Saag, MD, an internationally known expert on the virus that causes AIDS, but the book is more than a memoir: through his story, Dr. Saag also shines a light on the dysfunctional US healthcare system, proposing optimistic yet realistic remedies drawn from his distinguished medical career.Mike Saag began his medical residency in 1981, within days of the Centers for Disease Control’s first report of a mysterious “gay cancer” killing young men. Soon, the young doctor’s career was yoked to the epidemic. His life’s work became turning the most deadly virus in human history into a chronic, manageable disease.In the lab at the University of Alabama at Birmingham, Dr. Saag and colleagues made seminal early discoveries about the elusive virus. And at the AIDS clinic he founded, Dr. Saag met people whose fight against a virtual death sentence touched his heart and inspired him to work even harder. As his career stretched across three decades, Dr. Saag found himself battling another foe, this one almost as pernicious as AIDS itself: a broken healthcare system shaped more by politicians, insurers, and lobbyists than by patients’ needs.Positive is Dr. Saag’s tribute to the unforgettable patients he has known and an urgent call to create a comprehensive, compassionate, accessible healthcare system in the name of those we can save today.

    He's about to take his first-ever trip to Iran, and it's pretty overwhelming—especially when he's also dealing with clinical depression, a disapproving dad, and a chronically anemic social life. In Iran, he gets to know his ailing but still formidable grandfather, his loving grandmother, and the rest of his mom's family for the first time. And he meets Sohrab, the boy next door who changes everything.Sohrab makes sure people speak English so Darius can understand what's going on. He gets Darius an Iranian National Football Team jersey that makes him feel like a True Persian for the first time. And he understands that sometimes, best friends don't have to talk. Darius has never had a true friend before, but now he's spending his days with Sohrab playing soccer, eating rosewater ice cream, and sitting together for hours in their special place, a rooftop overlooking the Yazdi skyline.Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he's Darioush to Sohrab. When it's time to go home to America, he'll have to find a way to be Darioush on his own.

    In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.

    . . My thoughts are filled with frozen rivers that may or may not hold my weight; empty, forgotten valleys haunted by emaciated ghosts; and packs of ravenous, merciless wolves."Having left his job as a high-school geography teacher, Rob Lilwall arrived in Siberia equipped only with a bike and a healthy dose of fear. Cycling Home from Siberia recounts his epic three-and-a-half-year, 30,000-mile journey back to England via the foreboding jungles of Papua New Guinea, an Australian cyclone, and Afghanistan's war-torn Hindu Kush. A gripping story of endurance and adventure, this is also a spiritual journey, providing poignant insight into life on the road in some of the world's toughest corners.

    One of the world's greatest nature writers, Basho (1644-1694) is well known for his subtle sensitivity to the natural world, and his writings have influenced contemporary American environmental writers such as Gretel Ehrlich, John Elder, and Gary Snyder. This volume concentrates on Basho's travel journal, literary diary (Saga Diary), and haibun. The premiere form of literary prose in medieval Japan, the travel journal described the uncertainty and occasional humor of traveling, appreciations of nature, and encounters with areas rich in cultural history. Haiku poetry often accompanied the prose. The literary diary also had a long history, with a format similar to the travel journal but with a focus on the place where the poet was living. Basho was the first master of haibun, short poetic prose sketches that usually included haiku.As he did in Basho's Haiku, Barnhill arranges the work chronologically in order to show Basho's development as a writer. These accessible translations capture the spirit of the original Japanese prose, permitting the nature images to hint at the deeper meaning in the work. Barnhill's introduction presents an overview of Basho's prose and discusses the significance of nature in this literary form, while also noting Basho's significance to contemporary American literature and environmental thought. Excellent notes clearly annotate the translations.

    But this becomes contested territory when a recent immigrant from the Middle East—a former colonel in the Iranian Air Force—becomes determined to restore his family’s dignity through buying the house. When the woman’s lover, a married cop, intervenes, he goes to extremes to win her love. Andre Dubus III’s unforgettable characters—people with ordinary flaws, looking for a small piece of ground to stand on—careen toward inevitable conflict. An “affecting, subtle portrait of two hostile but equally fragile camps” (The New Yorker), their tragedy paints a shockingly true picture of the country we still live in today, two decades after this book’s first publication.

    Sir Alfred has spent the last 15 years living and sleeping inside the airport's Terminal One building, trapped in international no-man's land without the proper documentation needed to move on. Sir Alfred was born in Iran in 1945. When he was twenty his father died and he received an even greater shock when the woman he regarded as his mother told him he wasn't her son, but the result of a union between his father and a British nurse. A deal was agreed for Sir Alfred to disappear overseas to England and his family would pay for his studies. After a year at university, his family broke all contact and he returned to Iran where he was imprisoned for his political activism, was arrested and tortured. He was then expelled from Iran with a passport valid for just one year - so he was now a stateless person. He was mugged on his way to Charles de Gaulle airport in 1988 and lost all his documents. He boarded a plane to London but without the appropriate documentation was sent straight back to Paris. On trying to leave the airport he was arrested and sentenced as an illegal immigrant, and served six months in jail. Upon his release, he returned to Charles de Gaulle and was refused permission to enter any other country. Fearing arrest if he left the terminal building but unable to board a flight, he was trapped there for years. He sleeps on a red bench borrowed from an old bar, surrounded by piles of newspapers and magazines stored in cargo boxes and his extensive diary. As Sir Alfred remained trapped between countries his fame began to spread. There have been numerous press and magazines articles around the globe; he receives hundreds of letters from well-wishers as well as his visits and has also featured in three documentary feature films about his plight as the world's only celebrity homeless person. Political refugee, prisoner, exile, rebel, gentleman, citizen of the world, media magnet and, most of all, delayed passenger, The Terminal Man tells Sir Alfred's incredible and unique life story in his own words.

    Shohreh Aghdashloo seized the moment and boldly left her husband for Europe and eventually, America, a vastly different culture. Shohreh Aghdashloo writes poignantly about her struggles as an outsider in a new culture—as a woman, a Muslim, and a Persian—adapting to a new land and a new language, and shares behind-the-scenes stories about what it’s really like to be an actress in Hollywood.The Alley of Love and Yellow Jasmines includes original color photographs from the author.

    This updated edition addresses the events of the past decade, analyzing how they have influenced Islam’s position in modern culture. Aslan explores what the popular demonstrations pushing for democracy in the Middle East mean for the future of Islam in the region, how the Internet and social media have affected Islam’s evolution, and how the war on terror has altered the geopolitical balance of power in the Middle East. He also provides an update on the contemporary Muslim women’s movement, a discussion of the controversy over veiling in Europe, an in-depth history of Jihadism, and a look at how Muslims living in North America and Europe are changing the face of Islam. Timely and persuasive, No god but God is an elegantly written account that explains this magnificent yet misunderstood faith.

    More family soon followed, and the clan has been here ever since. Funny in Farsi chronicles the American journey of Dumas's wonderfully engaging family: her engineer father, a sweetly quixotic dreamer who first sought riches on Bowling for Dollars and in Las Vegas, and later lost his job during the Iranian revolution; her elegant mother, who never fully mastered English (nor cared to); her uncle, who combated the effects of American fast food with an army of miraculous American weight-loss gadgets; and Firoozeh herself, who as a girl changed her name to Julie, and who encountered a second wave of culture shock when she met and married a Frenchman, becoming part of a one-couple melting pot.

    One hundred days later the shah--despite his massive military, fearsome security police, and superpower support was overthrown by a popular and largely peaceful revolution. But the CIA was not alone in its myopia, as Charles Kurzman reveals in this penetrating work; Iranians themselves, except for a tiny minority, considered a revolution inconceivable until it actually occurred. Revisiting the circumstances surrounding the fall of the shah, Kurzman offers rare insight into the nature and evolution of the Iranian revolution and into the ultimate unpredictability of protest movements in general.As one Iranian recalls, "The future was up in the air." Through interviews and eyewitness accounts, declassified security documents and underground pamphlets, Kurzman documents the overwhelming sense of confusion that gripped pre-revolutionary Iran, and that characterizes major protest movements. His book provides a striking picture of the chaotic conditions under which Iranians acted, participating in protest only when they expected others to do so too, the process approaching critical mass in unforeseen and unforeseeable ways. Only when large numbers of Iranians began to "think the unthinkable," in the words of the U.S. ambassador, did revolutionary expectations become a self-fulfilling prophecy. A corrective to 20-20 hindsight, this book reveals shortcomings of analyses that make the Iranian revolution or any major protest movement seem inevitable in retrospect.

    Paired with a powerful introduction by New York Times bestselling authors Neil Strauss and Anthony Bozza, Roxana Shirazi’s The Last Living Slut is a passionate tale of jilted love, brutal revenge, and backstage encounters that make Pamela Des Barres’s I’m With The Band read like the diary of a nun.

    Kim Ghattas follows everyday citizens whose lives have been affected by the geopolitical drama.Most Americans assume that extremism, Sunni-Shia antagonism, and anti-Americanism have always existed in the Middle East, but prior to 1979, Saudi Arabia and Iran were working allies. It was only after that year--a remarkable turning point--that Shia Iran and Sunni Saudi Arabia began to use religion as a tool in their competition for dominance in the region, igniting the culture wars that led to the 1991 American invasion of Iraq, the September 11th terrorist attacks, and the rise of ISIS.Ghattas shows how Saudi Arabia and Iran went from allies against the threat of communism from Russia, with major roles in the US anti-Soviet strategy, to mortal enemies that use religious conservatism to incite division and unrest from Egypt to Pakistan.

    A short story collection originally published by Michael Joseph Ltd as part of the collection "African Stories 1964".Contains: The Black Madonna; The Trinket Box; The Pig; Traitors; The Old Chief Mshlanga; A Sunrise on the Veld; No Witchcraft for Sale.

    war on terror has focused on al-Qaeda, Afghanistan, and Iraq. Coverage of Iran has been devoted almost exclusively to its nuclear ambitions. Yet, as Ronen Bergman's groundbreaking reporting in this vital investigative history reveals, for thirty years, Iran has been the world's leading sponsor of global terror and stands as the most formidable sponsor of terror in the world today.Bergman, one of Israel's top investigative reporters, gained unprecedented access to extra-ordinary sources from top to bottom in the Mossad and intelligence agencies around the world. Based on over ten years of research and more than three hundred exclusive interviews with key intelligence figures, he reveals that Iranian terrorist masterminds have crisscrossed the globe, conducting bombings and assassinations with impunity -- even renting apartments and planning bombing attacks in New York City. Iran's proxy, Hizballah, has virtually taken over southern Lebanon and threatens Israel with high-powered weaponry supplied by Iran. Iran and Hizballah worked closely with al-Qaeda and other Sunni terrorist groups in developing their terrorist operations, and Iranian commandos trained Iraqi insurgents in the crafts of suicide bombing and the building of the roadside bombs that have killed so many U.S. troops in Iraq.In response, and largely beneath the public's radar, a vast clandestine war has been fought with Iran and Hizballah on one side and the CIA, Israel's Mossad, and their European counterparts on the other. The full story of that secret war, told for the first time here, will fundamentally change the debate about U.S. national security priorities.A new axis of evil is emerging from Iran and spreading around the world, and Ronen Bergman shows that the CIA and Mossad have so far been unable to thwart it. "The Secret War with Iran" is riveting and urgent.