Zits cover his entire body; his skin is aflame with bright red, pus-filled sores. He has become an outcast in his school and the other kids call him Toad.But what they don't know is the pus leaking from Kip's acne is actually a powerful narcotic that produces strong psychedelic effects. Soon, everyone in school will want a taste of his hallucinogenic cream and this former-loser will become the most popular kid in school. But once you lick the Toad, there's no going back to normal drugs. His classmates just can't get enough. And as their addiction grows, they will stop at nothing to get it...In the spirit of Street Trash and Class of Nukem' High comes a novel about growing up, finding yourself, and tripping on bodily fluids. Shane McKenzie and Eraserhead Press present a bizarro high school drama drenched in Technicolor-splatter!

    Or almost no one. A few people, perhaps one in ten thousand, can still sleep, and they’ve all shared the same mysterious dream. A handful of silent children can still sleep as well, but what they’re dreaming remains a mystery. Global panic ensues. A medical fact: after six days of absolute sleep deprivation, psychosis sets in. After four weeks, the body dies. In the interim, a bizarre new world arises and swallows the old one whole. A world called Nod.

    The fear spread even faster. Within weeks, everything people counted on began to fail them. The electrical grid sputtered; law and government collapsed--and more than half of the world's population was decimated.Where there had been order, there was now chaos. And as the power of science and technology receded, magic rose up in its place. Some of it is good, like the witchcraft worked by Lana Bingham, practicing in the loft apartment she shares with her lover, Max. Some of it is unimaginably evil, and it can lurk anywhere, around a corner, in fetid tunnels beneath the river--or in the ones you know and love the most.As word spreads that neither the immune nor the gifted are safe from the authorities who patrol the ravaged streets, and with nothing left to count on but each other, Lana and Max make their way out of a wrecked New York City. At the same time, other travelers are heading west too, into a new frontier. Chuck, a tech genius trying to hack his way through a world gone offline. Arlys, a journalist who has lost her audience but uses pen and paper to record the truth. Fred, her young colleague, possessed of burgeoning abilities and an optimism that seems out of place in this bleak landscape. And Rachel and Jonah, a resourceful doctor and a paramedic who fend off despair with their determination to keep a young mother and three infants in their care alive.In a world of survivors where every stranger encountered could be either a savage or a savior, none of them knows exactly where they are heading, or why. But a purpose awaits them that will shape their lives and the lives of all those who remain.The end has come. The beginning comes next.

    Walter creates a postapocalyptic nightmare that is as sidesplitting as it is moving—and all the more damning because it’s so recognizable.Set in the year 2040, amid rolling epidemics, economic collapses, ozone tumors, genetic piracy, and an Arizona border war, “Don’t Eat Cat” is the story of Owen, a guy who just wants to forget the results of his recent full-body scan with a grande soy latte before going to work in Seattle’s food/finance district. The world has gone straight to hell, and the most horrifying part of it is that not a damn thing has changed: You still have to go to work, you still don’t have a girlfriend, and, unbelievably, the line at the Starbucks Financial still stretches on forever. Why? Because there’s a zombie working behind the counter, an addict of a club drug that causes its users to become aggressive, milk-pale, dead-eyed dimwits with an appetite for rodents and house pets—cats in particular (and, in very, very rare cases, humans).When Owen finally makes it to the head of the line, the afflicted barista’s people skills falter under pressure and he mauls the store manager. It’s the first documented zombie attack in months, and it sets the sim-tweets buzzing, ultimately ending in a vigilante killing. As for Owen, he gets more than a free latte out of the incident: He’s forced to confront the brokenness of his present life by venturing into the past. With the help of a private investigator, he heads into Seattle’s Zombie Town to search for the only woman he has ever loved.In “Don’t Eat Cat,” some highs are better than a lifetime of being human.

    Their mission: hunt down and destroy the real William Shatner. Featuring: Captain Kirk, TJ Hooker, Denny Crane, Priceline Shatner, Cartoon Kirk, Rescue 9-1-1 Shatner, singer Shatner, and many more. No costumed con-goer will be spared in their wave of destruction, no red shirt will make it out alive, and not even the Klingons will be able to stand up to a deranged Captain Kirk with a light saber. But these Shatner- clones are about to learn a hard lesson . . . that the real William Shatner doesn't take crap from anybody. Not even himself.

    In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means. Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion. Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey, which is low-caste in this color-centric world. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

    They are our neighbors, our mothers, our lovers.They change.When government agents kick down Claire Forrester's front door and murder her parents, Claire realizes just how different she is.Patrick Gamble was nothing special until the day he got on a plane and hours later stepped off it, the only passenger left alive, a hero.Chase Williams has sworn to protect the people of the United States from the menace in their midst, but he is becoming the very thing he has promised to destroy. So far, the threat has been controlled by laws and violence and drugs. But the night of the red moon is coming, when an unrecognizable world will emerge...and the battle for humanity will begin.

    As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton—and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers—and even more violent sparring on the blood-soaked battlefield. Can Elizabeth vanquish the spawn of Satan? And overcome the social prejudices of the class-conscious landed gentry? Complete with romance, heartbreak, swordfights, cannibalism, and thousands of rotting corpses,

    Then there is light, there are voices, and they feed... Swarming from their prison, they multiply and thrive. To scream, even to whisper, is to summon death.Deaf for many years, Ally knows how to live in silence. Now, it is her family's only chance of survival. To leave their home, to shun others, to find a remote haven where they can sit out the plague. But will it ever end? And what kind of world will be left?

    The Undead. A Town Called Discovery and The Worldship Humility.A virtual reality.A fleet of spaceships.A shimmering blue door.A virus unleased upon the planet.Four worlds that do not co-habit the same time and space.But things are never quite as they seem…*This book is intended for existing fans of the series, The Undead, Extracted, A Town Called Discovery and The Worldship Humility, and as such, it may not appeal to new readers who have not read those series.

    As more and more anomalies crop up in testing, Lyle realizes that the lotion's formula has somehow gone horribly wrong. It is actively overwriting the DNA of anyone who uses it, turning them into physical clones of someone else. Lyle wants to destroy the formula, but NewYew thinks it might be the greatest beauty product ever designed--and the world's governments think it's the greatest weapon.New York Times bestselling author Dan Wells brings us a gripping corporate satire about a health and beauty company that could destroy the world.

    Before the sun has set, they have become more than just friends and allies—they are bonded as tightly as any two people who have been to war together. During their cross-Texas odyssey to find and rescue Jenni’s oldest son, Jenni discovers the joy of watching a zombie’s head explode when she shoots its brains out. Katie learns that she’s a terrific tactician—and a pretty good shot. A chance encounter puts them on the road to an isolated, fortified town, besieged by zombies, where fewer than one hundred people cling to the shreds of civilization. It looks like the end of the world. But Katie and Jenni and many others will do whatever they have to to stay alive. Run, fight, pick each other up when they stumble, fall in love…anything is possible at the end of the world.

    There were now four distinct variations of humanity roaming the earth - six, if you counted the undead.It had been suggested that there really should have been a new word to describe "the end of everything forever," but most people had stopped noticing, much less caring, after the tally hit double digits. Not to mention the failure of "forever" in living up to its potential.The last apocalypse wasn't even considered a cataclysm by most major governments.It was just a Thursday.Exponential Apocalypse is the tender, heart-stirring tale of crappy jobs, a slacker cult, an alcoholic Aztec god, reconstituted world leaders, werewolves, robots, and the shenanigans of multiple persons living after the twentieth-aught end of the world. Fast-paced, frenetic, funny, and frequently fond of other f-words, Exponential Apocalypse is the only book that will have you looking forward to the end of the world.

    But this is no ordinary virus. It turns flesh into metal, and people into machines. There is no escape. As the virus spreads, and more terrifying, bloodthirsty machines appear, the remaining survivors are losing hope. Who will turn silver next? Is help ever coming? Will any of them survive?"Breathtakingly brilliant"- The Guardian"Wooding's explosive visual imagination knows no bounds"- The Times

    In the festering sewers below a darker game is afoot: a Wall Street takeover artist has been murdered, and Gant’s crusading ex-wife, Joan Fine, has been hired to find out why. The year is 2023, and Ayn Rand has been resurrected and bottled in a hurricane lamp to serve as Joan's assistant; an eco-terrorist named Philo Dufrense travels in a pink-and-green submarine designed by Howard Hughes; a Volkswagen Beetle is possessed by the spirit of Abbey Hoffman; Meisterbrau, a mutant great white shark, is running loose in the sewers beneath Times Square; and a one-armed 181-year-old Civil War veteran joins Joan and Ayn in their quest for the truth. All of whom, and many more besides, are caught up in a vast conspiracy involving Walt Disney, J. Edgar Hoover, and a mob of homicidal robots.