With the ability to transform into the voluptuous and powerful Zaturnnah, Ada defends his hometown from dangerous otherworldly threats.Adding color to this simple tale is the fact that Ada is a homosexual, proprietor of his own quaint beauty salon. Joining him in his extraordinary adventure is his frilly-mouthed assistant Didi and his secret love Dodong. Because of strong language and suggestive imagery, the comic book is strictly for mature readers. Zsazsa Zaturnnah was first released in December 2002 as a two-part limited series, and since then has been prominently featured in the Philippine Daily Inquirer, Businessworld, Manila Standard, Art Quarterly Manila, Culture Crash, etc. as well as the television show Knowledge Power.After winning a much-coveted National Book Award, given out by the discriminating Manila Critics Circle, the two part Ang Kagila-gilalas na Pakikipagsapalaran ni Zsazsa Zaturnnah has been compiled into a single trade paperback by Visual Print Enterprises, and hit shelves of major bookstores within the first half of 2004.

    Even grown-up women can't get enough of royal weddings and royal gossip. Yet critics claim the princess dream sets little girls up to be weak and submissive, and allows grown women to indulge in fantasies of rescue rather than hard work and self-reliance. Enter Jerramy Fine -- an unabashed feminist who is proud of her life-long princess obsession and more than happy to defend it. Through her amusing life story and in-depth research, Fine makes it clear that feminine doesn't mean weak, pink doesn't mean inferior, and girliness is not incompatible with ambition. From 9th century Cinderella to modern-day Frozen, from Princess Diana to Kate Middleton, from Wonder Woman to Princess Leia, Fine valiantly assures us that princesses have always been about power, not passivity. And those who love them can still be confident, intelligent women. Provocative, insightful, but also witty and personal, In Defense of the Princess empowers girls, women, and parents to dream of happily ever after without any guilt or shame.

    The story of Francisco, who is torn in his love for two women both with outstanding qualities—: Christy, his fianceé of many years, and Magda, the mysterious widow.

    Octopus, the Vulture, Sandman and more classic characters - along with some new ones like Batwing and Bluebird - on his way to becoming Marvel's premiere super hero! Collecting AMAZING FANTASY (1995) #16-18; UNTOLD TALES OF SPIDER-MAN #1-25, #-1, ANNUAL 1996-1997 and STRANGE ENCOUNTER; and material from AMAZING SPIDER-MAN ANNUAL #37.

    Here she shares her views on all the important topics, from acceptable careers (bartender; brewer) to her favourite cocktail recipe (beer, preferably obscure Japanese, served on ice). Written with Lee Lin's inimitable flair and contempt for all beneath her, this book will give you the Chinspiration you need to live a transcendent life.

    He had a beautiful new girlfriend and sudden prosperity as an author. But when he adopts an orphaned infant mouse, his world is turned on its head. The mouse comes to symbolize everything left unresolved in his life — his relationship with his divorced parents, his fear of family and commitment, and his inability to feel true happiness and love. By turns hilarious and moving, Mishka Shubaly’s latest Kindle Single captures the journey we all take in life — from being loved, to giving love. Cover by Adil Dara.

    Fusing family memoir with a meditation on creative block, depression, solitude, class, place and the intractable politics of our present moment, Dan Fox draws upon his experiences as a writer to consider the role that fallow periods and states of impasse play in art and life. LIMBO is an essay about getting by when you can't get along, employing a cast of artists, exiles, ghosts, hermits and sailors - including the author's older brother who, in 1985, left England for good to sail the world - to reflect on the creative, emotional and political consequences of being stuck, and how these are also crucial to our understanding of inspiration, flow and productivity. From Thomas Aquinas to radical behavioural experiments, from creative constraints to the social horrors of THE TWILIGHT ZONE and Get Out's SUNKEN PLACE, LIMBO argues that there can be no growth without stagnancy, no movement without inactivity, and no progress without refusal.

    She relayed her fun and frank exploits in the bestseller A Round-Heeled Woman. Now Juska continues her astonishing story in this much anticipated new adventure.Five years after that fateful ad, Juska has become a friend and confessor for women of all ages who confide in her their poignant, tragic, or blissful stories– unaccompanied women who are alone for now, but ever searching for intimacy. And in spite of Juska’s own success, “unaccompanied” is a description that applies to her as well. She’s still looking for a man to keep her company–not a husband, not even a partner, but simply the perfect lover, once described by Katharine Hepburn as one who “lives nearby and visits often.”Unaccompanied Women embraces not only Juska’s continuing explorations of Eros (note to fans: her younger lover, Graham, is still on the scene) but also a blossoming literary career that catapults her from San Francisco to New York, London, and Paris. At book signings, earnest men place themselves purposely at the end of the line in order to engage her in private conversations, while women linger to confess their own erotic longings and their experiences with the good, the bad, and even the ugly. All the while, Juska is coping with the unnerving possibility of losing her home, a tiny cottage in Berkeley, California–and so her search broadens and intensifies, not just for love, friendship, and sex but also for enough money to keep a roof over her head. Jane Juska shares all this richness of living in a poignant and humorous exploration of emotional terrain rarely discussed in our society. This wise and warmhearted book provides vivid evidence that the pursuit of pleasure and lasting relationships is not just for the young, but also for the young at heart.From the Hardcover edition.

    The Steampunk Bible is the first compendium about the movement, tracing its roots in the works of Jules Verne and H. G. Wells through its most recent expression in movies such as Sherlock Holmes. Its adherents celebrate the inventor as an artist and hero, re-envisioning and crafting retro technologies including antiquated airships and robots. A burgeoning DIY community has brought a distinctive Victorian-fantasy style to their crafts and art. Steampunk evokes a sense of adventure and discovery, and embraces extinct technologies as a way of talking about the future. This ultimate manual will appeal to aficionados and novices alike as author Jeff VanderMeer takes the reader on a wild ride through the clockwork corridors of Steampunk history.Praise for The Steampunk Bible:"The Steampunk Bible is an informed, informative and beautifully illustrated survey of the subject." -The Financial Times"The Steampunk Bible is far and away the most intriguing catalog of all things steam yet written." -The Austin Chronicle “It’s hard to imagine how VanderMeer and Chambers could have put together a stronger collection. Its publication marks a significant, self-conscious moment in the history of the movement.”—PopMatters.com

    As he wanders the land year upon year, Raymo gathers the revelations embedded in the geological and cultural history of this wild and ancient place. "When I called out for the Absolute, I was answered by the wind," Raymo writes. "If it was God's voice in the wind, then I heard it." In poetic prose grounded in a mind trained to discover fact, Honey from Stone enters the wonder of the material world in search of our deepest nature.

    In Shit, Actually, Lindy returns to those roots, re-examining beloved and iconic movies from the past 40 years with an eye toward the big questions of our time: Is Twilight the horniest movie in history? Why do the zebras in The Lion King trust Mufasa-WHO IS A LION-to look out for their best interests? Why did anyone bother making any more movies after The Fugitive achieved perfection? And, my god, why don't any of the women in Love, Actually ever fucking talk?!?!From Forrest Gump, Honey I Shrunk the Kids, and Bad Boys II, to Face/Off, Top Gun, and The Notebook, Lindy combines her razor-sharp wit and trademark humor with a genuine adoration for nostalgic trash to shed new critical light on some of our defining cultural touchstones-the stories we've long been telling ourselves about who we are. At once outrageously funny and piercingly incisive, Shit, Actually reminds us to pause and ask, "How does this movie hold up?", all while teaching us how to laugh at the things we love without ever letting them or ourselves off the hook.Shit, Actually is a love letter and a break-up note all in one: to the films that shaped us and the ones that ruined us. More often than not, Lindy finds, they're one and the same.

    Journalist Tim Zimmermann set out to find out why. His riveting account of Tilikum's life and the history of killer whale entertainment at marine parks dives into the world of the ocean's top predator. It chronicles Tilikum's capture and separation from his family and the physical and psychological stress he experienced in marine park pools over some thirty years. It explores Tilikum's involvement in two previous deaths. And it details the inherent risks of using captive killer whales for human entertainment. Ultimately, Zimmermann explains how the life of Tilikum came to mean the death of Dawn Brancheau.

    An outstanding, thought-provoking study of the state of modern professional football.

    As such she is deeply fascinated-and intimately familiar—with the toll exacted from young women whose lives are offered in sacrifice as starlets. The stories of these actresses, both famous and obscure-tragic stories of suicide, murder, obscurity, and other forms of death—inspired this empathic and emotionally charged collection of new poetic work. Featuring subjects from Marilyn Monroe and Frances Farmer to Dana Plato and Brittany Murphy—and paired with original artwork commissioned for the book by luminaries including David Lynch, Adrian Tome, Marilyn Manson, and Marcel Dzama—Dark Sparkler is a surprising and provocative collection from a young artist of wide-ranging talent, culminating in an extended, confessional epilogue of astonishing candor and poetic command. Actresses featured in Dark Sparkler include:Marilyn MonroeBrittany MurphyDana PlatoJayne MansfieldJean HarlowDominique DunneSharon TateHeather O’RourkeBridgette AndersenShannon Michelle WilseyJudith BarsiPeg EntwistleCarole LandisAnissa JonesSusan PetersBarbara La MarrLucy GordonSirkka SariLi ToblerThelma ToddSamantha SmithLupe ValezTaruni SachdevRebecca Shaeffer

    Her old encounters with overdrawn bank accounts and oversized ambitions in the big city have given way to a new set of challenges. The first essay, "Matricide," opens without flinching:People who weren't there like to say that my mother died at home surrounded by loving family. This is technically true, though it was just my brother and me and he was looking at Facebook and I was reading a profile of Hillary Clinton in the December 2009 issue of Vogue.Elsewhere, she carefully weighs the decision to have children—"I simply felt no calling to be a parent. As a role, as my role, it felt inauthentic and inorganic"—and finds a more fulfilling path as a court-appointed advocate for foster children. In other essays, she skewers the marriage-industrial complex and recounts a harrowing near-death experience following a sudden illness. Throughout, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of contemporary American experience and considers the unspeakable thoughts many of us harbor—that we might not love our parents enough, that "life's pleasures" sometimes feel more like chores, that life's ultimate lesson may be that we often learn nothing. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home. Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions, blind spots, and sentimentalities while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.