She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Green.Kat Richardson’s Greywalker finds herself in too deep when a “simple job” goes bad and Harper Blaine is enmeshed in a tangle of dark secrets and revenge from beyond the grave.For centuries, the being that we know as Noah lived among us. Now he is dead, and fallen-angel-turned-detective Remy Chandler has been hired to find out who killed him in a whodunit by Thomas E. Sniegoski.

    It is a place of contradictions—the bright lights mask the peeling paint; a carnie in greasy overalls slinks away from the direction of the Barker’s seductive call. It is a place of illusion—is that woman’s beard real? How can she live locked in that watery box?And while many are tricked by sleight of hand, there are hints of something truly magical going on. One must remain alert and learn quickly the unwritten rules of this dark show. To beat the carnival, one had better have either a whole lot of luck or a whole lot of guns—or maybe some magic of one’s own.Featuring stories grotesque and comical, outrageous and action-packed, Carniepunk is the first anthology to channel the energy and attitude of urban fantasy into the bizarre world of creaking machinery, twisted myths, and vivid new magic.RACHEL CAINE’s vampires aren’t child’s play, as a naïve teen discovers when her heart leads her far, far astray in “The Cold Girl.” With “Parlor Tricks,” JENNIFER ESTEP pits Gin Blanco, the Elemental Assassin, against the Wheel of Death and some dangerously creepy clowns. SEANAN McGUIRE narrates a poignant, ethereal tale of a mysterious carnival that returns to a dangerous town after twenty years in “Daughter of the Midway, the Mermaid, and the Open, Lonely Sea.” KEVIN HEARNE’s Iron Druid and his wisecracking Irish wolfhound discover in “The Demon Barker of Wheat Street” that the impossibly wholesome sounding Kansas Wheat Festival is actually not a healthy place to hang out. With an eerie, unpredictable twist, ROB THURMAN reveals the fate of a psychopath stalking two young carnies in “Painted Love.”

    . . ? Find them all here in Holly Black’s amazing first collection.In her debut collection, New York Times best-selling author Holly Black returns to the world of Tithe in two darkly exquisite new tales. Then Black takes readers on a tour of a faerie market and introduces a girl poisonous to the touch and another who challenges the devil to a competitive eating match. Some of these stories have been published in anthologies such as 21 Proms, The Faery Reel, and The Restless Dead, and many have been reprinted in many “Best of ” anthologies.The Poison Eaters is Holly Black’s much-anticipated first collection, and her ability to stare into the void—and to find humanity and humor there—will speak to young adult and adult readers alike.A Junior Library Guild Pick. Illustrated by Theo Black.Holly Black is the author of Tithe: A Modern Faerie Tale (an ALA Best Book for Young Adults) and two related novels, Valiant (Norton Award winner) and New York Times bestseller Ironside. Her latest novel, Black Heart is the third of a new series, The Curseworkers. She and Tony DiTerlizzi created the best-selling Spiderwick Chronicles. Holly lives in Massachusetts with her husband, Theo, in a house with a secret library.

    In these stories, Brian Evenson unsettles us with the everyday and the extraordinary—the terror of living with the knowledge of all we cannot know.

    Taff, the "King of Pain," to the mind-bending surrealism of Erik T. Johnson, the darkly poetic prose of J. Daniel Stone and the transgressive mania of Joe Schwartz, I CAN TASTE THE BLOOD offers up five novellas from five unique authors whose work consistently expands the boundaries of conventional fiction. Five Disturbing Visions I CAN TASTE THE BLOOD opens the doors to a movie theater of the damned; travels the dusty, sin-drenched desert with an almost Biblical mysterious stranger; recounts the phantasmagoric story of birth, death and rebirth; contracts a hit that's not at all what it seems; and exposes the disturbing possibilities of what might be killing Smalltown, U.S.A. One Nightmare As diverse as they are, in voice and vision, the work of the five celebrated authors assembled in this stunning volume of terror share one common theme, one hideous and terrifying nightmare that can only be contained within the pages of I CAN TASTE THE BLOOD.

    The first three tales of Bauchelain and Korbal Broach, the famed necromancers from the Malazan Book of the Fallen, collected in one volume.Contents:Blood Follows (2002)The Healthy Dead (2004)The Lees of Laughter's End (2007)

    Collection includes:"The Case of the Four and Twenty Blackbirds," "Troll Bridge," "Don't Ask Jack," "How to Sell the Ponti Bridge," "October in the Chair," "Chivalry," "The Price," "How to Talk to Girls at Parties," "Sunbird," "The Witch's Headstone," "Instructions"

    In Doors of His Face, The Lamps of His Mouth, Zelazny's rare ability to mix the dream-like, disturbing imagery of fantasy with the real-life hardware of science fiction is on full display. His vivid imagination and fine prose made him one of the most highly acclaimed writers in his field.Contents:· The Doors of His Face, the Lamps of His Mouth · nv F&SF Mar ’65 · The Keys to December · nv New Worlds Aug ’66 · Devil Car [Sam Nurdock] · ss Galaxy Jun ’65 · A Rose for Ecclesiastes · nv F&SF Nov ’63 · The Monster and the Maiden · vi Galaxy Dec ’64 · Collector’s Fever · vi Galaxy Jun ’64 · This Mortal Mountain · nv If Mar ’67 · This Moment of the Storm · nv F&SF Jun ’66 · The Great Slow Kings · ss Worlds of Tomorrow Dec ’63 · A Museum Piece · ss Fantastic Jun ’63 · Divine Madness · ss Magazine of Horror Sum ’66 · Corrida · ss Anubis v1 #3 ’68 · Love Is an Imaginary Number · ss New Worlds Jan ’66 · The Man Who Loved the Faioli · ss Galaxy Jun ’67 · Lucifer · ss Worlds of Tomorrow Jun ’64

    The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic).So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

    P. Lovecraft's "Pickman's model" - was nominated for a World Fantasy Award, while "Proboscis" was nominated for an International Horror Guild award and reprinted in The Year's Best Fantasy and Horror 19. In addition to his previously published work, this collection contains an original story.

    Take a terrifying journey with literary masters of suspense, visiting a place where the other is somehow one of us. These electrifying tales redefine monsters from mere things that go bump-in-the-night to inexplicable, deadly reflections of our day-to-day lives. Whether it's a seemingly-devoted teacher, an obsessive devotee of swans, or a diner full of evil creatures simply seeking oblivion, the monstrous is always there — and much closer than it appears.

    Hand selected from cutting-edge authors, each work blends subtle psychology and mischievousness with disturbingly visceral imagery. In the classic "Chattery Teeth,” Stephen King provides a tautly drawn account of a traveling salesman who unwisely picks up yet another hitchhiker, while in Peter Straub’s eerie "The Juniper Tree," a man whose nostalgia for the movies of his childhood leads to his stolen innocence. Renowned fantasy author George R. R. Martin weaves a sinister yarn about a young woman encountering a neighbor who is overly enamored with her in "The Pear-Shaped Man." Combining acclaimed masters of the macabre, such as Clive Barker, Poppy Z. Brite, and Thomas Ligotti, with bold new talents to the genre, including Kelly Link, Neil Gaiman, and Stephen King’s son, Joe Hill, this distinctive collection of stories will delight and terrify.Contents "Jacqueline Ess: Her Will And Testament" by Clive Barker "Dancing Chickens" by Edward Bryant "The Greater Festival of Masks" by Thomas Ligotti "The Pear-Shaped Man" by George R. R. Martin "The Juniper Tree" by Peter Straub "Two Minutes Forty-Five Seconds" by Dan Simmons "The Power and the Passion" by Pat Cadigan "The Phone Woman" by Joe R. Lansdale "Teratisms" by Kathe Koja "Chattery Teeth" by Stephen King "A Little Night Music" by Lucius Shepard "Calcutta, Lord of Nerves" by Poppy Z. Brite "The Erl King" by Elizabeth Hand "The Dog Park" by Dennis Etchison "Rain Falls" by Michael Marshall Smith "Refrigerator Heaven" by David J. Schow "----" by Joyce Carol Oates "Eaten (Scenes from a Moving Picture)" by Neil Gaiman "The Specialist’s Hat" by Kelly Link "The Tree is My Hat" by Gene Wolfe "Heat" by Steve Rasnic Tem "No Strings" by Ramsey Campbell "Stitch" by Terry Dowling "Dancing Men" by Glen Hirshberg "My Father’s Mask" by Joe Hill

    "Nightmare at 20,000 Feet" is just one of many classic horror stories by Richard Matheson that have insinuated themselves into our collective imagination.Here are more than twenty of Matheson's most memorable tales of fear and paranoia, including:"Duel," the nail-biting tale of man versus machines that inspired Steven Spielberg's first film;"Prey," in which a terrified woman is stalked by a malevolent Tiki doll, as chillingly captured in yet another legendary TV moment;"Blood Son," a disturbing portrait of a strange little boy who dreams of being a vampire;"Dress of White Silk," a seductively sinister tale of evil and innocence.Personally selected by Richard Matheson, the bestselling author of I Am Legend and What Dreams May Come, these and many other stories, more than demonstrate why he is rightfully regarded as one of the finest and most influential horror writers of our generation.

    "Robin Hobb" and "Megan Lindholm" are both pseudonyms used by California-born Margaret Ogden, who from 1983 to 1992, published exclusively as Lindholm. This generous, 400-page hardcover original brings together short stories and novellas penned under both authorial bylines. As Hobb herself notes, "their" writing and styles differ in significant ways. (P.S. This collection includes stories previously unpublished in the United States.)