Life is now nowhere Else. Live, live for Today I say, but The moments tick And groan, moan With the dismal passage Of time and I wait Forever for what Cannot be. Poems of feeling and experience, the anthology encompasses all of life and beyond: death, the universe, hopes, dreams, love, loss - all of existence contained in one work. Poetry that captures both moments and lifetimes, memories and hopes, reality and dreams. Poems to identify with, poems of life.

    A small pool of reflection in a forest of words is all it takes to escape the worries of the day. Join us for tea in the form of poetry, the wilds are waiting to heal you. A collection of poems to soothe your soul and set free your worry. Sometimes whimsical, sometimes sad, we all need a balance so we don't go mad. This collection of poems is brought to you by a heart that has been through the worst and bloomed again and again. A book full of hope and magic.

    . . but a century later, they are about to meet the planet's ownersOne hundred years ago, Sand's ancestors made the long, one-way trip to the Fifth World, ready to work ceaselessly to terraform the planet. Descendants of native peoples like the Hopi and Zuni, they wanted to return to the way of life of their forebears, who honored the Kachina spirits.Now, though, many of the planet's inhabitants have begun to resent their grandparents' decision to strand them in this harsh and forbidding place, and some have turned away from the customs of the Well-Behaved People. Sand has her doubts, but she longs to believe that the Kachina live on beyond the stars and have been readying a new domain for her people.She may be right. Humans have discovered nine habitable worlds, all with life that shares a genetic code entirely alien to any on Earth. Someone has been seeding planets, bringing life to them. But no other sign of the ancient farmers has ever been discovered--until one day they return to the Fifth World. They do not like what they find.Originally written in 1994, Footsteps in the Sky is finally being released in digital form by Open Road Media.

    Shapiro finds in them not the expected alienation but rather an odd, companionable solitude rising up from the quiet emptiness.In other poems, Shapiro writes movingly of his 1950s and 60s childhood in Brookline, Massachusetts, with special focus on the house he grew up in. These meditations, always inflected with Shapiro’s quick wit and humor, lead to recollections of tragic and haunting events such as the Cuban missile crisis and the assassination of JFK. While Night of the Republic is Shapiro’s most ambitious work to date, it is also his most timely and urgent for the acute way it illuminates the mingling of private obsessions with public space.

    in the epic tale of your life, you are the most important character while everyone is but a forgotten footnote. even the prince.

    our darkest times are where we grow the most, so in this book, i share mine, and together, we learn how to heal.

    The nation knows him as a sharpshooter, buffalo hunter, moving pictures pioneer, and one-time proprietor of the greatest Wild West show the nation has ever seen. Some of the stories are true, some exaggerated, and some rank among the wildest of tall tales. But for a man who has lived like Colonel Cardiff, the facts trump the myth. In the spring of 1868, Denver is the richest, wildest city west of the Mississippi. When an overweight Easterner named Dr. Bogardus rolls into town to announce a shooting contest with a $1,000 prize, ears prick up. Young Hugh wins the shoot with an ancient muzzle-loading rifle, knocking glass balls out of the air and missing only four out of one hundred targets. He is famous at nineteen, and the Colonel’s wild life is just getting started.

    She has defended him through all his misdemeanours, but when he is involved in the death of a young baby, she is distraught. When the authorities send her and her family to the Boltons' remote farm, they find a refuge. But many families have come to the Boltons' farm, and not all of them have left it.

    Drake, the poet meditates on the subtle beauty of brokenness.

    There is no Table of Contents. Instead, there is a "Track List," making it easy to refer to them to your friends with a, "Hey did you read track seven?!" There are no chapters. Instead, the book is divided into two parts, or as one would say in the 90's, two "sides." Side A holds poetry that touches on all aspects of the human condition like life, death, love, moving on, evolving, growing up, hometowns, family dynamic, life after trauma, and make-ups and breakups. Side B holds the "remixes" of these poems, in the form of blackout poetry, also known as "found poetry." Side B gives the material a fresh twist by creating new poetry out of Side A. There is also a very special surprise at the end of each track. Alicia decided to self publish this effort after leaving her publishing house. She views this book as her "independence" and official separation from that venture. She also drew the front and back cover herself. Alicia is a contributing writer for many blogs and news outlets, including the Huffington Post and multiple Gannett Publications. She writes regularly on drug addiction and how it directly affects families. Because of this, she has chosen to donate 100% of royalties to the Willow Tree Center in New Jersey. www.willowtree.org. Follow Alicia on Instagram: @thealiciacook or check out her website: www.thealiciacook.com.

    2015 World Poetry Slam Champion and Woman of the World co-Champion Emtithal "Emi" Mahmoud presents her hauntingly beautiful debut poetry collection.Brimming with rage, sorrow, and resilience, this collection traverses an expansive terrain: genocide; diaspora; the guilt of surviving; racism and Islamophobia; the burdens of girlhood; the solace of sisterhood; the innocence of a first kiss.  Heart-wrenching and raw, defiant and empowering, Sisters’ Entrance explores how to speak the unspeakable.

    Armed with a daily newspaper and a permanent marker, he constructs through deconstruction--eliminating the words he doesn't need to create a new art form: Newspaper Blackout poetry. Highly original, Kleon's verse ranges from provocative to lighthearted, and from moving to hysterically funny, and undoubtedly entertaining. The latest creations in a long history of "found art," "Newspaper Blackout" will challenge you to find new meaning in the familiar and inspiration from the mundane. "Newspaper Blackout" contains original poems by Austin Kleon, as well as submissions from readers of Kleon's popular online blog and a handy appendix on how to create your own blackout poetry.

    Tap Out, Edgar Kunz’s debut collection, reckons with his working‑poor heritage. Within are poignant, troubling portraits of blue‑collar lives, mental health in contemporary America, and what is conveyed and passed on through touch and words―violent, or simply absent.   Yet Kunz’s verses are unsentimental, visceral, sprawling between oxys and Bitcoin, crossing the country restlessly. They grapple with the shame and guilt of choosing to leave the culture Kunz was born and raised in, the identity crises caused by class mobility. They pull the reader close, alternating fierce whispers and proud shouts about what working hands are capable of and the different ways a mind and body can leave a life they can no longer endure. This hungry new voice asks: after you make the choice to leave, what is left behind, what can you make of it, and at what cost?

    Non-binary poet Cyrus Parker returns with an all-new collection of poetry and prose dedicated to those struggling to find their own identity in a world that often forces one into the confines of what’s considered “socially acceptable.” Divided into three parts and illustrated by Parker, masquerade grapples with topics such as the never-ending search for acceptance, gender identity, relationships, and the struggle to recognize your own face after hiding behind another for so long.

    Unrequited love. Platonic love. Lost love. Self-love. And, for a lucky few humans: old soul love that seems to transcend even death.