Three years since my best friend, Sarah, was killed in a bathroom stall during the mass shooting. Everyone knows Sarah's story--that she died proclaiming her faith. But it's not true. I know because I was with her when she died. I didn't say anything then, and people got hurt because of it. Now Sarah's parents are publishing a book about her, so this might be my last chance to set the record straight . . . but I'm not the only survivor with a story to tell about what did--and didn't--happen that day. Except Sarah's martyrdom is important to a lot of people, people who don't take kindly to what I'm trying to do. And the more I learn, the less certain I am about what's right. I don't know what will be worse: the guilt of staying silent or the consequences of speaking up . . .

    Marilyn's tale recounts the summer she fell in love and set out on her own path. Angie's story is about her search for her unknown father.This sweeping multi-generational love story introduces readers to mother-and-daughter pair Marilyn and Angie. To seventeen-year-old Angie, who is mixed-race, Marilyn is her hardworking, devoted white single mother. But Marilyn was once young, too. When Marilyn was seventeen, she fell in love with Angie's father, James, who was African-American. But Angie's never met him, and Marilyn has always told her he died before she was born. When Angie discovers evidence of an uncle she's never met she starts to wonder: What if her dad is still alive, too? So she sets off on a journey to find him, hitching a ride to LA from her home in New Mexico with her ex-boyfriend, Sam. Along the way, she uncovers some hard truths about herself, her mother, and what truly happened to her father.

    30H, for example. Fifteen-year-old Greer Walsh hasn't been fazed by basic algebra since fifth grade, but for the last year, 30H has felt like an unsolvable equation - one that's made her world a very small, very lonely place. 30H is her bra size - or it was the last time anyone checked. She stopped letting people get that close to her with a tape measure a while ago.Ever since everything changed the summer before ninth grade, Greer has felt out of control. She can't control her first impressions, the whispers that follow, or the stares that linger after. The best she can do is put on her faithful XXL sweatshirt and let her posture - and her expectations for other people - slump.But people - strangers and friends - seem strangely determined to remind her that life is not supposed to be this way. Despite carefully avoiding physical contact and anything tighter than a puffy coat, Greer finds an unexpected community on the volleyball squad, the team that hugs between every point and wears a uniform "so tight it can squeeze out tears." And then there's Jackson Oates, newly arrived at her school and maybe actually more interested in her banter than her breasts.Laura Zimmermann's debut is both laugh-out-loud funny and beautifully blunt, vulnerable and witty, heartbreaking and hopeful. And it will invite listeners to look carefully at a girl who just wants to be seen for all she is.

    Untouchable, they have the kind of power other girls only dream of. Every party is theirs and the world is at their feet. Until the night of Elle’s sweet sixteen, when they crash a St. Andrew’s Prep party. The night the golden boys choose Elle as their next target. They picked the wrong girl. Sworn to vengeance, Elle transfers to St. Andrew’s. She plots to destroy each boy, one by one. She’ll take their power, their lives, and their control of the prep school’s hierarchy. And she and her coven have the perfect way in: a boy named Mack, whose ambition could turn deadly. Foul is Fair is a bloody, thrilling revenge fantasy for the girls who have had enough. Golden boys beware: something wicked this way comes.

    She finds refuge and stability in her relationship with her boyfriend, Peter—until he abandons her at a Planned Parenthood clinic during their appointment to terminate an unwanted pregnancy. The betrayal causes Gen to question everything.As Gen pushes herself forward to find her new identity without Peter, she must also confront her most painful memories. Through the lens of an ongoing four act play within the novel, the fantasy of their undying love unravels line by line, scene by scene. Digging deeper into her past while exploring the underground theater world of New York City, she rediscovers a long-forgotten dream. But it’s when Gen lets go of her history, the one she thinks she knows, that she’s finally able to embrace the complicated, chaotic true story of her life, and take center stage.This powerfully immersive and format-crushing debut follows Gen from dorm rooms to diners to house parties to auditions—and ultimately, right into readers’ hearts.

    In town she's the rich one--the great-great-granddaughter of the mill's founder. At school she's hot Maddie Ward's younger sister. And at home, she's the good one, her stoner older brother Joey's babysitter. Everything was turned on its head, though, when she and Joey were in the car accident that killed Candy MontClaire. The car accident that revealed just how bad Joey's drug habit was.Four months later, Emmy's junior year is starting, Joey is home from rehab, and the entire town of Mill Haven is still reeling from the accident. Everyone's telling Emmy who she is, but so much has changed, how can she be the same person? Or was she ever that person at all?Mill Haven wants everyone to live one story, but Emmy's beginning to see that people are more than they appear. Her brother, who might not be cured, the popular guy who lives next door, and most of all, many ghostie addicts who haunt the edges of the town. People spend so much time telling her who she is--it might be time to decide for herself.Inspired by the American classic Our Town, You'd Be Home Now is Kathleen Glasgow's glorious modern story of a town and the secret lives people live there. And the story of a girl, figuring out life in all its pain and beauty and struggle and joy.

    She mourned the death of her father and suffered a teen-life crisis, which delayed her university plans. But when her father’s will reveals a family-owned property in Northern England, Josie leaves London to find clarity at the secluded manor house. While exploring the estate, she discovers two-hundred-year-old love letters written by an elusive novelist, all addressed to someone named Josephine. And then she discovers a novel in which it seems like she’s the heroine…1820: Novelist Elias Roch loves a woman he can never be with. Born the bastard son to a nobleman and cast out from society, Elias seeks refuge in his mind with the quirky heroine who draws him into a fantasy world of scandal, betrayal, and unconditional love. Convinced she’s his soulmate, Elias writes letters to her, all of which divulge the tragedy and trials of his personal life.As fiction blurs into reality, Josie and Elias must decide: How does one live if love can’t wait? Separated by two hundred years, they fight against time to find each other in a story of her, him, and the novel written by the man who loves her.

    She’s ready to pack in as much friend time as possible, to finish college applications, and to maybe let her childhood best friend Sebastian know how she really feels about him. For Lena, the upcoming year is going to be epic—one of opportunities and chances.Until one choice, one moment, destroys everything.Now Lena isn’t looking forward to tomorrow. Not when friend time may never be the same. Not when college applications feel all but impossible. Not when Sebastian might never forgive her for what happened.For what she let happen.With the guilt growing each day, Lena knows that her only hope is to move on. But how can she move on when she and her friends’ entire existences have been redefined? How can she move on when tomorrow isn’t even guaranteed?

    And if she's learned one thing, it is to Pack. Light.Carry only what fits in a suitcase.Toothbrush? Yes.Socks? Yes.Emotional attachment to friends? foster families? a boyfriend? Nope!There's no room for any additional baggage.Muir has just one year left before she ages out of the system. One year before she's free. One year to avoid anything--or anyone--that could get in her way.Then she meets Francine. And Kira. And Sean.And everything changes.

    It’s a form of Severe Combined Immunodeficiency, but basically, I’m allergic to the world. I don’t leave my house, have not left my house in fifteen years. The only people I ever see are my mom and my nurse, Carla.But then one day, a moving truck arrives. New next door neighbors. I look out the window, and I see him. He’s tall, lean and wearing all black—black t-shirt, black jeans, black sneakers and a black knit cap that covers his hair completely. He catches me looking and stares at me. I stare right back. His name is Olly. I want to learn everything about him, and I do. I learn that he is funny and fierce. I learn that his eyes are Atlantic Ocean-blue and that his vice is stealing silverware. I learn that when I talk to him, my whole world opens up, and I feel myself starting to change—starting to want things. To want out of my bubble. To want everything, everything the world has to offer.Maybe we can’t predict the future, but we can predict some things. For example, I am certainly going to fall in love with Olly. It’s almost certainly going to be a disaster.

    . . .Marin has always been good at navigating these unspoken guidelines. A star student and editor of the school paper, she dreams of getting into Brown University. Marin’s future seems bright―and her young, charismatic English teacher, Mr. Beckett, is always quick to admire her writing and talk books with her.But when “Bex” takes things too far and comes on to Marin, she’s shocked and horrified. Had she somehow led him on? Was it her fault?When Marin works up the courage to tell the administration what happened, no one believes her. She’s forced to face Bex in class every day. Except now, he has an ax to grind.But Marin isn’t about to back down. She uses the school newspaper to fight back and she starts a feminist book club at school. She finds allies in the most unexpected people, like “slutty” Gray Kendall, who she’d always dismissed as just another lacrosse bro. As things heat up at school and in her personal life, Marin must figure out how to take back the power and write her own rules.

    Now I'm only one. The Burned Girl.Ava Lee has lost everything there is to lose: Her parents. Her best friend. Her home. Even her face. She doesn't need a mirror to know what she looks like--she can see her reflection in the eyes of everyone around her. A year after the fire that destroyed her world, her aunt and uncle have decided she should go back to high school. Be "normal" again. Whatever that is. Ava knows better. There is no normal for someone like her. And forget making friends--no one wants to be seen with the Burned Girl, now or ever. But when Ava meets a fellow survivor named Piper, she begins to feel like maybe she doesn't have to face the nightmare alone. Sarcastic and blunt, Piper isn't afraid to push Ava out of her comfort zone. Piper introduces Ava to Asad, a boy who loves theater just as much as she does, and slowly, Ava tries to create a life again. Yet Piper is fighting her own battle, and soon Ava must decide if she's going to fade back into her scars . . . or let the people by her side help her fly."A heartfelt and unflinching look at the reality of being a burn survivor and at the scars we all carry. This book is for everyone, burned or not, who has ever searched for a light in the darkness." --Stephanie Nielson, New York Times bestselling author of Heaven Is Here and a burn survivor

     Cammie O'Reilly lives at the Hancock County Prison--not as a prisoner, she's the warden's daughter. She spends the mornings hanging out with shoplifters and reformed arsonists in the women's excercise yard, which gives Cammie a certain cache with her school friends.But even though Cammie's free to leave the prison, she's still stuck. And sad, and really mad. Her mother died saving her from harm when she was just a baby. You wouldn't think you could miss something you never had, but on the eve of her thirteenth birthday, the thing Cammie most wants is a mom. A prison might not be the best place to search for a mother, but Cammie is determined and she's willing to work with what she's got."Jerry Spinelli again proves why he's the king of storytellers" (Shelf Awarenss, starred) in this tale of a girl who learns that heroes can come in surprising disguises, and that even if we don't always get what we want, sometimes we really do get what we need."This book is never boring and never predictable. Fame, good and bad fortune, friendship and mental illness all make their way into [Cammie's] narrative."--The New York Times Book ReviewPraise for the works of Jerry Spinelli:"Spinelli is a poet of the prepubescent. . . . No writer guides his young characters, and his readers, past these pitfalls and challenges and toward their futures with more compassion." --The New York Times"It's almost unreal how much the children's book still resonates." --Bustle.com on Maniac Magee

    But opportunity came with the new Second Chance Program, the governor's newest pet project to get delinquents off the streets, rehabilitated and back into society. Drix knows this is his chance to get his life back on track, even if it means being paraded in front of reporters for a while.Elle knows she lives a life of privilege. As the governor's daughter, she can open doors with her name alone. But the expectations and pressure to be someone she isn't may be too much to handle. She wants to follow her own path, whatever that means.When Drix and Elle meet, their connection is immediate, but so are their problems. Drix is not the type of boy Elle's parents have in mind for her, and Elle is not the kind of girl who can understand Drix's messy life.But sometimes love can breach all barriers.Fighting against a society that can't imagine them together, Drix and Elle must push themselves -- Drix to confront the truth of the robbery, and Elle to assert her independence -- and each other to finally get what they deserve.

    Morris Award finalist Jessie Ann Foley comes the story of one girl’s battle to define herself as something other than her reputation.Mia is officially a Troubled Teen—she gets bad grades, drinks too much, and has probably gone too far with too many guys. But she doesn’t realize how out of control her parents think she is until they send her away to Red Oak Academy, a therapeutic boarding school in rural Minnesota.While there, Mia starts confronting her painful past, and questions the purpose of Red Oak. After all, if the Red Oak girls were boys, they never would have been treated the way that they are. Amidst the revelations that cause her to question the way that society treats young women, circumstances outside of her control force Mia to discover what happens when she makes herself vulnerable enough to be truly seen by the rest of the world.