Harshwardhana, the leader, believes they will win…Until he falls upon a sinister secret of the dark forces.Centuries later… Prithvi Sen is a regular college-going boy. His growth from childhood to adulthood has been plagued by an uncanny disease. Although medicines have it under control, Prithvi feels that the illness hasn’t revealed its truest nature yet. During his existential crisis, a drastic series of events occur and bring the most unexpected twist into his life. Could there be a link between Prithvi and the Dharmayodhas?

    Thought to be buried somewhere within the Mato Grosso region of the Amazon rainforest, the lure of the vanished riches has long proven deadly to treasure-seekers who brave the forbidding wilderness and mysterious creatures in search of it. Disgraced historian Dr. Hunter Winslow, fired from a lucrative professorship for stealing rare documents in order to gain a competitive edge over his colleagues, thinks the key to Manuscript 512 lies not in its words, but in its paper itself. The only problem is that to confirm his hypothesis means to destroy the document, something the Brazil National Library in Rio de Janeiro will never allow. But old habits die hard, and Hunter knows his way around a Special Collections room. After a brazen theft that triggers an international manhunt, the rogue historian is able to reveal the document’s secrets in a way no one else can, or ever will be able to again—by using its physical properties to reveal missing sections that had supposedly been irreversibly damaged. Armed with this new information, Hunter embarks on an expedition to the deepest Amazon to put to rest the mystery of the lost city once and for all. But while Hunter is looking for the fabled treasure, the long arm of the law is looking for him. Will they catch up to him before he can locate the treasure of a thousand lifetimes, or will he become as lost as the city he seeks?

    But her fantasies about heroic outdoor survival flop as hard as her marriage. Dejected beyond measure, she takes a bus to Montana to visit an old high school suitor–someone she once suspected too sinister to pursue. Turns out her initial suspicions about him were spot-on. She soon finds herself in the exact predicament she'd so long imagined. Only now she must outwit a vast wilderness ... and sheer evil.Marty Clawson's got a big problem: 264 pounds’ worth. Doc warns of dire consequences if something doesn't change, but Marty's already tried every diet on the market plus an endless list of her own concoctions. Still, she devises a NEW PLAN–and unlike the others–this one is terrifying: a rendezvous with the state park, a place she considers the very heart of darkness (and snack-free) where she won't emerge again until she is thin. Hubby Raymond believes the method too dangerous–abandoning his super-sized wife like a broken dresser–and refuses to help with her scheme; his crap attitude, along with everything else, changes when she catches him in bed with an aging porn star. Surviving the backwoods alone is challenging for a seasoned outdoorsman but unthinkable for a woman nearing red-alert obesity; yet, she believes it's her last chance to avoid eating herself to death. Despite Ray's newfound assistance, Marty fails at her plan. Desperate and depressed, she contacts Logan Myers, a peculiar boy from her past. Her hopelessness prompts her to accept his offer of bus fare north into the unforgiving Montana bush where he hunts and traps wild animals.Logan soon reveals himself to be far worse than she remembered. So bad that he tosses her to the elements as punishment for rejecting him. In a wicked and ironic twist, her once farfetched idea morphs into an epic web of repetitious terrain and pure malevolence. Now she needs to make it back to the Greyhound station before nightfall, without getting mauled by a random grizzly or discovered by a roaming psychopath determined to hunt her down.THE CHASE IS ON.

    Portraying her heroine's inner life, creating a thick atmosphere of fear, and providing a gripping plot that continues to thrill readers today, The Mysteries of Udolpho is the story of orphan Emily St. Aubert, who finds herself separated from the man she loves and confined within the medieval castle of her aunt's new husband, Montoni. Inside the castle, she must cope with an unwanted suitor, Montoni's threats, and the wild imaginings and terrors that threaten to overwhelm her. This new edition includes an introduction that discusses the publication and early reception of the novel, the genre of Gothic romance, and Radcliffe's use of history, exotic settings, the supernatural, and poetry.

    An apocalyptic storm. Whispering voices in the air. She was right to fear the worst-case scenario. Amy Burnett has been buried in her work as a security expert. She likes it that way—her dark past can’t invade her thoughts as long as she stays holed up in her office. So why the heck has she ended up at a gothic mansion’s doorstep in the middle of the night? It’s because Craig Foster summoned her there. Amy’s company built the sealed chamber in his basement, for any worrisome worst-case scenario, but now the safe room has presented a scenario of its own: Craig’s daughter is trapped inside. It should be a quick fix. After all, what’s the worst thing that can happen when a stranger arrives at a remote mansion on a stormy night? An impossible mystery? A haunting? A visit from the lurking strangers in the woods? Surely not all three—that would require extraordinarily bad luck. Unfortunately, Amy’s been short on luck lately. Three Incidents at Foster Manor will keep you guessing until the end with a twist-filled, fast-paced, genre-blending mix of mystery, ghost story, thriller, and cosmic horror that will chill you to the core. This is a standalone story, but also acts as a sequel to P.T. Phronk's previous mystery, The Arborist. "Full of interesting characters, twists and scares, it will keep you off-balance all the way to the end!" —Franny "I'm always down some ghostly fun but then the fun dial twisted and wow." —Amazon Reviewer "If you like reading stories somewhat reminiscent of The Twilight Zone this is for you." —Alanna Patterson

    2nd in the Fergus O'Neill Series

    The sudden death of her father has left her alone with her irresponsible, grief-stricken mother-who becomes easy prey for a group of occultists promising to contact her dead husband. While fighting to disentangle her mother from these charlatans, Daphne begins to sense a strange, insidious presence in her own body...an entity with unspeakable appetites. What does “Brother” want? And could she even stop him if she tried?

    With his customary wit and intellectual sophistication, Huxley pursues his characters in their quest for the eternal, finishing on a note of horror. "This is Mr. Huxley's Hollywood novel, and you might expect it to be fantastic, extravagant, crazy and preposterous. It is all that, and heaven and hell too....It is the kind of novel that he is particularly the master of, where the most extraordinary and fortuitous events are followed by contemplative little essays on the meaning of life....The story is outrageously good."-New York Times. "A highly sensational plot that will keep astonishing you to practically the final sentence."-The New Yorker. "Mr. Huxley's elegant mockery, his cruel aptness of phrase, the revelations and the ingenious surprises he springs on the reader are those of a master craftsman; Mr. Huxley is at the top of his form." -London Times Literary Supplement.

    During his lifetime, he was better known as the personal assistant of actor Henry Irving and business manager of the Lyceum Theatre in London, which Irving owned.

    He and his wife, Ding, are the parents of an infant and enjoy a contented marriage; he develops a fond obsession with President Calvin Coolidge, the taciturn New Englander whose wry wit and wisdom delights Chai. One day, a chance discovery leads him astray: He learns that a lover from his youth is now in Boston, living with her husband and their son. The son is Chai's very image, and the staid banker is inflamed by the implications of the resemblance. Confused by his emotions, he becomes determined to revive the affair. How Ding schemes to win back her wayward husband--and teach him the necessary truths about love--forms the plot and beguiling conclusion to John Derbyshire's tale.

    K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.As Jonathan Lethem remarks in his Introduction, The real characters are the ideas. Chesterton's nutty agenda is really quite simple: to expose moral relativism and parlor nihilism for the devils he believes them to be. This wouldn't be interesting at all, though, if he didn't also show such passion for giving the devil his due. He animates the forces of chaos and anarchy with every ounce of imaginative verve and rhetorical force in his body.

    Faced with overwhelming odds, Arden enlists the help of the victim’s damaged father, a veteran with a short fuse. Will Arden’s temporary alliance be the solution to her problem or her downfall?

    Life, as the daughter of a Victorian millhand, had never been easy, but now she was mother and housekeeper both to the little family left behind. As one tribulation after another beset her life, so a longing, a determination grew - to venture out into a new world of independence and adventure, and when the chance came she seized it. America, even on the brink of civil war, was to offer a challenge that Ruth was ready to accept, and a love, not easy, but glorious and triumphant. A giant of a book - about a woman who gave herself unstintingly - in love, in war, in the embracing of a new life in a vibrant land.

    350 copies.(Out of print).Contents: "Introduction by Glen Cavaliero, "The School Friend", "Ringing the Changes", "Choice of Weapons", "The Waiting Room", "The View" and "Bind Your Hair".As Dr Glen Cavaliero states in his introduction to this new edition of Dark Entries, "It is Robert Aickman's peculiar achievement that he should invest the daylight world with all the terrors of the night".Dark Entries was the first solo collection of "strange stories" by British short story writer, critic, lecturer and novelist, Robert Aickman. First published in 1964 it contains the classic "Ringing the Changes" and perhaps Aickman's best femme fatale in "Choice of Weapons." The version of "The View" is slightly re-written from its first appearance in We are for the Dark.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.