St. Petersburg wavering under the competing influences of Prussia and Versailles. In this intimate view of history, we eavesdrop on family quarrels, lovers' trysts and diplomatic conspiracies. Troyat is the perfect author to bring us this real-life fairytale. Born in Moscow in 1911, he experienced Russia's turbulent history himself before making his way to France. In Paris, he achieved extraordinary success as a biographer and lyrical novelist, and was rewarded for his beautiful prose with acceptance into the exclusive Académie Française and with the Prix Goncourt.

    1917-23 covers the period up to Lenin's first withdrawal from the political scene in the Spring of 1923.

    . . has written the outstanding history of the Soviet-German war in English, or, for that matter, any language. The research alone is breathtaking. Erickson has mastered all the Russian sources and compared them with the German records. . . . He has shed light on many heretofore murky matters.”—Reid Beddow, Washington Post Book World“Masterly. . . . A vividly detailed yet comprehensive account of the decisive Eastern-front battleground.”—Christopher Hudson, London Evening Standard“The outstanding book on the Soviet war in any language.”—A. J. P. Taylor, Observer“This authoritative book by a first-class military historian is easily read.”—Philip Warner, Daily Telegraph

    S. S. R. Also by Andre Gide THE COUNTERFEITERS THE IMMORALIST TRAVELS IN THE CONGO These are Borzoi Books published by ALFRED A. KNOPF I DEDICATE THESE PAGES TO THE MEMORY OF EUGENE DABIT, BESIDE WHOM, WITH WHOM, THEY WERE LIVED AND THOUGHT THE HOMERIC HYMN TO DEMETER relates how the great goddess, in the course of her wanderings in search of her daughter, came to the court of Keleos. No one recognized the goddess under the borrowed form of a humble wet-nurse and Queen Metaneira entrusted to her care her latest-born child, the infant Demophoon, afterwards known as Triptolemus, the founder of agriculture. Every evening, behind closed doors, while the household was asleep, Demeter took little Demo phoon out of his comfortable cradle and with appar ent cruelty., though moved in reality by a great love 1 and desirous of bringing him eventually to the state of godhoodj laid the naked child on a glowing bed of embers. I imagine the mighty Demeter bending ma ternally over the radiant nursling as over the future race of mankind. He endures the fiery charcoal he gathers strength from the ordeal. Something super human is fostered in Mm, something robust, some thing beyond all hope glorious. Ah, had Demeter only been able to carry through her bold attempt, to bring her daring venture to a successful issue But Metaneira becoming anxious, says the legend, burst suddenly into the room where the experiment was be ing carried on and guided by her mistaken fears, thrust aside the goddess at her work of forging the superman j pushed away the embers , and, in order to save the child, lost the god. CONTENTS FOREWORD XI RETURN FROM THE U. S. S. R. 3 APPENDICES r. Speech Delivered on the Occasion of Maxim Gorkis Funeral 65 n. Speech to the Students of Moscow 70 in. Speech to the Men of Letters of Leningrad 74 iv. The Struggle against Religion 78 v. Ostrovski 83 vi. A Kolkhoz 86 vu. Bolshevo 89 vni. The Besprizornis 91 FOREWORD THREE YEARS AGO I declared my admiration, my love, for the U. S. S. R. An unprecedented experi ment was being attempted there which filled our hearts with hope and from which we expected an immense advance, an impetus capable of carrying forward in its stride the whole human race. It is indeed worth while living, I thought, in order to be present at this rebirth, and worth while giving ones life in order to help it on. In our hearts and in our minds we resolutely linked the future of culture itself with the glorious destiny of the U. S. S. R. We have frequently said so. We should have liked to repeat it once again, Already, without as yet having seen things for ourselves, we could not but feel disturbed by cer tain recent decisions which seemed to denote a change of orientation. At that moment October 1935 I wrote as fol lows It is largely moreover the stupidity and unfair xi Xll FOREWORD ness of the attacks on the U. S. S. R. that make us defend it with some obstinacy. Those same yelpers will begin to approve the Soviet Union just as we shall cease to do so for what they will approve are those very compromises and concessions which will make some others say There You see but which will lead away from the goal it had at first set itself. Let us hope that in order to keep our eyes fixed on that goal we may not be obliged to avert them from the Soviet Union Nouvelle Revue Frangaise, March 1936 Resolving, however, to maintain at all costs my confidence until I had more to go upon, and pre ferring to doubt my own judgment, I declared once more, four days after my arrival in Moscow, in my speech in the Red Square on the occasion of Gorkis funeral The fate of culture is bound up in our minds with the destiny of the Soviet Union. We will defend it. 1 have always maintained that the wish to re main true to oneself too often carries with it a risk of insincerity and I consider that if ever sincerity is important, it is surely when the beliefs of great masses of people are involved together with ones own...

    These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Oh, and he also takes a side trip to a genuine breakaway state where he is almost beaten up in a border hut. All in the name of The Red Quest! He must try to keep the mission a secret from his wife though, otherwise she may derail his plans.Constantly berated by his friend for wanting to go to 'Turnipland', the Red Quest is a journey spanning half the world from Western Europe to the edge of China! And he is armed only with a pocket full of roubles and a turnip masher.Join Jason Smart as he travels along the Red Quest through Latvia, Estonia, Slovakia, Lithuania, Hungary, Russia, Romania, Moldova. Ukraine, Bulgaria, Czech Republic, Armenia, Georgia, Kazakhstan, Uzbekistan, Turkmenistan, Azerbaijan, Poland, Tajikistan, Kyrgyzstan, Belarus and East Germany!

    Mark Thomas' fourth book is a funny account of a challenge that had national repercussions. The challenge was to perform 100 acts of dissent within the year or donate £1000 to UKIP. (Nothing like a little incentive.) The targets were multiple; from corporate greed and public service inanities to infringements of rights. This is his account of the adventure and is sure to inspire. This book contains many photos and graphics, and so has been produced as a fixed-format colour ebook. It is only recommended for the newer, colour ebook readers.