Lovecraft's Cthulhu Mythos. Ranging from Lovecraft's own tales (including classics such as the novel At the Mountains of Madness, The Shadow Over Innsmouth, and The Colour Out of Space) to works by his friends and contemporaries (Clark Ashton Smith, Robert E. Howard, Frank Belknap Long, and Robert Bloch), to later followers (Henry Kuttner, Lin Carter, Brian McNaughton), and contemporary afficianados (Brian Stableford, Mark McLaughlin, Adrian Cole) -- and many more. This is one collection no Lovecraft fan can afford to miss! Included are: At the Mountains of Madness, by H. P. Lovecraft The Events at Poroth Farm, by T.E.D. Klein The Return of the Sorcerer, by Clark Ashton Smith Worms of the Earth, by Robert E. Howard Envy, the Gardens of Ynath, and the Sin of Cain, by Darrell Schweitzer Drawn from Life, by John Glasby In the Haunted Darkness, by Michael R. Collings The Innsmouth Heritage, by Brian Stableford The Doom That Came to Innsmouth, by Brian McNaughton The Shadow Over Innsmouth, by H. P. Lovecraft The Nameless Offspring, by Clark Ashton Smith The Hounds of Tindalos, by Frank Belknap Long The Faceless God, by Robert Bloch The Children of Burma, by Stephen Mark Rainey The Call of Cthulhu, by H.P. Lovecraft The Old One, by John Glasby The Holiness of Azedarac, by Clark Ashton Smith Those of the Air, by Darrell Schweitzer and Jason Van Hollander The Graveyard Rats, by Henry Kuttner Toadface, by Mark McLaughlin The Whisperer in Darkness, by H. P. Lovecraft The Eater of Hours, by Darrell Schweitzer Ubbo-Sathla, by Clark Ashton Smith The Space-Eaters, by Frank Belknap Long The Fire of Asshurbanipal, by Robert E. Howard Beyond the Wall of Sleep, by H.P. Lovecraft Something in the Moonlight, by Lin Carter The Salem Horror, by Henry Kuttner Down in Limbo, by Robert M. Price The Dweller in the Gulf, by Clark Ashton Smith Azathoth, by H.P. Lovecraft Pickmans Modem, by Lawrence Watt-Evans The Hunters from Beyond, by Clark Ashton Smith Ghoulmaster, by Brian McNaughton The Spawn of Dagon, by Henry Kuttner Dark Destroyer, by Adrian Cole The Dunwich Horror, by H. P. Lovecraft The Dark Boatman, by John Glasby Dagon and Jill, by John P. McCannAnd don't forget to search this ebook store for more entries in the Megapack series -- collections covering Fantasy, Horror, Science Fiction, Mystery, Adventure ... and many more!"

    Here, collected for the first time, are his famous lectures, which include Mansfield Park, Bleak House, and Ulysses. Edited and with a Foreword by Fredson Bowers; Introduction by John Updike; illustrations.

    Series editors Scott Conners and Ronald S. Hilger excavated the still-existing manuscripts, letters and various published versions of the stories, creating a definitive "preferred text" for Smith's entire body of work. This first volume of the series, brings together 25 of his fantasy stories, written between 1925 and 1930, including such classics as "The Abominations of Yondo," "The Monster of the Prophecy," "The Last Incantation" and the title story.

    Lovecraft and his successors. Here in the library, under lock and key, are some of the world’s most dangerous books, most famously the dreaded Necronomicon of the mad Arab, Abdul Alhazred. There was a notably unpleasant incident in the late 1920s, when a certain Wilbur Whateley tried to steal that particular volume, and met a hideous fate. Fortunately, that time at least, the head librarian and his colleagues were able to save the Earth from the dreadful danger of the Dunwich Horror. How safe are Miskatonic’s security precautions and what has perhaps disappeared from, or appeared in the collection since? What other creepy, maddening, extra-dimensional, or even sentient tomes reside on those forbidden shelves? What strange events have taken place among the stacks? Is there an inter-library loan system? Who, or what, comes after miscreants who fail to return books on time? In the modern, digital age, what would happen if some of the content escaped over the Internet? Are some of the books, or all of them, little more than slowly ticking time bombs? And what, dare we ask, can be found in the Cooking Section? If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had? A feast of bibliographical horrors by Don Webb, Adrian Cole, Dirk Flinthart, Harry Turtledove, P.D. Cacek, Will Murray, A.C. Wise, Marilyn Mattie Brahen, Douglas Wynne, Alex Shvartsman, James Van Pelt, Robert M. Price, and Darrell Schweitzer. If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had?

    It has its origins in a mode of self-examination and even self-obsession - 'it is many years now that I have had only myself as object of my thoughts', writes Montaigne in his essay 'Of Practice' - but it is just as accurately defined by its vagrant and curious scope, its capacity to suborn any and every object to its elegant remit. It may not in fact be 'well made' at all, but a thing of fragments and unfinished apercus, or an omnium-gatherum like Robert Burton's capacious but recognizably essayistic Anatomy of Melancholy. The essay may not even be written, but instead a photo essay, film essay, radio essay or some hybrid of these and the literary archetype. It may belong to a self-conscious genre and have been written by an essayist who self-declares as such; or it might be conjured from a milieu where the labels 'essay' and 'essayist' would make no sense at all. The essay, in short, is a varied and various artefact. Its occasion might be scholarly - there are academic essays, though they tend to be essays to the extent that they wish to stop being academic - or it may be journalistic, institutional or 'creative'. The essay can be tethered to a specific (perhaps polemical) context or written with an ambition to timeless or universal import. Whatever its motivation or avowed theme, the essay possesses a style and a voice. Generic, structural and contextual definitions will vary, but the essay is at least recognizable by its having a certain texture - the essay alters or interferes to some degree with the language of non-fiction. Essayism is a personal, critical and polemical book about the genre, its history and its contemporary possibilities, itself an example of what it describes: an essay that is curious and digressive and at the same time held together

    For, in this stylish, erudite and frequently hilarious book, de Botton dips deeply into Proust’s life and work—his fiction, letter, and conversations—and distills from them that rare self-help manual: one that is actually helpful.Here, tendered in prose almost as luminous as it’s subject’s, is advice on cultivating friendships, suffering successfully, recognizing love and understanding why you should never sleep with someone on the first date. And here, too, is a generously perceptive literary biography that suggests that the master is as relevant today as he was in fin de siècle Paris. At once slyly ironic and genuinely wise, How Proust Can Change Your Life is an unqualified delight.

    Covering fiction, poetry, science and science fiction, memoir, travel writing, biography, children’s books, history, and more, 1,000 Books to Read Before You Die ranges across cultures and through time to offer an eclectic collection of works that each deserve to come with the recommendation, You have to read this. But it’s not a proscriptive list of the “great works”—rather, it’s a celebration of the glorious mosaic that is our literary heritage. Flip it open to any page and be transfixed by a fresh take on a very favorite book. Or come across a title you always meant to read and never got around to. Or, like browsing in the best kind of bookshop, stumble on a completely unknown author and work, and feel that tingle of discovery. There are classics, of course, and unexpected treasures, too. Lists to help pick and choose, like Offbeat Escapes, or A Long Climb, but What a View. And its alphabetical arrangement by author assures that surprises await on almost every turn of the page, with Cormac McCarthy and The Road next to Robert McCloskey and Make Way for Ducklings, Alice Walker next to Izaac Walton.  There are nuts and bolts, too—best editions to read, other books by the author, “if you like this, you’ll like that” recommendations , and an interesting endnote of adaptations where appropriate. Add it all up, and in fact there are more than six thousand titles by nearly four thousand authors mentioned—a life-changing list for a lifetime of reading.

    He is especially penetrating on Hermann Broch, and his exploration of the world of Kafka's novels vividly reveals the comic terror of Kafka's bureaucratized universe.Kundera's discussion of his own work includes his views on the role of historical events in fiction, the meaning of action, and the creation of character in the post-psychological novel.

    He chronicles his journey in the New York Times bestseller Great Books: My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World. What brought Denby back to his alma mater was not a sense of nostalgia, but the current academic debate surrounding Western literature. This culture war centers on the left's denunciation of "dead white European males" as oppressive and exclusionary and the right's reverence of the Western canon as the foundation of traditional values and patriotism. Like many of the extremists engaged in the debate, Denby found his memories of these works faded and forgotten. "I possessed information without knowledge, opinions without principles, instincts without beliefs.... And I wanted to add my words to the debate from the ground up, beginning and ending in literature, never leaving the books themselves." Thus Denby returns to Columbia for the two "great books" courses: Literature Humanities and Contemporary Civilization. During his yearlong education he explores the difficulties of going back to reading seriously; analyzes today's college students; observes the teaching styles of four professors; and enters into a period of self-discovery as he learns to deal with life as a middle-aged student, father, and husband. Along the way he gains a new appreciation of writers such as Homer, Boccaccio, Austen, Nietzsche, Conrad, Machiavelli, Marx, and Woolf. He walks away from his experiences believing deeply that students today, more than ever, need this type of humanistic education and that both sides of the culture war are simplifying the Western tradition.

    Plowright, Scarsdale, and the rest of their crew embark on the Great Northern Expedition, traversing a terrifying and desolate landscape to the Black Mountains, where a passageway hundreds of feet high leads to a lost city miles below the surface of the earth. But the unsettling discoveries they make there are only a precursor of the true horror to follow. For the doorway of the Great White Space opens both ways, and something unspeakably evil has crossed over—a horrifying abomination that does not intend to let any of them return to the surface alive . . .

    After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not.In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself.

    From Spenser's The Fairie Queene to Wells's The Time Machine to Murakami's 1Q84 it explores the timeless and captivating features of fiction's imagined worlds including the relevance of the writer's own life to the creation of the story, influential contemporary events and philosophies, and the meaning that can be extracted from the details of the work. With hundreds of pieces of original artwork, illustration and cartography, as well as a detailed overview of the plot and a "Dramatis Personae" for each work, Literary Wonderlands is a fascinating read for lovers of literature, fantasy, and science fiction.

    P. Lovecraft’s shocking, terrifying, and eerily prescient Cthulhu Mythos. In twenty-one dark visions, a host of outstanding contemporary writers tap into our innermost fears, with tales set in a misbegotten new world that could have been spawned only by the master of the macabre himself, H. P. Lovecraft. Inside you’ll find:DETAILS by China Miéville: A curious boy discovers that within the splinters of cracked wood or the tangle of tree branches, the devil is in the details.VISITATION by James Robert Smith: When Edgar Allan Poe arrives, a callow man finally gets what he always wanted—and what he may eternally despise. MEET ME ON THE OTHER SIDE by Yvonne Navarro: A couple in love with terror travels beyond their wildest dreams—and into their nightmares.A FATAL EXCEPTION HAS OCCURRED AT . . . by Alan Dean Foster: Internet terrorism extends far beyond transmitting threats of evil.AND SEVENTEEN MORE HARROWING TALESFrom the Trade Paperback edition.vii • Introduction: The Call of Lovecraft • essay by Benjamin Adams and John Pelan1 • Details • short story by China Miéville21 • Visitation • short story by James Robert Smith33 • The Invisible Empire • novelette by James Van Pelt57 • A Victorian Pot Dresser • novelette by L. H. Maynard and M. P. N. Sims85 • The Cabin in the Woods • novelette by Richard Laymon109 • The Stuff of the Stars, Leaking • short story by Tim Lebbon125 • Sour Places • short story by Mark Chadbourn141 • Meet Me on the Other Side • short story by Yvonne Navarro161 • That's the Story of My Life • short story by Benjamin Adams and John Pelan181 • Long Meg and Her Daughters • novella by Paul Finch243 • A Fatal Exception Has Occurred At ... • short story by Alan Dean Foster261 • Dark of the Moon • short story by James S. Dorr275 • Red Clay • short story by Michael Reaves [as by J. Michael Reaves]291 • Principles and Parameters • novelette by Meredith L. Patterson325 • Are You Loathsome Tonight? • (1998) • short story by Poppy Z. Brite331 • The Serenade of Starlight • short story by W. H. Pugmire (variant of Serenade of Starlight) [as by W. H. Pugmire, Esq.]345 • Outside • short story by Steve Rasnic Tem355 • Nor the Demons Down Under the Sea • [Dandridge Cycle] • short story by Caitlín R. Kiernan371 • A Spectacle of a Man • short story by Weston Ochse389 • The Firebrand Symphony • (2001) • novelette by Brian Hodge437 • Teeth • novelette by Matt Cardin463 • Notes on the Contributors (Children of Cthulhu: Chilling New Tales Inspired by H.P. Lovecraft) • essay by Benjamin Adams and John Pelan

    In To Walk the Night, Bark Jones and his college buddy Jerry Lister, a science whiz, head back to their alma mater to visit a cherished professor of astronomy. They discover his body, consumed by fire, in his laboratory, and an uncannily beautiful young widow in his house—but nothing compares to the revelation that Jerry and Bark encounter in the deserts of Arizona at the end of the book. In The Edge of Running Water, Julian Blair, a brilliant electrophysicist, has retired to a small town in remotest Maine after the death of his wife. His latest experiments threaten to shake up the town, not to mention the universe itself.

    In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre—from Frankenstein and Dracula to The Exorcist, The Twilight Zone, and Earth vs. The Flying Saucers.With the insight and good humor his fans appreciated in On Writing, Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.