Between his second and third tours of duty, a soldier returns home.To his former home, that is, using an old key while the new tenant is at work. Is he re-entering his old life or borrowing someone else's? Where is the line he will not cross? Each day is the same: he exists in a state of suspension, barely knowing how he passes the time - until someone else intrudes on the intruder.Adrian Tomine, graphic master of alienation and regret, expertly expands the form to express the unsaid and the unbearable in this unforgettable evocation of a post-traumatic life.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    That's saying a lot. His stories are often unusual, challenging, uncategorizable, and brilliant. This collection assembles 18 of them, including his very first story. Included are:ALOYSADAM HAD THREE BROTHERSSEVEN-DAY TERRORDAY OF THE GLACIERSODOM AND GOMORRAH, TEXASTHROUGH OTHER EYES THE WEIRDEST WORLDTHE SIX FINGERS OF TIME, by R. A. LaffertyTRY TO REMEMBERMcGONIGAL'S WORMTHE POLITE PEOPLE OF PUDIBUNDIAIN THE GARDENALL THE PEOPLEDREAMTHE WAGONSOTHER SIDE OF THE MOONTHE UGLY SEASATURDAY YOU DIEIf you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 290+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

    Jack encountered Gilbert Chesterton’s Father Brown tales a few years later and they ultimately became the prime influence in his science fiction. The issue with Father Brown was never a question of who committed the murder, but rather what in heaven’s name is going on here? Why does an astronaut, in “Cathedral,” sacrifice her life to collide with an asteroid that she knows poses no threat to the Earth? Why does a scientist who’s designed an actual working AI in “The Play’s the Thing,” hide what’s he’s done? How is it that the lives of two people working at Moonbase in “Blinker” depend on a quasar? In “Lucy,” Jack shows us why sending automated vehicles to explore the distant outposts of the solar system may not be a good idea. And in “Searching for Oz,” an alternate history story, how things might have been if SETI had gotten what it was looking for. He describes our reaction in “Listen Up, Nitwits,” when a voice begins speaking to us, apparently from Jupiter, in Greek. And in “The Lost Equation,” a Holmes adventure, we discover who really was first to arrive at e=mc2. Jack also provides two episodes, “Maiden Voyage” and “Waiting At the Altar,” from Priscilla Hutchins’ qualification flight; and an effort by a sixteen-year-old Alex Benedict, in the title story with his uncle Gabe and Chase Kolpath’s mom, Tori, who are trying to understand why a brilliant radio entertainer, lost in the stars when his drive unit suffered a malfunction, never said goodbye. These and fourteen other rides into odd places await the reader.

    But before long, she discovers how little she really knew about the man she married.Lies, betrayal and double-crossing shock to the core, and treachery that threatens to destroy more than a marriage…

    Miyake is an older man with an obsession in building the perfect bonfire. He befriends Junko, a young woman who lives with her boyfriend Keisuke and is estranged from her family. Whenever Miyake is going to light a bonfire, he calls Junko to come down and watch it burn; and the two of them have an unusual connection. Junko’s boyfriend, Keisuke, is a musician who lives in the here and now and has difficulty understanding Miyake and Junko’s relationship.Much of the story revolves around a philosophical discussion between Miyake and Junko. It is important to understand that Murakami wrote this story shortly after the Kobe earthquake; and the themes of death, an uncertain future and the larger meaning of life resonate throughout the prose.

    But it was in his short stories, written when he was a young man embarking on a literary career, that he first explored the enormous potential of the scientific discoveries of the day. He described his stories as "a miscellany of inventions," yet his enthusiasm for science was tempered by an awareness of its horrifying destructive powers and the threat it could pose to the human race. A consummate storyteller, he made fantastic creatures and machines entirely believable, and by placing ordinary men and women in extraordinary situations, he explored, with humor, what it means to be alive in a century of rapid scientific progress. At the dawn of a new millennium, Wells' singular vision is more compelling than ever.

    Johnny Mnemonic (1981)The Gernsback Continuum (1981)Fragments of a Hologram Rose (1977)The Belonging Kind (1981) with John ShirleyHinterlands (1981)Red Star, Winter Orbit (1983) with Bruce SterlingNew Rose Hotel (1984)The Winter Market (1985)Dogfight (1985) with Michael SwanwickBurning Chrome (1982)

    His wife has retreated into a virtual heaven and his son remains missing after joining an extrasolar mission to track down an alien race. He is presently tasked by his superiors with the threat assessment of hived human intelligences, one of which successfully attacks a compound under his watch. Now, one of the strongest hive minds in the world approaches Keaton with an offer that could completely change his world.

    Love After the End is a new young adult anthology edited by Joshua Whitehead (Lambda Literary Award winner, Jonny Appleseed) featuring short stories by Indigenous authors with Two-Spirit & Queer heroes, in utopian and dystopian settings.This is a sequel to the popular anthology, Love Beyond Body Space and Time (2019 AILA Youth Honor Book), and features several of the same authors returning, along with new voices!

    "Anda's Game" is a spin on the bizarre new phenomenon of "cyber sweatshops," in which people are paid very low wages to play online games all day in order to generate in-game wealth, which can be converted into actual money. Another tale tells of the heroic exploits of "sysadmins" — systems administrators — as they defend the cyber-world, and hence the world at large, from worms and bioweapons. And yes, there is a story about zombies, too.

    Now and then he moved a little to quiet the protest of cramped muscles and stagnant blood, but most of the time he was as motionless as the heap of rags he resembled. Not once did he hear or see a Bohas agent, or, for that matter, anyone. The predawn darkness had hidden his panting flight from the transie jungle, his dodging across backyards while whistles shrilled and voices shouted, and his crawling on hands and knees down an alley into the high grass and bushes which fringed a hidden garden. For a while his heart had knocked so loudly that he had been sure he would not be able to hear his pursuers if they did get close. It seemed inevitable that they would track him down. A buddy had told him that a new camp had just been built at a place only three hours drive away from the town. This meant that Bohas would be thick as hornets in the neighborhood.

    Desperate for human connection, they listen through walls and engage in such obsessions as collecting hairs left behind by lovers. These 24 passionately and intricately rendered stories secure Lutz's place at the forefront of the contemporary fiction of disaffection.

    This is only the start, and the close of the 21st century will look absolutely nothing like its inception. It has been said that science fiction is an ongoing dialogue about the future, and the front line of that dialogue is the short story. The field has a long history of producing famous anthologies to showcase its distinguished short fiction, but it has been several years since there has been a prestigious all-original science fiction anthology series. Fast Forward is offered in the tradition of Damon Knight’s prestigious and influential anthology series, Orbit, and Frederik Pohl’s landmark Star SF. Fast Forward marks the start of a new hard science fiction anthology series, dedicated to presenting the vanguard of the genre and charting the undiscovered country that is the future. Contributors scheduled for the first volume include:Robert Charles Wilson - YFL-500Justina Robson - The Girl Hero's Mirror Says He's Not the OnePaolo Bacigalupi - Small OfferingsRobyn Hitchcock - They Came From the FutureKage Baker - Plotters and ShootersTony Ballantyne - Aristotle OSElizabeth Bear - The Something-Dreaming GameStephen Baxter - No More StoriesA.M. Dellamonica - Time of the SnakeLarry Niven and Brenda Cooper - The Terror BardLouise Marley - p dolceKen MacLeod - Jesus Christ, ReanimatorMike Resnick and Nancy Kress - Solomon's ChoiceIan McDonald - Sanjeev and RobotwallahPamela Sargent - A Smaller GovernmentMary A. Turzillo - PrideRobyn Hitchcock - I Caught IntelligenceGeorge Zebrowski - SettlementsGene Wolfe - The Hour of the SheepJohn Meaney - Sideways from NowPaul Di Filippo - Wikiworld

    

    You?Alcoholic, said Rohan.Sixteen light-years from Earth, a black hole spins in the darkness, gravity and rotation flattening it into a Kerr singularity. In Colombo, Sri Lanka, a suicidal alcoholic signs up for the ultimate one-way trip: to be frozen, sent light years away from home, and shot into the black hole itself.