In Cordelia's world, Making - crafting items such as hats, cloaks, watches, boots and gloves from magical ingredients - is a rare and ancient skill, and only a few special Maker families remain.When Cordelia's father Prospero and his ship, the Jolly Bonnet, are lost at sea during a mission to collect hat ingredients, Cordelia is determined to find him. But Uncle Tiberius and Aunt Ariadne have no time to help the littlest Hatmaker, for an ancient rivalry between the Maker families is threatening to surface. Worse, someone seems to be using Maker magic to start a war.It's up to Cordelia to find out who, and why . . .Featuring illustrations by Paola Escobar.

    But when a fourth child, Max, a knife-thrower, joins the group, it sets off an unforgettable chain of events. When the museum’s Amazonian shrunken head is stolen, the four are determined to get it back. But their search leads them to a series of murders and an explosive secret about their pasts. This sensational new series combines the unparalleled storytelling gifts of Lauren Oliver with the rich knowledge of the notorious relics collector H.C. Chester. What you will NOT find in this book:– An accountant named Seymour– A never-ending line at the post office– Brussel sprouts (shudder)– A lecture on finishing all your homework on time– A sweet, gooey story for nice little girls and boys.

    Birdie McAdam, a ten-year-old orphan, is tougher than she looks. She's proud of her job as apprentice to Alfred the Bogler, a man who catches monsters for a living. Birdie lures the bogles out of their lairs with her sweet songs, and Alfred kills them before they kill her. On the mean streets of Victorian England, hunting bogles is actually less dangerous work than mudlarking for scraps along the vile river Thames. (See glossary!) Or so it seems—until the orphans of London start to disappear . . .

    Clara Wintermute, the only child of a wealthy doctor, is spellbound by Grisini’s act and invites him to entertain at her birthday party. Seeing his chance to make a fortune, Grisini accepts and makes a splendidly gaudy entrance with caravan, puppets, and his two orphaned assistants.Lizzie Rose and Parsefall are dazzled by the Wintermute home. Clara seems to have everything they lack — adoring parents, warmth, and plenty to eat. In fact, Clara’s life is shadowed by grief, guilt, and secrets. When Clara vanishes that night, suspicion of kidnapping falls upon the puppeteer and, by association, Lizzie Rose and Parsefall. As they seek to puzzle out Clara’s whereabouts, Lizzie and Parse uncover Grisini’s criminal past and wake up to his evil intentions. Fleeing London, they find themselves caught in a trap set by Grisini’s ancient rival, a witch with a deadly inheritance to shed before it’s too late.

    Which means a reward for Piper if she can get the girl home. The one sure way to the Territories is the 401, a great old beauty of a train. But a ticket costs more coin than Piper could make in a year. And stowing away is a difficult prospect--everyone knows that getting past the peculiar green-eyed boy who stands guard is nearly impossible. Life for Piper just turned dangerous. A little bit magical. And very exciting, if she can manage to survive the journey.

    She and her sister Alice are still grieving for their dead mother when their father takes a job in a strange museum in a city where it always snows. On her very first day in the museum Ophelia discovers a boy locked away in a long forgotten room. He is a prisoner of Her Majesty the Snow Queen. And he has been waiting for Ophelia's help.As Ophelia embarks on an incredible journey to rescue the boy everything that she believes will be tested. Along the way she learns more and more about the boy's own remarkable journey to reach her and save the world.A story within a story, this a modern day fairytale is about the power of friendship, courage and love, and never ever giving up.

    He also likes to boast (about his acting skills, his wife's acting skills, a fortune only his family knows is metaphorical), but more than anything he likes to have adventures. Max Starling's equally theatrical mother is not a boaster but she enjoys a good adventure as much as her husband. When these two disappear, what can sort-of-theatrical Max and his not-at-all theatrical grandmother do? They have to wait to find out something, anything, and to worry, and, in Max's case, to figure out how to earn a living at the same time as he maintains his independence. This is the first of three books, all featuring the mysterious Mister Max.

    But there are sinister forces at work that want to destroy all knowledge. To save the library, Lenora will have to test her limits and uncover secrets hidden among its shelves.

    She had no idea they were so dangerous.   Boston, 1891. Sophia Tims comes from a family of explorers and cartologers who, for generations, have been traveling and mapping the New World—a world changed by the Great Disruption of 1799, when all the continents were flung into different time periods.  Eight years ago, her parents left her with her uncle Shadrack, the foremost cartologer in Boston, and went on an urgent mission. They never returned. Life with her brilliant, absent-minded, adored uncle has taught Sophia to take care of herself. Then Shadrack is kidnapped. And Sophia, who has rarely been outside of Boston, is the only one who can search for him. Together with Theo, a refugee from the West, she travels over rough terrain and uncharted ocean, encounters pirates and traders, and relies on a combination of Shadrack’s maps, common sense, and her own slantwise powers of observation. But even as Sophia and Theo try to save Shadrack’s life, they are in danger of losing their own.The Glass Sentence plunges readers into a time and place they will not want to leave, and introduces them to a heroine and hero they will take to their hearts. It is a remarkable debut.

    Bartholomew and Hettie are changelings--Peculiars--and neither faeries nor humans want anything to do with them.One day a mysterious lady in a plum-colored dress comes gliding down Old Crow Alley. Bartholomew watches her through his window. Who is she? What does she want? And when Bartholomew witnesses the lady whisking away, in a whirling ring of feathers, the boy who lives across the alley--Bartholomew forgets the rules and gets himself noticed.First he's noticed by the lady in plum herself, then by something darkly magical and mysterious, by Jack Box and the Raggedy Man, by the powerful Mr. Lickerish . . . and by Arthur Jelliby, a young man trying to slip through the world unnoticed, too, and who, against all odds, offers Bartholomew friendship and a way to belong.Part murder mystery, part gothic fantasy, part steampunk adventure, The Peculiar is Stefan Bachmann's riveting, inventive, and unforgettable debut novel.

    She doesn't have too many friends amongst the living, but that's all right. She has her books, she has her aunts, and she has her best friend, the ghostly Felix.Then Pram meets Clarence, a boy from school who has also lost a parent and is looking for answers. Together they arrive at the door of the mysterious Lady Savant, who promises to help. But this spiritualist knows the true nature of Pram's power, and what she has planned is more terrifying than any ghost.

    And Zenobia’s company can be very trying! When Elizabeth’s father takes them to live in his family home, Witheringe House, Zenobia becomes obsessed with finding a ghost in the creepy old mansion and forces Elizabeth to hold séances and wander the rooms at night. With Zenobia’s constant pushing, Elizabeth investigates the history of the house and learns that it does hold a terrible secret: Her father’s younger sister disappeared from the grounds without a trace years ago.Elizabeth and Zenobia is a wonderfully compelling middle-grade story about friendship, courage, and the power of the imagination.

    But, despite the Gatsby-like parties and trimmings of success, she suspects something might be deeply wrong in the household—specifically with Rose Sewell, the formerly vivacious lady of the house who now refuses to leave her room. The other servants say Rose is crazy, but scrappy, strong-willed Martha thinks there’s more to the story—and that the paintings in the Sewell’s gallery contain a hidden message detailing the truth. But in a house filled with secrets, nothing is quite what it seems, and no one is who they say. Can Martha follow the clues, decipher the code, and solve the mystery of what’s really going on with Rose Sewell . . . ?Inspired by true events described in the author’s note.

    A family moves into an old, abandoned house. Jules's parents love the house, but Jules is frightened and feels a sense of foreboding. When she sees a pale face in an upstairs window, though, she can't stop wondering about the eerie presence on the top floor—in a room with a locked door. Could it be someone who lived in the house a century earlier? Her fear replaced by fascination, Jules is determined to make contact with the mysterious figure and help unlock the door. Past and present intersect as she and her ghostly friend discover—and change—the fate of the family who lived in the house all those many years ago.

    Luckily, Miss Penelope Lumley is no ordinary governess. Only fifteen years old and a recent graduate of the Swanburne Academy for Poor Bright Females, Penelope embraces the challenge of her new position. Though she is eager to instruct the children in Latin verbs and the proper use of globes, first she must help them overcome their canine tendencies. But mysteries abound at Ashton Place: Who are these three wild creatures, and how did they come to live in the vast forests of the estate? Why does Old Timothy, the coachman, lurk around every corner? Will Penelope be able to teach the Incorrigibles table manners and socially useful phrases in time for Lady Constance's holiday ball? And what on earth is a schottische?