She begins with “how to” poems addressing everyday matters such as being hopeful, married, divorced; shearing a sheep; praying to unreliable gods; doing nothing at all; and of course, flying. Next come rafts of poems about making peace (or not) with the complicated bonds of friendship and family, and making peace (or not) with death, in the many ways it finds us. Some poems reflect on the redemptive powers of art and poetry itself; others consider where everything begins.Closing the book are poems that celebrate natural wonders—birdsong and ghost-flowers, ruthless ants, clever shellfish, coral reefs, deadly deserts, and thousand-year-old beech trees—all speaking to the daring project of belonging to an untamed world beyond ourselves.Altogether, these are poems about transcendence: finding breath and lightness in life and the everyday acts of living. It’s all terribly easy and, as the title suggests, not entirely possible. Or at least, it is never quite finished.

    As the field of environmental science continues to evolve, this highly readable guide presents a full spectrum of views and information for students to evaluate issues and make informed decisions. An extensive resource package integrates text and digital media in an easy-to-use format designed to assist instructors in classroom preparation.

    Now, he turns his eye to the most popular sport on the planet: soccer. It's a journey that begins with the first game John saw, in 1960s-era Ireland, through soccer in the 21st century - the World Cups in 02, 06, and 10, the European Championships in 04 and 08. In between the drunken fans, crazed taxi drivers, leprechauns and lederhosen, Doyle muses on the evolution of soccer as a global phenomenon. He shows a sport where for 90 minutes on the pitch anything seems possible. A game where colonized nations can tackle the power of their colonizers; where oppressed immigrant groups can thoroughly trounce their host countries. This book examines soccer from a new angle. John Doyle offers a compelling social history of the ultimate sport, each country and team competing in the historic 2010 World Cup, and how the game has kept pace as the global village has sprung up around the playing field.From the Hardcover edition.

    The book introduces two basic art historical methods formal analysis and contextual analysis revealing how to use these methods in writing papers and in class discussion.

    But something more “global” appears to be at work, and in any case he is distracted from his dreary rounds of diagnosis-seeking when a more urgent tragedy befalls the family. Joseph’s father, a former steelworker, was driving home from his new maintenance job when he swerved to avoid a deer and crashed his car, landing in the hospital. A week later he died of a heart attack.The deer, it turns out, was a stuffed decoy placed there by a high school student as a prank. This enrages Joseph’s older and ailing uncle, Bill (Yusef Bulos), who is even more disgusted when it is learned that the culprit is the star of the local football team, Vin (Jonathan Louis Dent), a town hero who is given a dispensation by a judge to serve his sentence in juvenile detention after the football season has concluded. Joseph and his younger brother, Charles (Chris Perfetti) — who are both gay — are more sympathetic to Vin, an African-American boy who has grown up in a foster home, and whose chance at a professional career may be jeopardized.Gloria (Joanna Gleason), Joseph’s new boss and a book packaging expert, knows a little about career jeopardy herself. She was run out of the publishing business — and Manhattan — when she sold a memoir by a Holocaust survivor that turned out to be fictionalized. (Gloria’s story and Vin’s are inspired by actual events.)Now she latches on to the discovery that Joseph’s family, of Lebanese extraction, is distantly related to Kahlil Gibran, author of the perennial best-selling spiritual book “The Prophet.” In her hilariously addled mind — complaining about her fall from grace, she defensively remarks, “I wasn’t at the Holocaust” — she decides that a memoir by Joseph about his family’s journey will be her ticket back to the big time.Mr. Karam’s play, which runs a little less than two hours and is performed in one seamless act , may sound top-heavy with plot and character. (Did I mention that Gloria’s emotional frailty also stems from the suicide of her husband?) Some of the relationships would benefit from being fleshed out in greater detail: the integration of Gloria into the lives of Joseph and his family, for example. The play’s climax shoehorns all the elements of the story into a farcical scene that seems a little forced, funny though it is.But one of Mr. Karam’s themes is the indiscriminate nature of misfortune — one calamity does not immunize you from the next, worse one — so the multiplication of disasters roiling the characters’ lives is to the point. And he writes with such precision that even the more peripheral characters emerge as sharply drawn, multifaceted individuals.

    In pursuit of a haven from the unrest of city life, she embarked on a journey to find the perfect plot of land on which to plant a wood. But creating this would-be sanctuary proved more daunting than she expected. In this inspiring memoir, Pavey shares her story of finding peace by sowing her legacy in the form of a wood, one tree at a time. Chronicling her struggle to clear away the brambles to make a place for herself in the world, Pavey's story is both enchanting and candid, and at times self-deprecating as she recognises her shortcomings as a landowner. By probing her own motivations and her enjoyment of the solitudeand beauty of the place, she shares her insights into our relationship with nature - and our destruction of it. Her intelligent understanding and cautioning against our romanticising of rural living forces us to consider the reality of country life in Britain today. With charming descriptions of the Somerset countryside and abundant with tales of its history and inhabitants (both past and present), Pavey's story is at once lyrical and beguiling.

    The little village of Susa slept in darkness in the heart of the forest farms, among the tall trees. The mahoganies and sapeles stood tall in the dark sky, providing a canopy over the village and deepening the density of the pitch-dark night. From a distant cluster of neighboring villages, Adu herd a dog bark. Another dog howled. In this village midnight was a dangerous time. It was better not to be awake or hear noises.....

    1 SOFTCOVER BOOK

    

    This is the book Haring wanted to make, based on the outline of a monograph that was never completed due to his untimely death in 1989.

    . . . A rewarding close-up of Rothko’s . . . experience as a Jewish immigrant.”—Publishers Weekly, Starred Review Mark Rothko, one of the greatest painters of the twentieth century, was born in the Jewish Pale of Settlement in 1903. He immigrated to the United States at age ten, taking with him his Talmudic education and his memories of pogroms and persecutions in Russia. His integration into American society began with a series of painful experiences, especially as a student at Yale, where he felt marginalized for his origins and ultimately left the school. The decision to become an artist led him to a new phase in his life. Early in his career, Annie Cohen-Solal writes, “he became a major player in the social struggle of American artists, and his own metamorphosis benefited from the unique transformation of the U.S. art world during this time.” Within a few decades, he had forged his definitive artistic signature, and most critics hailed him as a pioneer. The numerous museum shows that followed in major U.S. and European institutions ensured his celebrity. But this was not enough for Rothko, who continued to innovate. Ever faithful to his habit of confronting the establishment, he devoted the last decade of his life to cultivating his new conception of art as an experience, thanks to the commission of a radical project, the Rothko Chapel in Houston, Texas. Cohen-Solal’s fascinating biography, based on considerable archival research, tells the unlikely story of how a young immigrant from Dvinsk became a crucial transforming agent of the art world—one whose legacy prevails to this day.About Jewish Lives: Jewish Lives is a prizewinning series of interpretative biography designed to explore the many facets of Jewish identity. Individual volumes illuminate the imprint of Jewish figures upon literature, religion, philosophy, politics, cultural and economic life, and the arts and sciences. Subjects are paired with authors to elicit lively, deeply informed books that explore the range and depth of the Jewish experience from antiquity to the present. In 2014, the Jewish Book Council named Jewish Lives the winner of its Jewish Book of the Year Award, the first series ever to receive this award.More praise for Jewish Lives: “Excellent.” – New York times “Exemplary.” – Wall St. Journal “Distinguished.” – New Yorker “Superb.” – The Guardian

    Curators visit artists’ studios; collectors, dealers, and journalists assemble for a reception and reconvene later for dinner; everyone goes to parties. We exchange introductions and small talk; art is bought and sold; careers (and friendships) brighten or fade. In each situation, certain behaviors are expected while others are silently discouraged. Sometimes, what’s appropriate in the real world would be catastrophic in the art world, and vice versa.Making these distinctions on the spot can be nerve-wracking and disastrous. So we asked ourselves: What is the place of etiquette in art? How do social mores establish our communities, mediate our critical discussions, and frame our experience of art? If we were to transcribe these unspoken laws, what would they look like? What happens when the rules are broken? Since we didn’t have all the answers, we politely asked our friends for some help.Featuring: James Bae, Jay Batlle, Andrew Berardini, Dike Blair, Matthew Brannon, Sari Carel, Naomi Fry, Maria Elena González, Michelle Grabner, Ethan Greenbaum, Sara Greenberger Rafferty, A.S. Hamrah, Steffani Jemison, Paddy Johnson, Angie Keefer, Prem Krishnamurthy, David Levine, Pam Lins, Jason Murison, Dan Nadel, Bob Nickas, Wendy Olsoff, Dushko Petrovich, Kaspar Pincis, Richard Ryan, Jessica Slaven, Ryan Steadman, Amanda Trager, Rachel Uffner, and Roger White.

    It had been forged under the banner of one of the greatest generals in history, Genghis Khan, and ruled by men who, a generation before, had been simple nomadic tribesmen. Accompanying a BBC2 series, this book traces the rise and fall of the Mongol Empire, describing the great storm that revolutionized the trade of goods and ideas in the medieval world and shattered the Euro-centric view of science and culture. The Mongols introduced the first international currency, built and projected vast highways across the Asian grasslands, and carved out the major political groups of modern Asia. The book gives an essentially Eastern view of these first important contacts between the Orient and the Occident. The author's other books include "All the King's Men", "Shadow Makers" and "In the Sewers of Lvov".

    This spectacular book brings together the most beautiful, memorable and evocative pictures of Steve McCurry's extraordinary career.

    What we can—and must—do to succeed. This book will change the way we understand the future of our planet. It is both alarming and hopeful. James Gustave Speth, renowned as a visionary environmentalist leader, warns that in spite of all the international negotiations and agreements of the past two decades, efforts to protect Earth’s environment are not succeeding. Still, he says, the challenges are not insurmountable. He offers comprehensive, viable new strategies for dealing with environmental threats around the world.The author explains why current approaches to critical global environmental problems—climate change, biodiversity loss, deterioration of marine environments, deforestation, water shortages, and others—don’t work. He offers intriguing insights into why we have been able to address domestic environmental threats with some success while largely failing at the international level. Setting forth eight specific steps to a sustainable future, Speth convincingly argues that dramatically different government and citizen action are now urgent. If ever a book could be described as “essential,” this is it.